Around the World and Web includes announcements and items of interest from beyond the SWG.
Celedriel Week 2025
Celedriel Week is a Tumblr events for fanworks about Galadriel and Celeborn. It will run April 6-12, 2025, with the following prompts:
April 6 - First Meetings, Impressions, The Heart Stirs. (A Gaze Caught. The Fire Ignites. "Eru save me, I've found my doom.")
April 7 - Dedication, Courtship, The Heart Blooms. (Flowers and Letters. Words of Love. "My heart, my love, my eternity. My soul soars for thee.")
April 8 - Marriage, Vows, The Heart Bound In Love. (An exchange of rings. Families bound. "In joy and suffering, in life persevering, in death enduring, I take thee and thee alone.")
April 9 - Kingdoms, Refuge, The Heart Endures. (Crowns of silver. Realms rise and fall. "Blessed are they who stand before the darkness and do not falter.")
April 10 - Separation, Conflict, The Heart Grieves. (War and loss leave wounds. Paths diverge and change. "I must follow this thread alone, but not forever.")
April 11 - Lothlorien, Children, The Heart Heals. (Wounds become scars. A silver realm. "Let our children bring joy amidst darkness.")
April 12 - The West, Undying Love, The Heart is Eternal. (A test endured and passed. A goodbye, but not a farewell. "In life and eternity, endless bliss under golden trees.")
Neurodivergent Arda Week 2025
Neurodivergent Arda Week will run from March 30 to April 5, 2025 on Tumblr. This is an event to celebrate Neurodiversity in Tolkien's works. Although there are no characters who are explicitly Neurodivergent, many Neurodivergent folk have found themselves in Tolkien's world. All creations are welcome, such as art, writing, podfic, gifs, and more.
Neurodiversity is the realisation, celebration, and acceptance that there are many different ways for a brain to function. Diversity is a natural part of existence. All brains are valid and real, whether or not they may fit into categories. And the world needs every brain in order to function. There is no such thing as a “better” or a “worse” brain, they’re just different. And different is good. Diversity is a vital and natural part of our world.
Here are some prompts:
Day 1 - March 30 - Worldbuilding
Day 2 - March 31 - Characters
Day 3 - April 1 - Stimming
Day 4 - April 2 - Special Interests
Day 5 - April 3 - Assistive Technology
Day 6 - April 4 - Intersectionality
Day 7 - April 5 - Free Prompt
Submissions do not have to follow the prompts.
When submitting, please tag your post #neurodivergentardaweek and mention @neurodivergent-arda-week
Please include image descriptions on submissions.
Content or creators that endorse these prejudices are not allowed -
- Homophobia
- Transphobia
- Racism
- Ableism
- Fatphobia and body shaming
- Biphobia and panphobia
- Polyphobia and sentiments against polyamorous folk
- Radical feminism
- Fascism and alt-right politics
- Aphobia
Tolkien at UVM Registration Open
Event Description:
Keynote Speaker: John Garth
The theme for this year's conference is Tolkien and War. John Garth is a British journalist and author, known especially for writings about J. R. R. Tolkien including his biography Tolkien and the Great War and a book on the places that inspired Middle-earth, The Worlds of J. R. R. Tolkien. He won a 2004 Mythopoeic Award for Scholarship for his work on Tolkien.
Dates and Time:
Friday Fireside Reading with John Garth: Friday, April 4th, 2025 from 6:00 PM - 7:30 PM
Saturday Conference: Saturday, April 5th, 2025 from 8:00 AM - 5:00 PM
The registration deadline for this event is April 1, 2025.
Location:
Fireside Reading: Burack Lounge/Davis Center
Conference: UVM Campus, Lafayette L207, or virtually.
Cost:
$40
Tolkien Ekphrasis Week 2025
Material culture and art add vibrancy to our lives, and it seems that there are so many options in Middle Earth ripe for interpretation! A poem on Nerdanel's statues, a tapestry capturing Nessa's dance, a prose fic describing the impact of seeing Númenor's frescoes, a painting exploring the beautiful quotidian architecture of a Hobbit hole…
This is a Tolkien-fandom-wide event dedicated to the art of ekphrasis in Tolkien's worlds. Its goal is to illuminate the artistic surroundings of the places, people, and stories we love, in as many media as possible. As such, fanworks are welcome to take almost any form: see the FAQ for the full list!
The prompts are multi-part. The first part of the prompt is mandatory, describing the kind of art to be interpreted. The subsequent parts are optional thematic, formal, or visual add-ons that people may choose to incorporate or not.
In short, the timeline is:
- Read prompts starting March 17.
- Create!
- Post tagged work to AO3 before June 9 deadline.
- Enjoy daily reveals between June 10 and June 16.
- Amnesty day June 17 for late posters.
Inclusion
Tolkien Ekphrasis Week is open to all characters, genres, and ratings, and all Tolkien canons. This includes books, movies both live-action and animated, fan-made films like Born of Hope, TV shows, and game canons such as Lord of the Rings Online. It also includes Tolkien's non-Arda fictional works, such as Roverandom. Crossovers between two or more Tolkien canons are welcome.
Tolkien Ekphrasis Week wants to be as inclusive as possible. As such:
- All canons and versions of canon are equally welcome and encouraged to participate.
- Fan creators of all levels of experience should feel more than welcome to join in the fun.
- All languages are welcomed, and works in languages other than English are actively encouraged.
- All styles of art and all types of fic are permitted. Apart from following the Art Form content prompt for each day, there are no restrictions on genre, style, rating, or ship. There are two exceptions: first, no character bashing; second, no AI-generated writing or art.
Above all, this event is supposed to get us thinking and feeling about art, which is for everyone. With this in mind, TEW asks participants to be respectful and inclusive at all times. In particular, TEW values its queer and trans participants and participants of color and will moderate as necessary to ensure that this event remains a welcoming space.
Please see the FAQ for all rules and full instructions on how to post and tag.
Calendar
June 9, 2025: Submit all works to the AO3 Collection by this date
June 10-16, 2025: Reveals
- June 10 - AO3 collection reveals begin with Day 1 Prompt (Dance)
- June 11 - Day 2 Prompt (Leathercraft)
- June 12 - Day 3 Prompt (Painting)
- June 13 - Day 4 Prompt (Tattooing, Piercing & Body Art)
- June 14 - Day 5 Prompt (Culinary Arts)
- June 15 - Day 6 Prompt (Textiles & Fashion)
- June 16 - Day 7 Prompt (Lapidary & Hardstone Carving)
- June 17 - Amnesty Day and Free-for-all posting
March 17, 2026: 2025 AO3 Collection and DW community close to posting.
Housekeeping
The DW site is the primary home of Tolkien Ekphrasis Week: that is where to check first for dates, news, FAQs, links, and prompts!
Prompts will also be posted here on Tumblr. The Tumblr blog will be used for event promotion ahead of the event, answering questions via the ask function, and reblogging your creations, if they are posted and tagged on Tumblr.
This event does not and will not exist on any other form of social media other than Tumblr and DW, though I encourage you to spread the word in your other online communities.
If you have any questions, you can get in touch with the mod, @chestnut_pod, via Tumblr ask or comments on the Dreamwidth community's equivalent post.
Links
Feanorian Week 2025
Feanorian Week is a Tumblr event offering optional prompts for fanworks about the sons of Feanor and their parents. The event will run March 24th-30th, 2025.
The prompts are as followed:
- Day 1- Maedhros - > Childhood, Kingship, Angband, Coping, The Union, Relations with Different Races
- Day 2- Maglor -> Childhood, Spouse, Music & Songs of Power, Elrond & Elros, Kingship, Maglor’s Gap, Redemption
- Day 3- Celegorm - > Childhood, Hunting, Orome & Huan, Strength & Beauty, Luthien, Nargothrond
- Day 4- Caranthir - > Childhood, Spouse, Betrayal, Lordship, Dwarves & Humans, Marriage, Appearance
- Day 5- Curufin - > Childhood, Spouse, Celebrimbor, Forge Work
- Day 6- Ambarussa - > Childhood, Lordship, Regrets, Twin, Hunting, Nandor
- Day 7- Nerdanel and Feanor-> Mahtan, Finwe & Indis, Marriage, Reunion, Traveling, Creation, Healing
Rules: You are allowed to post anything fanrelated on the days. If the prompts are not to your liking, you can do your own thing. The tracktag is #feanorianweek. Tag your work accordingly! Have fun and be nice to others. Disrespect towards others will not be tolerated.
Teitho March/April Challenge: Mothers
Exploring the idea of mothers in Tolkien lets us go behind the scenes. We have quite a few mothers directly in the narrative, primarily in the Silmarillion—where we see Miriel, Nerdanel, Morwen, Idril, Aredhel, Luthien, Elwing, and even have mentions of Anaire and Earwen.
In The Lord of the Rings we read of Galadriel being Celebrian’s mother and Arwen’s grandmother. Aragorn’s mother Gilraen, Faramir and Boromir’s mother Finduilas, and Rosie Cotton—Sam’s wife—are all mentioned in the narrative. The Hobbit gives us a memory of Belladonna Took, Bilbo’s mother, and mentions of Thorin’s sister Dis—the mother of Fili and Kili. The stories of any of these characters would make for fascinating fic! Or art!
There are many who remain unmentioned and unnamed—Legolas’s mother, Gimli’s, the mothers of generations of Dunedain, of Gondorians, of the Rohirrim, of the Shire. And consider Ungoliant, mother of Shelob! And mothers among the ranks of orcs.
We are excited to see where this prompt takes you and which character gives you inspiration! Please submit your fic or art by April 30 to teitho.contest@gmail.com
March Challenge at tolkienshortfanworks
The challenge for March has been posted to the tolkienshortfanworks community on Dreamwidth.
The thematic challenge for this month is: return.
Bonus prompts:
Include one of the following three canonical phrases from the Legendarium:
a) Well, I'm back.
b) the return of the king
c) the return of the Noldor
(Use those phrases any way you like.)
The formal challenge this time is simply: any multiple of 100 words (100 words, 200 words, etc.).
The two parts of the challenge can be filled separately and freely combined with other challenges and prompts that allow this.
More details about these challenges at the linked post and at the linked DW community.
New participants welcome.
March of the Quendi 2025
March of the Quendi is a month-long Tumblr event to celebrate the long walk the Elves took from their home on the shores of Cuiviénen, across great and unknown lands, to the blessed realm of Aman with weekly Great Journey-themed prompts. The event runs March 1-31.
How do I participate?
Post something regarding the march and mention @march-of-the-noldor. Everything made will be reblogged here. You can also use the tags #march of the noldor and #march of the quendi but make sure to also tag this blog.
Go forth and create something new!
This is also a great time to appreciate the lovely works already made in our fandom! So, please consider digging up posts that would fit into this event from the past and tagging this blog so that they can be shared anew!
What is allowed?
EVERYTHING!
Art, fic, meta, moodboards, poems! It's all welcome!
Want to do a character study? Awesome!
Make a collage of the kind of wild life the elves might encounter? Amazing!
Want to write a little essay about the ecological impacts of mass migration? Fantastic!
Want to consider what would happen if the Quendi were late leaving, or early? Bring it on!
However, we do ask that you refrain from using generative AI.
Is there a prompt list?
There is no official prompt series for this event. This event to meant to be very laid back where anyone can make what catches their fancy. However, if you appreciate a little more structure to follow please consider:
part 1: 1st - 8th The Great Departure
- what did leaving look like?
- how did the Quendi choose to organize themselves?
- the joys and pains of starting a new adventure in life.
part 2: 9th - 16th Those Left Behind
- this land of Aman might very well be good and joyous, but what good and joyous things had to be left being?
- how were those to chose to stay affected but the departure?
- and yet the elves who stayed must continue living.
part 3: 17th - 23rd Trials on the Trail
- what amazing things happen while travelling?
- many elves turned back or were lost, what happened to them?
- they will catch up, we must keep moving.
part 4: 24th - 31st The End is in Sight!
- after all this time, the end is insight, how do people feel?
- how does it feel for those who decided to end their journey early?
- I am so tired, I think I will lay down, just for a while once we reach Aman.
March 2025 Calls for Papers and Proposals
Call for Proposals: Anthology on Women and Gender
We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.
Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.
Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).
Topics may include but are not limited to:
- Female characters in the legendarium
- Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
- Non-binary, trans, and gender fluid interpretations of characters
- Landscapes, environments, and material culture
- Historical conceptions of gender
- Intersections with race, sexuality, socio-economic class, etc.
- Postcolonial analyses
- Women and gender in adaptations of Tolkien’s work
- Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium
Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.
Tolkien Society Seminar: Arda's Entangled Bodies and Environments
The relationship between the body and the environment is at the heart of Tolkien’s writing. He even called his secondary world “Arda Marred” after Melkor’s discord led to all matter, vegetal and organic, having a “Melkor ingredient”. Yet even as early as ‘The Book of Lost Tales’ and in his writings not related to the legendarium, Tolkien shows a keen interest in the connection and ongoing relationship between the body and the earth, often linking the land’s health to the beings that inhabit it. Frequently the environs within his writing indicate they might be sentient, suggesting possible greater agency in Arda and his other worlds beyond his humanoid characters. Likewise, over the course of his writing career, Tolkien developed his ideas concerning the body, which play out in complex and even contradictory ways in his metaphysics and within his narratives.
This seminar invites analyses that explore the complexities of bodily experiences and environments. Building on a strong tradition of scholarship on embodiment and ecology in Tolkien’s writings and their adaptations, this seminar invites new and innovative readings of the entangled body and earth across Tolkien’s oeuvre and its adaptions.
Papers may address but are in no way limited to the following topics as they pertain to Tolkien’s writings and their adaptations:
- Bodies (physical, mental, emotional) and the environment;
- The built environment;
- (Non) Anthropocene and the biosphere;
- Medical studies (e.g. disability, ageing, motherhood/reproduction, trauma) and Environmental Bioethics (e.g. environmental law, ethics of the body and earth, climate change, pollution, agricultural practices, biodiversity);
- Temporality and spatiality;
- Intersectional studies (e.g. gender, race, sexuality, religion, disability, age, ethnicity, nationality) of the body and the earth;
- Liminality, borders, and boundaries;
- Travel and ecological symbiosis;
- The body, food, agriculture;
- Technology and industry;
- Enlightenment (e.g. rationality, categorisation, progress, science) and Romanticism (e.g. sensibility, sensation, subjectivity, earth as mental symbol, sublime, beautiful, picturesque, vast and minute);
- Historical perspectives;
- Linguistics and philology;
- Ecology, Dark Ecology, ecoGothic.
The CfP deadline is Friday 28th March.
We invite proposals of no more than 300 words for 20-minute papers with 5 minutes of questions and 500 words for 45-minute panel discussions with 15 minutes of questions. Bionotes for all authors should be no more than 100 words each.
Please submit your paper proposal here.
Please submit your panel proposal here.
Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy
The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.
Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.
Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.
Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.
Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.
Working bibliographies are welcome, but not required.
The seminar will be held August 2-5, 2025 on Zoom and Discord.
The full call for papers and more on the midsummer online seminar can be found here.
Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series
We are sharing this information on behalf of Robin Anne Reid:
I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.
Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.
Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.
While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.
The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.
Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.
Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.
The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.
Signum University Regional Moots
These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.
Journal of Fandom Studies: Open Call for Papers
Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).
The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.
All articles submitted should be original work and must not be under consideration by other publications.
See the Journal of Fandom Studies open call for papers for more information.
B2MeM 2025: Basketball Championship
Two basketball conferences have been battling for supremacy for centuries. This March, the madness comes to a head with the B2MEM Basketball Championship.
Choose your team. Attend the draft and put together a roster that you and your fellow creators can use to go head-to-head with other teams in this year’s championship.
When you sign up, you’ll have a chance to choose a team to ‘coach’. You’ll be asked for your first, second, and third choice. Each team can have up to five (5) coaches.
If your first choice is available, you will be assigned to that team. If that team is already full, you’ll be assigned to your second choice, and so on.
Each team already has a team captain. Only members of that team may create entries that utilize that character.
Additional characters are available during the draft. If your team drafts a character, then only your team may use that character – unless you trade with another team. (Your team captain cannot be traded.)
To draft players, each team will need to fill out a form listing your top 20 choices of characters from the roster in order of preference.
The draft will have 14 rounds, giving each team a total of 15 players (captains have already been determined). Should all characters on a team’s list be claimed already, a random character will be assigned.
Drafted characters can only be used by the team that drafts them.
With over 750 named characters in the legendarium, it will still leave over 550 characters which are fair game to any team as substitutions.
There will be a live event where we go through the lists and announce the players drafted by each team. Attendance is optional, and the final lists of drafted players will be sent to each team afterwards.
Each week will consist of two matches – one within your own conference, and one against a team in the other conference, where points are doubled. These matches happen on different days.
Each match will have a theme. The theme will be announced at the beginning of the week; creations should fit the theme of the challenge and must be posted by the end of the week.
Schedule
Games 1 through 6 run March 1st-9th
Games 7 through 9 run March 11th-17th
Games 10 through 13 run March 19th-24th
At the end of the four weeks, teams will face off after being seeded in their brackets. All teams will play in the championship and have a chance to win!
The winners of these matches will go head to head to determine which conference is the winner of the B2MEM Basketball Championship!
Find full B2MeM Basketball Championship information here.
Sign up for a B2MeM team here.
Daily Prompts
If you don't have time to commit to an event the size and intensity of the Basketball championship, but still want to celebrate Back to Middle-Earth month, don't worry, we've got you covered. And in case you're busy this March, here they are already, so you can get a head start! Just like every year, we've prepared some general prompts to use in March (or whenever else you have time)! This year, it's a list of daily prompts, one for each day of March.
They range from simple prompt words, to more involved activities on Tuesdays, Thursdays and Sundays. If you want to share your creations with us, an Ao3 collection will be available, and you can also tag us on tumblr (@spring-into-arda) and we'll share what you come up with!
Week 1
Optional weekly theme - Community, Fun, First Times
March 1 ‒ Coming home | Reunions | Missing somebody
March 2 – Community Sunday! Comment on a fanwork that was created over 1 year ago | Listen to a podfic | Rec your top 3 comfort fics
March 3 ‒ Chaos | Troublemakers | Out of Bounds
March 4 – Experimental Tuesday! Write a songfic! | Experiment with textiles | Try out an Alternate Universe
March 5 ‒ First Meetings | Games | Connections
March 6 – Meta Thursday! Share your meta/headcanons about a Tolkien character.
March 7 ‒ Audience | Ball | Court
March 8 – International Womens’ Day! Create, comment, or recommend fanworks featuring women as main characters.
March 9 – Community Sunday! Read and comment on a story about a character you’ve never read about before! | Comment on/reblog art that features the colour purple | Listen to a fan song
Week 2
Optional weekly theme - Test, Struggle, Progress
March 10 ‒ Conflict | Exploration | Windmill
March 11 – Experimental Tuesday! Write a poem | Experiment with a monochrome palette | Compose a short piece of music
March 12 ‒ Difficult Decisions | Darkness | Defense
March 13 – Meta Thursday! Share your meta/headcanons about a place in Tolkien’s world.
March 14 ‒ Build up | Challenge | Block
March 15 ‒ New Horizons | Negotiations | Now or Never
March 16 – Community Sunday! Comment on a fanwork featuring poetry | Comment on/reblog art that doesn’t include people | Share your favourite trinkets that remind you of Tolkien’s works
March 17 ‒ Survival | Back-up | Endurance
Week 3
Optional weekly theme - Setbacks, Loss, Resilience
March 18 – Experimental Tuesday! Write a fic without dialogue | Experiment with woodcarving/sculpting/pottery | Try out a new pairing
March 19 ‒ Grief | Comfort | Rebound
March 20 – Meta Thursday! Share your meta/headcanons about an event in Tolkien’s world.
March 21 ‒ Failed Experiments | New Ideas | Recovery
March 22 ‒ Hope | Escape | Trap
March 23 – Community Sunday! Get together with friends for a live-reading session to celebrate Tolkien Reading day!
March 24 ‒ Collapse | Reinvent | Bench
Week 4
Optional weekly theme - Rivalry, Competition, Victory
March 25 – Experimental Tuesday! Record a podfic | Create art that uses 2+ different media | Try out a new genre
March 26 ‒ Shot | Song | Creation
March 27 – Meta Thursday! Share your meta/headcanons about a culture in Tolkien’s world.
March 28 ‒ Dunk | Hide & Seek | Water
March 29 – Theft | Emotions | Journeys
March 30 – Community Sunday! Tell us about your favourite part of Tolkien | Tell your favourite fan creators what you enjoy about their work | Say thank you to somebody who has made your fandom experience better in the last year
March 31 – Triumph | Hunt | Travel
Teitho February/March Challenge: Resolution
Our challenge for February/March 2025 is Resolution.
A new year often brings thoughts of resolutions—from small ones like “I’m not going to eavesdrop while lurking in the hedges under Mr Frodo’s window “ to more significant ones like “I will not swear an Oath relegating me and my sons to the Everlasting Dark if we don’t fulfill it.”
Making a resolution is one thing, but keeping to it is another.
A resolution may be a promise that you keep to yourself. Or it may be a state of mind—being resolved or determined.
A literary resolution is the conclusion of a story—the resolving of all the conflicts between characters.
Which type of resolution will you choose for your story or art? Will it be a character keeping a promise to themselves? Or finding the determination and resolve to see a task through to its end? Perhaps you will give us an alternative or reimagining of an ending to an event or story line.
Whatever you choose, please know we are eager to see your creation!
Please send us your submission by March 31st to teitho.contest@gmail.com
Around the World and Web Archive
Events listed here are no longer active but are listed on the site for historical purposes.
Feanorian Week 2025
Feanorian Week is a Tumblr event offering optional prompts for fanworks about the sons of Feanor and their parents. The event will run March 24th-30th, 2025.
The prompts are as followed:
- Day 1- Maedhros - > Childhood, Kingship, Angband, Coping, The Union, Relations with Different Races
- Day 2- Maglor -> Childhood, Spouse, Music & Songs of Power, Elrond & Elros, Kingship, Maglor’s Gap, Redemption
- Day 3- Celegorm - > Childhood, Hunting, Orome & Huan, Strength & Beauty, Luthien, Nargothrond
- Day 4- Caranthir - > Childhood, Spouse, Betrayal, Lordship, Dwarves & Humans, Marriage, Appearance
- Day 5- Curufin - > Childhood, Spouse, Celebrimbor, Forge Work
- Day 6- Ambarussa - > Childhood, Lordship, Regrets, Twin, Hunting, Nandor
- Day 7- Nerdanel and Feanor-> Mahtan, Finwe & Indis, Marriage, Reunion, Traveling, Creation, Healing
Rules: You are allowed to post anything fanrelated on the days. If the prompts are not to your liking, you can do your own thing. The tracktag is #feanorianweek. Tag your work accordingly! Have fun and be nice to others. Disrespect towards others will not be tolerated.
C&C Week 2025
C&C Week is a Tumblr event for fanworks about Celegorm and Curufin. This year, the event will run from March 16-23, 2025, with prompts featured every other day.
Rules
- All pieces for the event must be an original work, made (at least in part) by yourself. You are allowed to reblog older pieces for the event, but new pieces are highly preferred.
- NO AI GENERATED CONTENT WILL BE ALLOWED. All of the work must be created by a human hand, or a prosthetic limb attached to a human.
- You don’t have to use the exact prompt for each day, but do stay somewhat on theme. Please. <3
- Finally, be nice to people. Celegorm and Curufin are not real. If you don’t like what you see, just block and move on.
See the FAQ for more information.
Prompts
Mar. 16 - 17th: Celegorm | Deities
Mar. 18 - 19th: Curufin | Flames
Mar. 20 - 21st: Post canon
Mar. 22 - 23rd: Reminiscing
And here are this year’s prompts! You don’t have to follow them exactly, they’re just general themes to get ideas going.
Maedhros & Maglor Week 2025
Maedhros and Maglor Week will run again February 16th-22nd, 2025 on Tumblr! Fanworks of all kinds about Maedhros and Maglor and their relationship are welcome!
Prompts
February 16th—Day 1: Children
February 17th—Day 2: Kings
February 18th—Day 3: Captives
February 19th—Day 4: Strategists
February 20th—Day 5: Artists
February 21st—Day 6: Kinslayers
February 22nd—Day 7: Partners
Fanworks for the event can respond to one or more prompts, or they can be anything you want them to be, as long as there's a focus on Maedhros and Maglor. This event is inclusive of all iterations of their relationship: please respect everyone's interpretations and creations!
Blind Fic Exchange
What It Is: This is a monthly event inspired by the Blind Date with a Book events that are sometimes done in bookstores and libraries. The idea is to try something new, maybe something you wouldn't normally read, as well as getting to recommend some fics that you really like.
How It Works: On the 1st of every month, sign-ups will open for anyone interested in participating. Sign up by sending an ask that includes the maximum rating you want to read and a list of anything you are NOT interested in reading that month, e.g. certain categories of relationships, triggers, tropes, etc. (You don't have to explain your list at all, and your list can change from month to month if you want. You're not necessarily saying you would NEVER read a fic that includes those things, just that you don't want to this time. For example, if you've been reading a lot of whump lately and just want something soft and gentle, you could put "whump" and/or "angst" on the list.)
Sign-ups will close at 11:59 p.m. Central Time (UTC-6) on the 13th of every month. On the 14th, I will randomly match up names from the list and let everyone know who their partners are. (For now, the plan is to tell everyone secretly so it will be a surprise, but if a lot of people sign up, that may change ^^') At that point, you will pick three fics for your fic-reading partner to choose from, abiding by their list of what they don't want to read. Ideally, these will be fics that you have NOT written yourself. The point of this event is to share good stories with each other, not self-promotion. Send links to the three stories to your partner, along with a vague description for each that doesn't give away the title, category, or characters in it. For example: "two characters stave off boredom during a long trip" or "deathbed confession of love" or "a dragon slayer is saved by a dragon and has to rethink his entire life."
When you receive your selection of fics, pick one that sounds interesting, and enjoy!
Send an ask to @blind-fic-exchange (not anonymous!) with the list of what you don't want to read to join.
Tolkien Femslash February
Tolkien Femslash February 2025 on Tumblr is a prompt list for February, offering four-word prompts for all types of femslash fanworks in the Tolkien fandom:
From the Tumblr post:
How does this work?
Simple. Below the cut you’ll find prompts for every day of February, oriented along the “four words” principle to inspire a fanwork, including the song they were taken from. Use them as a guideline for art, moodboards, write a drabble containing them, make a fanmix for your OTP, let them shape a longer fic, there is no way you can go wrong. The only condition: Your fanworks have to contain femslash, and if you want to make them findable for others, please tag them #tolkienfemfeb25.
Prompts Below!
February 01: Breathe, shackles, shores, promised (Joy Oladokun - Jordan)
February 02: Language, dimension, tower, horizon (Horizon - Luna Blake)
February 03: Slow, counting, flame, blessing (Chris Pureka - Barn Song)
February 04: Drifting, back, peaks, lighthouse (Brandi Carlile - Carried Me With You)
February 05: Opposite, currents, deepest, arms (Lights - Same Sea)
February 06: Chase, sun, rough, remember (Janelle Monáe - I Like That)
February 07: Honey, charming, awake, lines (Kehlani - Honey)
February 08: Divided, history, skin, lied (Mirah - Don’t Die In Me)
February 09: Satisfied, way, cherry, watching (Rina Sawayama - Cherry)
February 10: Lightning, backwards, sheets, ashes (The Aces - Volcanic Love)
February 11: Below, streams, running, remember (Cœur de Pirate - The Way Back Home)
February 12: Nowhere, violet, taste, window (Allison Russell - Persephone)
February 13: Veins, close, fade, whole (Zolita - Bloodstream)
February 14: Verse, holy, unspoken, light (LP - One Last Time)
February 15: Blinded, finally, rising, storm (Kacey Musgraves - Rainbow)
February 16: Reflects, exist, leaving, devotion (The xx - Angels)
February 17: Dying, magpie, wandering, bound (Grace Petrie - Earthwire)
February 18: Lifted, dawn, chiffon, smile (MUNA & Phoebe Bridgers - Silk Chiffon)
February 19: Senses, jailor, torture, lullaby (Kat Cunning - Heart of Gold)
February 20: Sleep, warrior, circle, start (Marika Hackman - The Girl Who Fell To Earth)
February 21: Smoky, wife, believing, glance (Melissa Etheridge - Juliet)
February 22: Word, immune, incredible, tough (Sia - Incredible)
February 23: Ghost, years, singing, following (Linn Jennings - Ghost Streets)
February 24: Vast, galaxies, forgive, silence (Hayley Kiyoko - somewhere between the sand and the stardust)
February 25: Solitude, comforting, flicker, mend (Vanessa Carlton - Heroes and Thieves)
February 26: Apart, fever, fast, burning (Billie Eilish - WILDFLOWER)
February 27: Promise, divine, strangers, bride (Ethel Cain - Strangers)
February 28: Independence, blindfolds, raise, trumpet (Lido Pimienta - Declare Independence)
February 2025 Calls for Papers and Proposals
Call for Proposals: Anthology on Women and Gender
We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.
Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.
Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).
Topics may include but are not limited to:
- Female characters in the legendarium
- Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
- Non-binary, trans, and gender fluid interpretations of characters
- Landscapes, environments, and material culture
- Historical conceptions of gender
- Intersections with race, sexuality, socio-economic class, etc.
- Postcolonial analyses
- Women and gender in adaptations of Tolkien’s work
- Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium
Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.
Tolkien Society Seminar: Arda's Entangled Bodies and Environments
The relationship between the body and the environment is at the heart of Tolkien’s writing. He even called his secondary world “Arda Marred” after Melkor’s discord led to all matter, vegetal and organic, having a “Melkor ingredient”. Yet even as early as ‘The Book of Lost Tales’ and in his writings not related to the legendarium, Tolkien shows a keen interest in the connection and ongoing relationship between the body and the earth, often linking the land’s health to the beings that inhabit it. Frequently the environs within his writing indicate they might be sentient, suggesting possible greater agency in Arda and his other worlds beyond his humanoid characters. Likewise, over the course of his writing career, Tolkien developed his ideas concerning the body, which play out in complex and even contradictory ways in his metaphysics and within his narratives.
This seminar invites analyses that explore the complexities of bodily experiences and environments. Building on a strong tradition of scholarship on embodiment and ecology in Tolkien’s writings and their adaptations, this seminar invites new and innovative readings of the entangled body and earth across Tolkien’s oeuvre and its adaptions.
Papers may address but are in no way limited to the following topics as they pertain to Tolkien’s writings and their adaptations:
- Bodies (physical, mental, emotional) and the environment;
- The built environment;
- (Non) Anthropocene and the biosphere;
- Medical studies (e.g. disability, ageing, motherhood/reproduction, trauma) and Environmental Bioethics (e.g. environmental law, ethics of the body and earth, climate change, pollution, agricultural practices, biodiversity);
- Temporality and spatiality;
- Intersectional studies (e.g. gender, race, sexuality, religion, disability, age, ethnicity, nationality) of the body and the earth;
- Liminality, borders, and boundaries;
- Travel and ecological symbiosis;
- The body, food, agriculture;
- Technology and industry;
- Enlightenment (e.g. rationality, categorisation, progress, science) and Romanticism (e.g. sensibility, sensation, subjectivity, earth as mental symbol, sublime, beautiful, picturesque, vast and minute);
- Historical perspectives;
- Linguistics and philology;
- Ecology, Dark Ecology, ecoGothic.
The CfP deadline is Friday 28th March.
We invite proposals of no more than 300 words for 20-minute papers with 5 minutes of questions and 500 words for 45-minute panel discussions with 15 minutes of questions. Bionotes for all authors should be no more than 100 words each.
Please submit your paper proposal here.
Please submit your panel proposal here.
Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy
The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.
Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.
Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.
Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.
Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.
Working bibliographies are welcome, but not required.
The seminar will be held August 2-5, 2025 on Zoom and Discord.
The full call for papers and more on the midsummer online seminar can be found here.
Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series
We are sharing this information on behalf of Robin Anne Reid:
I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.
Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.
Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.
While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.
The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.
Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.
Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.
The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.
Tolkien at UVM 2025: Tolkien and War
We are excited to have John Garth as our keynote speaker, and we are encouraging all abstracts but will give priority to those on the theme. Possible topics include but are not limited to:
- War in Europe
- War in Middle-earth
- War and Tolkien’s poetry
- Heroic battle poetry
- War and Tolkien’s English
- War in the films/TV shows
- Gender/Sexuality and War
- Psychology and War
- Religion and War
Please submit 200 word abstracts to cvaccaro@uvm.edu by Sunday, February 2nd.
Signum University Regional Moots
These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.
Journal of Fandom Studies: Open Call for Papers
Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).
The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.
All articles submitted should be original work and must not be under consideration by other publications.
See the Journal of Fandom Studies open call for papers for more information.
February challenge at tolkienshortfanworks
The February Challenge at tolkienshortfanworks has been posted to the community on Dreamwidth.
The thematic challenge for this month is: recovery.
This could be the recovery of a person from illness (as Frodo's recovery in Rivendell) or the recovery of a place or a community from any kind of crisis or the recovery of a thing by somebody, whether abstract or concrete: the recovery from plague, the recovery of a crown or a treasure, the recovery of hope, the recovery of vegetation...
The formal challenge is: story-telling.
Your piece should show one or more than one person passing on a story or tale by word of mouth (not excluding sign language). Maybe an opportunity to think about how that can work differently from purely written communication?
As usual, these can be filled separately and freely combined with other prompts, such as the SWG's monthly challenge prompts.
More details on these challenges in the linked post.
New participants welcome.
Finish Your Fucking Fics February 2025
Ultimately, the goal is to have fun, and finish whatever WIPs you can (without burning yourself out or having a bad time). If you needed a sign to pick up that project you've been putting off, the time is now!
Find the bingo card image here!
Prompts on the card, from left to right:
Top Row
- Update your oldest WIP
- Finish a WIP that's been buried deep in your drafts
- Finish a WIP that you haven't posted yet
Second Row
- Finish a recent WIP
- Finish a WIP you're scared of
- Finish a WIP that's been haunting you
Third Row
- Update a partially posted WIP
- Finish any WIP/Free Space
- "Finish the next WIP in a series you've been avoiding
Last Row
- Update your newest WIP
- Finish a WIP that's been ignored for at least 6 months
- Finish the next chapter for a fic you've been meaning to for months
Fandom Trumps Hate 2025
FTH is an online auction of fanworks that generates donations to progressive nonprofits that are working to protect marginalized people. We began FTH in the immediate aftermath of the 2016 Presidential Election, and over the course of the last 8 years have raised over $300,000 for a range of amazing organizations.
Here is this year’s list of supported organizations. We’ll be posting more detailed profiles of each of them over the coming weeks. We also encourage you to look at the Auction FAQ (which has lots of useful information for people thinking about signing up as creators, as well as dedicated sections on bidding and on nonprofit orgs.) If you’re raring to go, you can look at our bidding policies.
Lastly, in a couple of weeks we’ll be kicking off our newly-revived offscreen activism tumblr blog, FTHAction. If you're on tumblr, give us a follow!
FTH2025 Auction Calendar
Monday, January 20th: creator signups open for both the auction and the crafts bazaar
Sunday, February 2nd: creator signups close
Friday, February 21st: browsing period begins, crafts bazaar announcement goes live
Tuesday, February 25th, 8am ET: bidding opens
Saturday, March 1st, 8pm ET: auction bidding closes
Monday, March 10th: craft stalls close
Wednesday, March 12: proof of donations due
Femslash Big Bang 2025
Sign ups for the 2025 Femslash Big Bang open January 12th, 2025 (7pm AEDT)
Rules
- Write 10k of fic OR create 2 pieces of art for the yearly challenge
- 1k of fic or 1 piece of art for the monthly challenges (optional, for those who want to do something shorter)
- A femslash ship must be the main pairing (others can be included, but as side or background pairings)
- Any fandom goes!
- OFCs, RPF + Crossover all allowed
- Can also be original works not just fic or fanart
If Entering
- follow our blog for updates
- Updates posted in the #ffbb2025 tag
- Don’t forget to participate in the check-ins
- Emails to a form will be sent out to complete check ins, as well as a post on this blog.
- read this how-to on posting fic for the final challenge
Schedule/Important Dates (full list version)
- Sign-ups close on the 28th of February
- Final Due Date for the Big Bang Challenge is August 30th, 2025
- Monthly challenges (separate to the big bang) run from February to November (start on the 1st of the month, and end on the last day of the month).
Other links
- AO3 Collection (for past and future entries)
- FAQ