About words by Aerlinn

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Fanwork Notes

Andreth would not leave me alone until she spoke her mind: and so she did. 

I doubt she really cannot write, she probably just doesn't want those stories, her people's stories, written down. It was, after all, an oral tradition. If this appears a tad one-sided and coloured, that is because it is. Just like the Athrabeth.

Fanwork Information

Summary:

 

Your brother would have me believe it was your noble spirit that made you turn away from me. Yet I would not be so easily convinced, talk of the One be damned.

Andreth speaks her mind. About Finrod, about words. About Aegnor, about fear. 

Song against ink, voice against fire.

 

   

Major Characters: Aegnor, Andreth, Elves, Finrod Felagund

Major Relationships:

Artwork Type: No artwork type listed

Genre: Drama, General, Romance

Challenges:

Rating: General

Warnings:

This fanwork belongs to the series

Chapters: 1 Word Count: 1, 354
Posted on 16 October 2011 Updated on 16 October 2011

This fanwork is complete.

There is not true tale

Read There is not true tale

“Beauty is unbearable, drives us to despair, offering us for a minute the glimpse of an eternity that we should like to stretch out over the whole of time.” ( Albert Camus)

 

 

Your brother would have me believe it was your noble spirit that made you turn away from me. Yet I would not be so easily convinced, talk of the One be damned.

 Even as we talked I realized the first thing he would do when he left was write this down. Lord Finrod has always cast himself in the role of benevolent instructor, even if we, the sun-children, did not ask for it. I could not, would not write. He has often tried to convince me to learn, but I would not bend. The tradition of the Edain is a spoken one, a sung one. In the dark, we gathered around campfires and sang stories about our  love, our hate, our past, our future. That has always been the way. I am the most knowledgeable story-keeper now, and I know I cannot trust the treacherous pen to preserve the intonation and intent of a living voice. In time, I will pass on my knowledge to a new woman. Our story-keepers are always women, for we preserve the sacred fire in the middle of the camp, and pour words into our newborn babes. 

Lord Finrod does not understand.

 

"But what if you forget?" 

 

"You cannot pass on history accurately without mistakes. It will change into something wholly recognizable, the true tale lost to all of the Edain for ever!"

 

There is no true tale, Lord Finrod, and your pen has proven this once again. I have read your Athrabeth: it is not how I remember that particular conversation. It is a one-sided recording, stripped of living voices. Then again, how could I blame you? There are those of us who call you, for all your might, for all your beauty, the Embalmers. For the natural changes in this new world, our world, fill you with sadness and disgust. Do not try to disguise it, my lord. I have seen you flinch at your old friends, young and fresh less than a yen ago, and if you or your kin gift us with living things, they always live unnaturally long, oftentimes longer than their owners. I found flowers unwilting in the house of Adanel when we had to empty it before the burning, and I remembered seeing them there in my childhood. You do not understand that the story needs to change to go on, and so we are both stuck in a memory, your brother and I. 

 

I do not bear you ill will, my lord. In fact I enjoy your company, even if I do not always want it. I find it strange that an immortal Elf-lord would want our stories, but I find myself sharing them nevertheless. I know you will pin them down, strange them with your ink. But you do not understand why that is a bad thing, and I cannot blame you. After all, you are forever. It is only natural you want everything else to be too. 

 

You tell me to accept whatever the One has in store for me and your brother, but do not seem to gauge the contradiction in your words. The Song has gone on, the fire is dulled to embers. If there ever was anything in store for us, it has passed already. An Elda he was indeed: he did not grasp what lay to his hand, and now that what lay within his grasp does no longer exist. I am no longer an impassioned, inexperienced maiden full of reverence and hero-worship. There is the first touch of frost in my hair, not stars, and I doubt he would even notice me now, did he not know me already. Of course, he does know me, which is why he never comes here anymore. My father still thinks he somehow insulted his lordship, and worries about the long-suffering grudges Noldorin lords are rumored to bear. Your presence here, at least, comforts him: sometimes I wonder if that is part of the reason why you continue to visit me. Somehow I don't think that is all there is to it, though. There is an unveiled curiosity in your eyes, and sometimes I wonder if it is for me or my stories. You never did understand your brother's infatuation with me, and if anything, you always want to understand. But perhaps I am just flattering myself in my old age. For all your thoughtfulness, your kind is unpredictable and hard to read to us secondborn.  

 

In the end, I almost agreed with him. I found my head nodding despite my cynicism, or embitterment, as he would call it. Yes, maybe I will meet Aikanáro again beyond the world. Yes. I cannot deny I long for it, for all my weariness. I am, after all, human. Amdir, as you call it, comes naturally to us, as it must for our survival. 

But I know the Song has gone on: and I do not believe it was the knowledge of his own death that stopped him. It was, after all, quite obvious that I would not live very long no matter what happened: his own foreseen death could have somewhat softened the blow of mine. Or, had I lived that long, ended his disgust and fear of my aging, though you would not let me consider that aloud.

 

My lord, you have a kind heart. I understand your need to comfort: and maybe also the strange benediction of your own leaving of love through the justification of my story. But Amarië still dwells in Valinor, unchanged (that is, to your knowledge, to the extent of what you can bear thinking about) whereas I am only unchanged in your brother's memories. Maybe it is true that tradition and duty convinced him to leave me behind: but to believe that to be the end of it would be a foolish conviction. You wonder why I am so convinced of your brother's fear of my old age, perhaps because you are so busy trying not to be frightened by it yourself. I will tell you why: because I sometimes slip into his dreams, when he forgets to guard his mind. And it was not unbearable pity I saw there, or concern about my shame.

Oh, don't look so surprised. Did you honestly expect a sun-maiden to give up the warmth of men without good reason? I, who argued for having, at the very least, a one day if not a lifetime? But he would not have me, in the end: never wholly. Only when the stars caught in my hair, the light was just right, and he could believe I would live forever for just one moment. 

I wonder how I will be remembered by you to whom memories are so important. No doubt my name will be captured between the pages of some dusty tome, a short sidenote in the appendix, maybe even merit a short story or a sad, grave song about the fate sundering the prince and his unlucky adaneth. No doubt it will not say anything how we really lived through any of it, for the Eldar have about as much talent for living in the moment as your ink has for capturing the living song. 

 

For one year, for one day of the flame...

 

In the end, I left the flowers beside Adanel's bed, though we took the bed with us. They were hard years, and we had neither the time nor resources to create new furniture for our new homes, though the thought of sleeping in a deathbed struck fear into us. The flowers, however, burned with her. Was I bitter after all?

 

Perhaps I was. Perhaps there is some sort of inquietude beneath our admiration after all, for none of the other women tried to take them outside, though I saw them glance in their direction several times.

 

For one year, for one day...

 

But those days are long past: and you did not grasp what lay within your reach. 

 

And the Song goes on, sorrowless. 

 

 


Chapter End Notes

The last line, is, of course, a rather mean reference to the song of Beren and Luthien: "And yet at last they met once more, and long ago they passed away. In the forest singing sorrowless." I could not refrain from that little sarcastic moment.

Thanks to Pandemonium for picking out spelling mistakes and encouraging to post it on here. :) 

Edit: There were some weird things going on with this thing. For some reason or another the text had various sizes etc and one lines was completely displaced. Fixed the HTML! Should be readable again. 

 


Comments

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The Athrabeth has in some ways always seemed to me to present a very one-sided view of things, despite being framed as a dialogue. (On the other hand, as far as it is true dialogue,  I suspect it was  a way for Tolkien to articulate some of his own doubts rather than a female POV).  What we are given there does not sound all that much like traditional oral story-telling, as far as I remember, but I suppose it wouldn't, once Finrod had got his mitts on it, by your logic.

So you think that mortal aging bothered Aegnor more than he or Finrod were prepared to admit? Or am I getting that wrong?

Hi! Thanks for reviewing. ^^ I'm not really all that sure of that. I'm fairly sure Andreth was convinced of it though, and believed herself scorned for it. She speaks of not bothering Aegnor in her old age and such, and throughout the whole conversation seems to believe her aging is the problem. As she was a wise woman of her people I'm going to assume she wasn't entirely stupid, and had reasons for thinking an Elf could possibly have trouble with the reality of human aging, even if it might not actually have been Aegnor's reason for leaving her. Finrod says he is sure that was really not the reason tries to convince Andreth that Aegnor left out of a sense of duty/Eldarin tradition of not marying during wartime/foresight about his own death, but she doesn't seem entirely convinced by the end of the conversation. I thought it would be interesting to focus on that. Considering the Noldor are, uhm, well, the Noldor, it's quite likely he really did leave out of a sense of duty, though. Who knows? This was more of an attempt to channel some Andreth-anger, so if it appears a lot like a bitter one-sided rant, that's because it is. :P It does seem logical it would bother them more than they'd like to admit though. The whole "let's dwell in separate places" thing, some sentence I can't quote but am sure to have read about elves bing really upset by their human friends just randomly aging and dying without obvious outside cause etc being on of the reasons for that? Not really sure about it being the reason, but that did come up at some point. Some things do hint at some sort of...distain or lack of understanding on their part at least. "The sickly" doesn't sound very possitive about human weakness, just to mention one thing. 

The idea of early human culture being more of storytelling than a writing one came from how Andreth says she came by the tale of the "fall": "This is the tale that Adanel of the House of Hador told to me" and also what she says about rumours and the tales of their origins being more or less vague stories and guesses. I wanted to have som fun with the elvish need for permanence urge vs. human fleetingness so I grabbed that and went off with it. How canon the idea really is I'm not sure, but oh well. :)

I quite enjoyed this.  There is a certain condescention by other races toward mortal Men in the Athrabeth and elsewhere in Tolkien, and it was refreshing to have another vantage point on issues of mortality/immortality.  The long-lived flowers provide an interesting and vaguely creepy image.

Thank you. Oh definitely. Arwen and her whole nice little "I took them for wicked fools" comment is just another thing that springs to mind when it comes to Elven/human cultural relations. And she marries a human and has a lot of human ancestors! And doesn't come across as a particularly opiniated or ill tempered person exactly - which just leaves us to imagine what some of the more hot tempered non human-loving people might have thought...

Haha, glad the flowers worked for you. I actually stole that idea from an entirely different Tolkien story - the smith of Wootton Major. Of course the undying flowers are positive in that, but somehow it became this creepy...thing. It's a nice story, though it doesn't have much to do with Middle Earth. 

This is the story that made me like Andreth!!

I read this a while back (I didn't review then...I'm sorry!) and I'm so glad I stumbled across it again. It's such an amazing story! I never disliked Andreth or anything, but I pretty much dismissed her as uninteresting until I read this.

Okay, let me stop gushing and do a proper (if very long overdue) review...

I really, really like her persepective on the elves. These lines especially stood out to me:

"There are those of us who call you, for all your might, for all your beauty, the Embalmers. For the natural changes in this new world, our world, fill you with sadness and disgust."

"But you do not understand why that is a bad thing, and I cannot blame you. After all, you are forever. It is only natural you want everything else to be too."

The idea of the Edain having a oral tradition that Andreth refuses to let go of is a great one, as well. For one thing, their different opinions on the matter beatifully illustrate their differing worldviews. For another, I think Finrod is kind of condescending to humans, assuming his ways are better. I love that Andreth kind of calls him on that, refusing to accept his "greater wisdom" and follow his custom instead of her own. I also like that she brings up Amarie, and points out that even she is only unchanging in his memory.

When talking about how her own story will be remembered, I liked the line "No doubt it will not say anything how we really lived through any of it..." because the Silmarillion is kind of written that way. It says a lot of who did what, but it leaves out much of the feelings and experiences that must have gone along with those actions and events.

I think the "rather mean reference" of a last line was the perfect conclusion for this story. Finrod in the Athrabeth seems very intent on justifying the differing fates of Men and elves. I like that even here she's sort of taking a shot at him and chalenging his beliefs, if not for their accuracy then at least for their fairness. 

Wow, that got really long, I'm sorry...I just wanted to let you know that I really enjoyed this, and that Andreth (who I'd once ignored as boring) is one of my favorite characters because of this story. Thank you for writing this!! I'm sorry I didn't say so sooner.

I appreciate this take, and the tone. I like the way you describe the flatness of writing things down versus the vibrancy of oral tradition, how the former becomes staid in it's unchangingness, while the later lives and grows and morphs, although both easily end up not telling the original tale. The one-dimensionality of Finrod's account reflecting things as he understood them and not necessarily as they were expressed. "And the Song goes on, sorrowless." indeed. Impassive, unemotional, continual.