Instadrabbling Sessions for April, May, and June
The first Saturday of each month, we will be hosting instadrabbling on our Discord server.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fanwork sign-ups are open!
Register for Mereth Aderthad!
Instadrabbling Sessions for April, May, and June
The first Saturday of each month, we will be hosting instadrabbling on our Discord server.
Mereth Aderthad Interview: Interview with polutropos by Dawn
"And love grew after between them"—those words have fascinated a fandom intent on revealing the how and why of the "kidnap fam" plot point in "The Silmarillion." In this interview, polutropos discusses her upcoming Mereth Aderthad paper on the topic, “'Kidnap Fam' and the Living Legendarium."
Mereth Aderthad Interview: Interview with Maglor by Shadow
Who is Gil-galad? That might seem a silly question, but we know very little of his character beyond his kingship. In this interview, Shadow talks with Maglor about his upcoming Mereth Aderthad presentation "Gil-galad was an Elven King: Kingship and Personhood in the Last High King of the Noldor" that explores who Gil-galad might have been, beyond the last king of the Noldor.
Mereth Aderthad Registration Is Open!
Registration for attending Mereth Aderthad is open for both in-person and virtual attendees and will remain open through the day of the event.
[Writing] That strength which in old days moved earth and heaven by Himring
Long after the Fall of Eregion, a survivor returns to face her memories.
[Reference] Interview with cloudyhymns by Shadow by cloudyhymns, daughterofshadows
Shadow spoke with cloudyhymns about his upcoming presentation for Mereth Aderthad 2025, "The Design of Dragons and the Doom of the Dwarves," where he shares his theory about how Dwarves and dragons are connected in the legendarium, a topic full of implications for fanworks.
[Audio] Twinkle, Twinkle, Silmaril - Podfic by daughterofshadows
A reworking of Twinkle, twinkle, little star, featuring Eärendil. Originally written by Anérea.
[Writing] High in the Clean Blue Air by StarSpray
They passed out of Lhûn and the wider coastline of Middle-earth opened up before his eyes. He had wandered those shores for centuries, and even now he felt the pull of that same wanderlust, and knew he would miss them for the rest of his life. Their wildness, the untamed waves, the rocky…
[Writing] The Longed For That Cometh Beyond Hope by Grundy
Eärendil has to find his way in this unfamiliar land. Luckily (or unluckily, depending on your point of view) for him, it's a time of festival in Valimar...
[Reference] Interview with polutropos by Dawn by polutropos, Dawn Felagund
Dawn spoke with polutropos about her upcoming presentation for Mereth Aderthad, “'Kidnap Fam' and the Living Legendarium," including the appeal of kidnap fam, the appeal of Maglor's character, and how The Silmarillion as an incomplete, complex word makes it ripe for both fanworks and…
Birthday Bash
Daily word, image, and poetry prompts are loosely structured around events and milestones leading up to our 20th birthday. Read more ...
Interview with cloudyhymns by Shadow by cloudyhymns, daughterofshadows
Shadow spoke with cloudyhymns about his upcoming presentation for Mereth Aderthad 2025, "The Design of Dragons and the Doom of the Dwarves," where he shares his theory about how Dwarves and dragons are connected in the legendarium, a topic full of implications for fanworks.
Interview with polutropos by Dawn by polutropos, Dawn Felagund
Dawn spoke with polutropos about her upcoming presentation for Mereth Aderthad, “'Kidnap Fam' and the Living Legendarium," including the appeal of kidnap fam, the appeal of Maglor's character, and how The Silmarillion as an incomplete, complex word makes it ripe for both fanworks and scholarship.
Maglor by polutropos
As one of the most beloved Silmarillion characters, Maglor is a bundle of contradictions undergirded by a complex textual history. Warrior, musician, wanderer, and survivor, Maglor brings to the fore key themes in Tolkien's early legendarium, such as the role of music, oaths, and exile.
Part of our Themed Collection series for our newsletter, this collection features fiction, artwork, and essays that transcend the idea of Orcs as the enemy, instead considering their humanity.
Alliterative Verse for Arda by Rhunedhel
Part of our Themed Collection series for our newsletter, this collection features alliterative poems about Middle-earth.
[Writing] Paradox of the Fourth Age by Alassante
One wrong decision can make a world of difference. When one of the Fellowship makes the mistake, the consequences are so severe that only the Valar can repair it. But will they?
Glorfindel daughter's life is in Elrohir's hands and only she remembers th eir love for each other. The fate of…
[Writing] By Mirrormere by bunn
A new Age dawns, and Moria is retaken at last.
[Writing] Beneath the Bitter Rain by bunn
The Gardens of the Entwives are fallen, but two Entwives remain.
April Challenge at tolkienshortfanworks
The tolkienshortfanworks challenge for April has been posted to the Dreamwidth community. The thematic prompt is: wood. The formal challenge is: linnod (Gilraen's canonical verse form). These can be filled separately and freely combined with other challenges and prompts that allow this.
Celedriel Week 2025
Celedriel Week is a Tumblr events for fanworks about Galadriel and Celeborn.
Neurodivergent Arda Week 2025
Neurodivergent Arda Week is a Tumblr event to celebrate neurodiversity in Tolkien's works.
Tolkien Ekphrasis Week 2025
This is a Tolkien-fandom-wide event dedicated to the art of ekphrasis in Tolkien's worlds. Its goal is to illuminate the artistic surroundings of the places, people, and stories we love, in as many media as possible.
Teitho March/April Challenge: Mothers
The Teitho Contest theme for the months of March and April is mothers.
I applaud your courage in writing about cannibalism and I was fascinated by your take on it. You made the reasons for doing it make sense. And I really loved your description of Feanor's death - I loved that you wrote he offered words of comfort before he died.
A really good fic - I enjoyed it immensely!
Thank you so much! When I first read the bingo card, the idea for this fic immediately jumped to mind, but I delayed writing it because of the subject, Even after I'd finished this, I waited a few days, debating whether to post it or not. But in the end, it was a prompt on the bingo card and it wouldn't have been put on there if the subject was unwanted.
I am glad it made sense to you - to me the fic is all over the place (I almost never write such timeskips, nor make a 'they' the subject instead of a 'he/she'), but I am quite satisfied with how it turned out.
As for Fëanor, I don't think he was afraid of death and pain never made much impression on him, so he had a clear mind and said what his Sons needed to hear (I almost deleted the canonical part where he cursed Morgoth!)
You make it conceivable that that might be a way they would react to the trauma they were unable to deal with--the death first of Finwe and then of Feanor and finally their brothers. Canon sometimes seems to treat the seven brothers as a single entity and they might look at it that way themselves and take things very literally...
(Of course, that observation that other deaths don't count is pretty damning--however, traumatized they are.)
I think the Sons are both mentally incredibly strong and very weak - if hte right buttosn are pushed, they will resort to practically anything. And I don't know if this is canon or just too much fanfiction that I've read, but it seems that the House of Fëanor, even before the rift within the Noldor, has always been treated separately from the Houses of Fingolfin and Finarfin; therefore, it wouldn't be too far a stretch that they see themselved as separate from the rest of the Noldor and by extension, the same as each other.
The thing about being so in-tune with your brothers results almost automatically in being relatively out-of-tune with the rest of the world, and indeed the happenings during the First Age only strenghtened that feeling...
A taboo story worthy of the categorization! Impressive handling of a disturbing subject. As those who know me well might tell you, I can be a delicate little snowflake when it comes to horror. I don't watch Hannibal, either!
But I have done some small amount of anthropological reading on the subject. So I am not totally unfamiliar with the real world versions (do not know how accurate or reliable they are necessarily) of what are said to have been some social and religious reasons for eating the flesh of deceased loved ones, for example in the highlands of New Guinea. I wondered if you were influenced by those reports of cannibalism being considered an act of love and grief and perferable to the deceased being consumed by insects or worms.
Yep. This story for me definitely addresses a big taboo. I was shuddering as I finished it, and horrified at thinking one could almost understand Maglor's logic and sense of duty/responsibility to stay alive for his father and his brothers.
Haha, concerning horror topics, I have no problem reading it, but I'm as squeamish as anything when seeing it on TV! I've recently watched the zombie show Z Nation though, so I am forcing myself to get over (some of) those things.
While I have only heard about the practices in New Guinea in passing, I cannot claim to have come up with it by myself; in Queen of the Damned, the third book in Anne Rice's Vampire Chronicles, the Story of the Twins tells how in their ancient civilisation it was custom to eat the flesh of family after they'd died. Although I must add that there, the flesh was first cooked before it was eaten.
Cannibalism is one of the biggest taboos imaginable; I think that's exactly the reason why I had to write it, or put differently, why my muse could not let go of this particular plotbunny. I am glad (?) it made such an impact and that you were able to understand Maglor's view; I mean, after having lost absolutely everything and everyone, he had to have a reason to keep going, and I think this is a possible explanation (assuming, of course, the cannibalism thing happened in canon! Though I really hope it didn't...)
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Comments on Fire and Worms
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