Archive Software Upgrade and Downtime on April 19, 2025
Expect site outages on Saturday, April 19, 2025 as we perform a major software update on the archive.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Archive Software Upgrade and Downtime on April 19, 2025
Expect site outages on Saturday, April 19, 2025 as we perform a major software update on the archive.
Mereth Aderthad Interview: Interview with cloudyhymns by Shadow
Dragons are one of the most familiar creatures in Tolkien's world and one of the least understood. In this interview, Shadow spoke with cloudyhymns about his Mereth Aderthad presentation "The Design of Dragons and the Doom of the Dwarves," the nature of dragons and their connections with Dwarves, and the musicality of Tolkien's works.
Instadrabbling Sessions for April, May, and June
The first Saturday of each month, we will be hosting instadrabbling on our Discord server.
Mereth Aderthad Interview: Interview with polutropos by Dawn
"And love grew after between them"—those words have fascinated a fandom intent on revealing the how and why of the "kidnap fam" plot point in "The Silmarillion." In this interview, polutropos discusses her upcoming Mereth Aderthad paper on the topic, “'Kidnap Fam' and the Living Legendarium."
[Series] Instadrabbling by SWG Moderators
We get together from time to time on the SWG Discord and produce spontaneous fanworks based on randomly chosen prompts. This collection includes drabbles, ficlets, and other flash fanworks produced as part of our instadrabbling sessions.
[Writing] High in the Clean Blue Air by StarSpray
They passed out of Lhûn and the wider coastline of Middle-earth opened up before his eyes. He had wandered those shores for centuries, and even now he felt the pull of that same wanderlust, and knew he would miss them for the rest of his life. Their wildness, the untamed waves, the rocky…
[Series] I made loving you a blood sport by atlantablack
In which Fëanor & Fingolfin are re-embodied in 4th age Aman, are nowhere near as healed as everyone believes them to be, and decide to pretend that sleeping together will fix their relationship instead of causing more problems.
[Writing] evidence of a love that transcends hunger by atlantablack
Fëanor does not even get a chance to finish being annoying before Fingolfin’s eyes flash with something far too dark to be only fury and his hand snaps out to grab a handful of Fëanor’s hair. He wrenches Fëanor’s head back in a move that is so surprisingly painful it throws him off balance. In…
[Writing] Not Going Without You by StarSpray
Daeron is caught by orcs in the shadow of the Ephel Dúath, but is rescued by someone entirely unexpected.
[Writing] April Fancies by AdmirableMonster
A series of short responses to instadrabbling prompts on Sat, Apr 5, 2025.
[Writing] She Hath My Love (Drabbles about Women) by Elrond's Library
A collection of drabbles about women in Tolkien's Legendarium.
Birthday Bash
Daily word, image, and poetry prompts are loosely structured around events and milestones leading up to our 20th birthday. Read more ...
Roaring Twenties
Use bingo prompts from 1920s-themed cards to create a fanwork. Read more ...
Interview with cloudyhymns by Shadow by cloudyhymns, daughterofshadows
Shadow spoke with cloudyhymns about his upcoming presentation for Mereth Aderthad 2025, "The Design of Dragons and the Doom of the Dwarves," where he shares his theory about how Dwarves and dragons are connected in the legendarium, a topic full of implications for fanworks.
Interview with polutropos by Dawn by polutropos, Dawn Felagund
Dawn spoke with polutropos about her upcoming presentation for Mereth Aderthad, “'Kidnap Fam' and the Living Legendarium," including the appeal of kidnap fam, the appeal of Maglor's character, and how The Silmarillion as an incomplete, complex word makes it ripe for both fanworks and scholarship.
Maglor by polutropos
As one of the most beloved Silmarillion characters, Maglor is a bundle of contradictions undergirded by a complex textual history. Warrior, musician, wanderer, and survivor, Maglor brings to the fore key themes in Tolkien's early legendarium, such as the role of music, oaths, and exile.
Part of our Themed Collection series for our newsletter, this collection features fiction, artwork, and essays that transcend the idea of Orcs as the enemy, instead considering their humanity.
Alliterative Verse for Arda by Rhunedhel
Part of our Themed Collection series for our newsletter, this collection features alliterative poems about Middle-earth.
[Writing] Paradox of the Fourth Age by Alassante
One wrong decision can make a world of difference. When one of the Fellowship makes the mistake, the consequences are so severe that only the Valar can repair it. But will they?
Glorfindel daughter's life is in Elrohir's hands and only she remembers th eir love for each other. The fate of…
[Writing] By Mirrormere by bunn
A new Age dawns, and Moria is retaken at last.
[Writing] Beneath the Bitter Rain by bunn
The Gardens of the Entwives are fallen, but two Entwives remain.
Silmarillion Epistolary Week 2025
Silmarillion Epistolary is a challenge dedicated to creating fanworks to tell the story of the Silmarillion in the style of an epistolary novel.
April Challenge at tolkienshortfanworks
The tolkienshortfanworks challenge for April has been posted to the Dreamwidth community. The thematic prompt is: wood. The formal challenge is: linnod (Gilraen's canonical verse form). These can be filled separately and freely combined with other challenges and prompts that allow this.
Celedriel Week 2025
Celedriel Week is a Tumblr events for fanworks about Galadriel and Celeborn.
Tolkien Ekphrasis Week 2025
This is a Tolkien-fandom-wide event dedicated to the art of ekphrasis in Tolkien's worlds. Its goal is to illuminate the artistic surroundings of the places, people, and stories we love, in as many media as possible.
Teitho March/April Challenge: Mothers
The Teitho Contest theme for the months of March and April is mothers.
Poor Erkenhild, daughter of two worlds and not really at home in either! You brought her inner conflict across in so few words, and I really like that you didn't limit her sense of alienation to Rohan only. That made it very believable to me. And I liked the reconciliatory ending! (If that's what it is. After all, …owyn's and Faramir's offspring might face the same difficulties one day...)
Thank you very much, Lyra! I really appreciate your insightful reviews!
Yes, although moving from Gondor to Rohan might be the change that would trigger a lot of this, I think it likely that the sense of alienation would be something she would feel in both worlds, not only in Rohan. I'm glad it was believable.
And it is meant to be a reconciliatory ending, even if it won't stop others, like Eowyn and Faramir's offspring, from encountering the same problems, maybe. I was trying to hint at that, with the reference to Erkenhild's sisters (not too schematically, I hope). Not everyone would be affected in the same way--and for some, minor feelings of alienation might not be such a great price to pay for the broadening of their horizon.
I've always been fascinated by the ties between Gondor and Rohan and the possible cultural differences and overlaps.
I spent a lot of time digging into the question for purposes of my Third-Age novel The Princess and the Horse Lord, wherein I wanted to take a hard position on what language[s] Eowyn and Eomer might have spoken and how well-educated they would have been by Gondorian standards [very well, I decided!]. At the time, mainly on HASA and ff net, there was a subset of works about Rohan within which fanfic authors posited they were illiterate because the language of the Rohirrim of Rohan was not a written language. I objected.
Here was one of my assertions from my author's notes to that story related to that line of researcg (I was always a geek):
He [David Salo in his book on Sindarin] goes on to note that native Sindarin speakers were largely limited to Minas Tirith and the surrounding area, the Dúnedain of the North and Dol Amroth. He claims that it was most persistently used among Men as a first language in Dol Amroth. He goes on to say "In the last years of the Third Age as a result of the marriage (2943) of Thengel of Rohan to Morwen of Lossanarch (whose family was from Belfalas), Sindarin came to be spoken also by the Kings of Rohan." (He references Peoples of Middle Earth, Return of the King, and Unfinished Tales. I also found references to that effect in Tolkien's letters as well.)
I am insufferable! My point is that I really enjoyed your exploration of these connections and cultural overlap and contrasts/differences in this story!
Thank you very much, Oshun! Glad that this caught your interest! It is an interesting subject, isn't it?
There are hints that there was a bit of cultural backlash to the the pro-Gondorian attitudes and encouragement of Sindarin at Thengel's court. So I suppose it's possible that some nobles of Rohan refused to learn to read or to learn to write, out of principle, and there were clearly some who were reluctant to speak Sindarin. But it doesn't seem very likely that Eomer and Eowyn would have been part of this movement.
I may be wrong about this, but I get the impression that Morwen being ultimately from Belfalas is a post-LOTR revision. Is that right, do you think? The implications of that irritate me just a bit, because I suspect that one of the motivations was that Tolkien decided that Forlong was not poetic enough for major characters to be related to. And I like Forlong, so I'm a bit indignant on his behalf. But I suppose there are ways that Morwen could be related by blood or marriage to Forlong and still be from Belfalas and also related to the Princes of Dol Amroth. And besides, maybe I'm doing Tolkien an injustice and he just wanted to tidy up his ideas about the distribution of Sindarin.
Anyway I left all that very much in the background here!
It's always difficult to belong to two different worlds, two different cultures.
The Rohirrim would see her as an aloof woman, perhaps too refined, too distant. And the Gondoriand would see her as a "wild maiden of the North".
And Morwen is right: perhaps it's harder for a woman. Perhaps it'll be harder for Éowyn, too, in a sense. But she has Faramir. And he makes her feel they are kin.
Yes, I think that is how a daughter of Thengel might be perceived.
It may be harder for a woman--although it could be hard for a man, too. Theoden, the only son, had a role waiting for him in Rohan, of course: the heir and future king.
I was also trying to hint that Morwen, who seems to have impressed the Rohirrim, may herself have found it hard at times. She was a fully grown woman, though, when she left Gondor, so her experience was a bit different from her daughters'.
Thank you for reading and commenting!
oh, I like this a lot!!! :) As an avid reader and writer of both Silmfic and that set in later Ages, I found this to be exciting :) Erkenhild, so betwixt and between...poor Princess! But she links Faramir and Eowyn together in more ways than one. :)
I do hope to see that other ficlet someday!
Thank you very much, Kaylee! Glad you like it and the subject appeals to you!
Yes, Erkenhild links Faramir and Eowyn. I was also interested in speculating what other sources Faramir might have for his views on the history of Gondor and its relation to the rest of Middle-earth, besides conversations with Gandalf and his own reading.
The other ficlet I mentioned was written for the Art's Desire challenge at the LOTR community on LJ, so it will be revealed in a couple of days. It's written from Gleowine's point of view, who doesn't like Erkenhild very much. I found it difficult to get Erkenhild's point of view into the same story--and that is why there are now two, rather different ficlets!
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