Sing With the Land by The Wavesinger

Fanwork Information

Summary:

You call us less wise, but what do you know of Arda, children of Valinor? AKA 'What the Avari really think about the Noldor'

Major Characters: Avari

Major Relationships:

Artwork Type: No artwork type listed

Genre:

Challenges: B2MeM 2013

Rating: General

Warnings:

Chapters: 1 Word Count: 855
Posted on 17 May 2013 Updated on 17 May 2013

This fanwork is complete.

Chapter 1

The title is twisted from the lyrics of a Disney song, Colours of the Wind, (part of which is quoted below). The full lyrics can be found at

Written for B2MeM13 Day Two and, once again, FINALLY posted in May. (The prompt is the first quote below).

B2MeM 2013 Day Two

Read Chapter 1

But many refused the summons, preferring the starlight and the wide spaces of Middle-earth to the rumor of the Trees; and these are the Avari, the Unwilling, and they were sundered in that time from the Eldar, and met never again until many ages were past."
—The Silmarillion, The Coming of the Elves and the Chaining of Melkor



You think the only people who are people,
Are the people who look and think like you,
But if you walk the footsteps of a stranger,
You'll learn things you never knew you never knew.
Colours of the Wind


The Umanyar, you call us, those not of Aman; Moriquendi, Dark-Elves; Avari, the Unwilling.

But I ask you, do you know us?

Yes, we are not of Aman. But Aman has its own glories, Ennor has others. Being Umanyar does not make us inferior to you.

You call us Dark. But we are not servants of the Dreadful One. We have never followed his ways, desiring only to live in peace in the land that is ours. Whereas you…you, if the rumours are true, have killed many, many of your own kin—our own kin—and fled the land to which you travelled the land we were told was a place of undying bliss and joy. If you flee from joy, are you not indeed of the Dark?

And is it not you who are unwilling, unwilling to let go off your rage and desire for vengeance, your pride, your customs? Do you not strut around the land like you were born to it, unwilling to accept us, the ones you call Unwilling, as the people who dwelt here first and have bonded with the earth? (Oh no, we do not own the land. It does not belong to us, or anyone else except maybe Eru. It is its own master.) It is not we who are unwilling.

And you look down on us, you laugh at our so-called 'simple' lives?

For you have not heard the echo of the earth.

You do not listen, do not understand the lie of the land, the way the streams carve their paths and the mountains delve into the soil. There are no words to describe it, that awe-inspiring stillness, and then the Song, and the mysteries of the land revealing themselves to us under our gentle words. The wind sings to us, the rain dances with us, and the Sea gives us its Song. And we follow, and we find trails, and are never lost.

You cannot talk with those who fly, those who run on four legs, those who slither and swim. They are dumb beasts to you, to be hunted or used. But to us they are so much more than that! They are friends, friends who will stay with you when all people, all those whom you once held dear have abandoned you, for the Unspeaking trust and love with their whole heart and nothing less. Their trust and love must be earned, true, but so must the trust of the Speaking Peoples. And the trust of the Unspeaking stays, unlike that of those who move on their ungainly two legs.

The trees whisper to us, tell us of the coming of anything, whether Orc or Elf, and we listen, standing as if statues, imitating them. For then do they listen when they are close to us, when our mind is still and calm, a mirror-pool that reflects everything and nothing.

Oh! You laugh at us. But what do you know of Ennor, pampered children that you are?

Do you sense the seasons of the earth, the way the melody, the Song, rises and falls, the terrible struggle between Dark and Light? Do you understand the fear, the anger that shakes the trees, that is present in the roaring wind, that growls in the snowflakes that fall from the storm-darkened skies when the fires in the belly of the earth awake at the coming of creatures of the Dark?

And do you know that the land screams at your coming, shying from the hands that seek to change it instead of shaping it? Do you know of the terror you bring to the very soil you walk on?

In Aman, the land must be mellow and soft, for you lived there in peace, and it has probably grown into whatever you create, or it would have rebelled against you long ago. And that may be well for those who have the luxury of peace, and maybe mellow lands add to the beauty of that land. But this is not Aman, and if the lands mellow and bend to your will, they will be lost beneath your works. And we are wild, wild, for in Ennor, one must be wild to survive, and wildness does not brook attempts to train it. The fight in it will never be lost, and it will destroy you if you destroy it.

Heed our words! The land is not your plaything. It lives, and it fights. If you try to subdue it, Morgoth will not be your worst enemy.

The living lands will.


Chapter End Notes

An idea that was festering in my brain for months, after reading Ayn Rand and getting , I'm afraid, rather angry at her. B2MeM just gave me the prompt and a jab in the back to get me writing.

'The trees whisper to us…" I'm pretty sure this is fanon, albeit with a sound canon basis. Correct me if I'm wrong, though.

'And we listen, standing as if statues…" The Drúedain must have learnt this handy trick from somewhere. Why not the Green-Elves?


Comments

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Yes, a fellow poet! I really enjoyed your piece and its ability to reflect a perspective little explored in the annals of Arda. I also to must praise your ability to capture art in simplisity, depth in brevity, and reason through one of the more complicated of Tolkien's literary inventions. Keep up the good work and continue writing!

This story contains a lot to recommend it. The voice of the narrator and the beliefs expressed remind me of Native Americans and of Australian indigenous people. I am not sure how much the more isolated groups of the Avari actually knew much about the return of Noldor or realized its direct or indirect effect on their day-to-day life. One point that fascinates me is mentioned in the notes to the Quendi and the Eldar that the first Avari that the returning Noldor are said to have encountered are of the group who were their historical brethren, sharing common roots within the original second group, the Tatyar. I am intrigued to know more about the narrator, if he was of that grouping. I would love to read a story with plot and characterization that tells his story. Perhaps he is reacting not simply to received information but to an actual face-to-face encounter with some of those exiled Noldor.

I'm still figuring out the SWG site, so bear with late replies...

Actually, I was aiming at a more biased POV :). The narrator hasn't met the Noldor--she is actually young (though not very young) and doesn't yet understand that there are two sides to the story. But she's old enough to understand the ancestral wisdom passed down to her, and to 'feel' the power of the land (Yes, you're right. I had Native Americans in mind when I was writing this, but also the natives of my country, the Veddhas). But she's also exceptionally wise for her age.

Dialogue is not my storng point, but I do have an idea simmering in my mind, when my narrator meets Celegorm...(And the sparks fly, obviously, both being who they are)

Thank you. (It was certainley a surprise to post a story and find that another story has reviews I didn't realize it had!) 

That particular fanon, I suspect, comes from the general misrepresenation of Sindar and Avari. Of course, in times of war, it would have been a necessity, but otherwise? I don't think so. I'm pretty sure that Melian could have put her power to good use and weeded out any spies.

Ayn Rand...her works are too one-sided for me. She tends to forget 'the other side' of the story. That being said, I do agree with her sometimes (especially in Atlas Shrugged. It was The Fountainhead that irked me, though even there, she has a valid point).

I had no idea that the narrator was a woman. My assumption is based upon the prejudicial treatment within the original text itself (male unless stated otherwise). I wonder if I missed a clue? Oh, I just looked up the Veddha people online. Oh, yes. I really, really like the idea of using them as a model here. "The Veddhas are proud of their distinct sylvan heritage and call themselves Vanniyalette, 'those of the forest'." Could not be more perfect.

That's because there wasn't anything obvious in the text. But I envision my character as a 'wise woman' (we know that the Edain had those, so why not the Avari? Because, keeping with Tolkien's world, the Edain must have learnt that from somewhere). Or a magician, or shaman. Whatever you call it, it's clear that most nomadic people had a special position for those who 'communed with spirits or the land'. Except, in this case, the Avari girl really can feel the 'voice' of the earth (the Music of the Ainur, as it were). 

.

.

.

Why am I burdening other people with my headcanon?

Actually, 'Vanniyalette' is less accurate than 'Wanniyala-aetto', but that's just nitpicking. I wasn't aware of those lines, but what really stuck with me was a speech by the then Veddha Chief, Uru Warige, that we learnt back in elementary school. I can't find the exact words right now, because my house is a mess, but even translated into English, it was just beautiful. And I unconciously modeled my story on that, I think. (And also because of a whole lot of irony regarding the tangled history of my country)

I'm sorry. I'm ranting :).