Fanworks Tagged with Gender Studies

The recent Tolkien Society Seminar proceedings "Tolkien and Diversity" explore both cultural identity and the international fan community and how Tolkien's fanworks and fandom represent marginalized identities.

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The fandom has become a friendlier place for writing women, but its hostile history toward women-centric fanworks continues to exert a chilling effect for some, while other creators see potential in the legendarium and fandom's traditional lack of women characters.

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Data from the Tolkien Fanfiction Surveys shows how time, demographics, and platform choice influence how fanfiction authors regard writing about women.

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The Textual Ghosts Project is a list of the women who must have existed by inference, acting on the assumption that all characters (excepting the Ainur and the first-awakened Elves at Cuiviénen) must have had mothers and those with offspring also must have had wives.

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As a genre belonging almost exclusively to women, fanfiction creates a "room of their own," apart from mainstream publishing that is often hostile to women, for women authors to critically and creatively explore ideas in popular texts and, in the style of Tolkien, create new mythologies that appeal to them.

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Like many women of The Silmarillion, Aerin receives little attention in The Silmarillion but plays a much-expanded role in other posthumously published texts. Aerin simultaneously fulfills the role of a victim and as an example of female agency.

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Largely relegated to the margins of the story, Arwen nonetheless represents a strength that is "intellectual, psychological, and spiritual," as well as serving as a symbol of the simultaneous waning of one people and rise of another. Arwen presents the usual thorny questions of how women are presented in the legendarium, compounded by a well-known film depiction that stretches the bounds of the canon.

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