Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Mereth Aderthad Interview: Interview with cloudyhymns by Shadow Dragons are one of the most familiar creatures in Tolkien's world and one of the least understood. In this interview, Shadow spoke with cloudyhymns about his Mereth Aderthad presentation "The Design of Dragons and the Doom of the Dwarves," the nature of dragons and their connections with Dwarves, and the musicality of Tolkien's works.
Mereth Aderthad Interview: Interview with polutropos by Dawn "And love grew after between them"—those words have fascinated a fandom intent on revealing the how and why of the "kidnap fam" plot point in "The Silmarillion." In this interview, polutropos discusses her upcoming Mereth Aderthad paper on the topic, “'Kidnap Fam' and the Living Legendarium."
They passed out of Lhûn and the wider coastline of Middle-earth opened up before his eyes. He had wandered those shores for centuries, and even now he felt the pull of that same wanderlust, and knew he would miss them for the rest of his life. Their wildness, the untamed waves, the rocky…
In which Fëanor & Fingolfin are re-embodied in 4th age Aman, are nowhere near as healed as everyone believes them to be, and decide to pretend that sleeping together will fix their relationship instead of causing more problems.
Fëanor does not even get a chance to finish being annoying before Fingolfin’s eyes flash with something far too dark to be only fury and his hand snaps out to grab a handful of Fëanor’s hair. He wrenches Fëanor’s head back in a move that is so surprisingly painful it throws him off balance. In…
We get together from time to time on the SWG Discord and produce spontaneous fanworks based on randomly chosen prompts. This collection includes drabbles, ficlets, and other flash fanworks produced as part of our instadrabbling sessions.
Shadow spoke with cloudyhymns about his upcoming presentation for Mereth Aderthad 2025, "The Design of Dragons and the Doom of the Dwarves," where he shares his theory about how Dwarves and dragons are connected in the legendarium, a topic full of implications for fanworks.
Dawn spoke with polutropos about her upcoming presentation for Mereth Aderthad, “'Kidnap Fam' and the Living Legendarium," including the appeal of kidnap fam, the appeal of Maglor's character, and how The Silmarillion as an incomplete, complex word makes it ripe for both fanworks and scholarship.
As one of the most beloved Silmarillion characters, Maglor is a bundle of contradictions undergirded by a complex textual history. Warrior, musician, wanderer, and survivor, Maglor brings to the fore key themes in Tolkien's early legendarium, such as the role of music, oaths, and exile.
Part of our Themed Collection series for our newsletter, this collection features fiction, artwork, and essays that transcend the idea of Orcs as the enemy, instead considering their humanity.
One wrong decision can make a world of difference. When one of the Fellowship makes the mistake, the consequences are so severe that only the Valar can repair it. But will they?
Glorfindel daughter's life is in Elrohir's hands and only she remembers th eir love for each other. The fate of…
The Gardens of the Entwives are fallen, but two Entwives remain.
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Silmarillion Epistolary Week 2025
Silmarillion Epistolary is a challenge dedicated to creating fanworks to tell the story of the Silmarillion in the style of an epistolary novel.
April Challenge at tolkienshortfanworks
The tolkienshortfanworks challenge for April has been posted to the Dreamwidth community. The thematic prompt is: wood. The formal challenge is: linnod (Gilraen's canonical verse form). These can be filled separately and freely combined with other challenges and prompts that allow this.
Celedriel Week 2025
Celedriel Week is a Tumblr events for fanworks about Galadriel and Celeborn.
Tolkien Ekphrasis Week 2025
This is a Tolkien-fandom-wide event dedicated to the art of ekphrasis in Tolkien's worlds. Its goal is to illuminate the artistic surroundings of the places, people, and stories we love, in as many media as possible.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh wow, this was intense. And remember when the suggestion for this theme first came up along with the note that stories written for this meme tend to be light-hearted? You've certainly produced more proof that in Silmarillion fanfiction, even the most light-hearted meme can turn deadly serious.
Your writing is wonderfully evocative, as usual, effortlessly bringing the characters (with the possible exception of Míriel >_>) to life. The part on Finwë was especially poignant. Poor Finwë. *would huggle him if she dared*
Thank you, Lyra! I can only rarely manage "light-hearted," so just about any challenge is going to get something super-serious and most likely dark from me! :D
Finwe's section was my favorite as well. Most of the comments show that it was the most effective for readers as well, which is interesting.
Oh wow, I just re-read it again and I still have goosebumps. The juxtaposition between birth and death, the reactions to both and the way you portrayed this, it is so well done. Indis reaction, her curiosity mixed with her foresight of what she knew, still hoping that one day Finwë will be happy again yet also wishing that it did not happen. And ah Fëanor... But the last one, the moment that Míriel's moment came, that.. I can't come up with the proper words, but I found it beautifully done with so much respect for those who have moved on when it was their time...
Thank you, Rhapsy! Goosebumps are good! I'm a sadistic author who loves scaring readers, making them cry, et cetera. >;^D
I've found myself recently interested in Indis and what she must have thought and felt when Miriel died. It must have been a complicated emotion: at once hopeful, because she had a chance to marry the one she loved, and yet that must have also provoked guilt. I couldn't resist exploring that here, even though it was a bit of a stretch to move outside of earshot of the bells and when I also felt like I should have had another vignette from the PoV of an OC. Alas, the author's whim prevailed. ;)
Well, been postponing reviewing this one all day. It's terrific. How can I explain the ways? The bells. I am a serious bell person myself. Love staying places with bells--thinking of several towns in Spain. Also Mexico is big for bells--mourning, warning and celebratory bells.
It is a dark story. I was thinking of it visually. Be a great little film. "Who says it's all sunshine and flowers in Valinor?" We know it wasn't. My visual image about filming it would be to use distinct lighting inside and out to reflect your beginning lines of each segment. The inside scenes with a rather medieval northern European light and the outside ones--golden light and very Mediterranean. Or something like that. My point is you caught me up in the ambience.
Of course, I am working on a Feanor story at the moment and that always puts me inside of a character's head, so that little segment hit me the hardest (well, his section and Finwe's).* I'm a hard nut to crack on behalf of Indis. Have more sympathy with her much, much later in the whole saga.
*Don't know if it was your intent, but Feanor comes across to me as a rather deliciously creepy little creature in this one--too precocious by half--not his fault, of course.
Thank you, Oshun! I am a fan of bells myself. Sometimes, when the wind is right, we can hear the 5 o'clock bells from the town up here on the hilltop. *bliss* :)
I'm glad you picked up on the ambiance! I always have very strong visuals in my mind when I write, usually connected to a similarly strong emotion that I want to convey. The challenge, then, is to communicate the visuals/sensations and somehow have the emotions come along with them.
Finwe's section was my favorite. Feanor's was probably the most fun to write, kind of like writing my Caranthir where I can allow myself to write some really weird perceptions. I definitely did want a bit of creepiness to come across; what I have of the AMC prequel, Feanor is definitely a bit odd in his youth, which probably isn't itself strange, considering what he'd endured even by a very young age and his powers of perception coupled with an inability to fully understand what he was perceiving. Indis is really beginning to interest me, mostly because of the complexity of emotions that she must have had when Miriel died. Of course, as soon as there is a hint of complex psychology, I am begging to dive in. ;)
This was beautifully heartbreaking, Dawn. Just gorgeous. Finwe's pain was just so real, and Feanor - and Miriel, poor thing. Just fantastic. I'm hunting for my second tissue now.
Thank you, Steel! Finwe's section was my personal favorite; it felt very raw to write it, and I'm glad that came across. (Meany author that I am who likes to make readers cry. ;)
Thank you, Vanessa! I'm glad that feeling came through in the story. As I wrote in another reply, I usually have very strong visuals in my mind when writing that, for me, convey strong emotion, but the challenge is communicating both to a reader.
Amazing as usual, Dawn. The repetition of the first line was really powerful throughout, and I like the idea of the bell- I think I've always been enamored of bells. That might be why the juxtaposition of the bells tolling for mourning gets me- I think of bells as light and happy things, but here it's something entirely different.
Thanks for taking the time share =) I expect that can be difficult to do when you're organizing the birthday event.
Thank you, Michiru! You are so right! Finding time to write when organizing an event is a challenge. At the same time, though, it does force me to focus on my writing (it's so easy, in the chaos that is my life, to let other things take precedence, but having a challenge and a deadline sort of nudges writing to the fore in terms of priorities.)
I love bells also, and I also had in my mind the ambiguity of the sound of bells, which I tried to hint at too in the story, how something that had, to this point, been perceived as a sound of joy suddenly took on a new meaning. I suppose if one is being analytical (me?? never! :D), then that could extend to the atmosphere in Valinor in general, where Miriel's death really removed a lot of illusions of paradise that many of the Elves seem content to have maintained.
This was very poignant. I loved how their different reactions revealed so much about their personalities, despite it being short. Also have you ever heard of Rachmaninoff's Bells? There's a series of compositions, The Mournful Iron Bells, The Silver Sleigh Bells, the Mellow Wedding Bells, the loud Alarum Bells - etc. Somehow that reminded me of this piece.
Thank you, Aerlinn--I'm glad you enjoyed the piece! Rachmaninoff's Bells is new to me, but I am familiar with the Poe poem "The Bells" on which the music composition is based. I think "Five Bells" might be five slightly different movements of the "Mournful Iron Bells" section. ;) Thank you again for reading and commenting!
Comments on Five Bells
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.