Philosophia to Philomythus and Misomythus by pandemonium_213
Fanwork Notes
Although I knew from the beginning that I would lose in this duel of song with the great master, I was nonetheless compelled to offer a response to Tolkien's Mythopoeia: science can impart a sense of wonder equivalent to any great mythological tale, and myths and flights of imagination are necessary to spark the creativity which in turn leads to new ideas and theories.
The form used in Mythopoeia is heroic couplet. As noted in the linked Wikipedia entry, this was the preferred cadence of British Enlightenment poets so Tolkien was “attacking the proponents of materialist progress on their own turf.”
The poetic form represents a vast uncharted territory for me. Thus I am indebted to my fellow “smith,” Moreth, who helped to tweak and polish my versecraft. Many thanks!
- Fanwork Information
-
Summary:
For The Duel of Songs challenge: a counterpoint to Tolkien's Mythopoeia.
MEFA 2008: First Place, Poetry, General.
Major Characters:
Major Relationships:
Artwork Type: No artwork type listed
Genre: Poetry
Challenges: Duel of Songs
Rating: General
Warnings:
Chapters: 2 Word Count: 1, 311 Posted on 24 April 2008 Updated on 24 April 2008 This fanwork is complete.
Chapter 1: Mythopoeia by J.R.R. Tolkien
- Read Chapter 1: Mythopoeia by J.R.R. Tolkien
-
To one who said that myths were lies and therefore worthless, even though "breathed through silver."
PHILOMYTHUS TO MISOMYTHUS
You look at trees and label them just so,
(for trees are `trees', and growing is `to grow');
you walk the earth and tread with solemn pace
one of the many minor globes of Space:
a star's a star, some matter in a ball
compelled to courses mathematical
amid the regimented, cold, Inane,
where destined atoms are each moment slain.
At bidding of a Will, to which we bend
(and must), but only dimly apprehend,
great processes march on, as Time unrolls
from dark beginnings to uncertain goals;
and as on page o'erwitten without clue,
with script and limning packed of various hue,
and endless multitude of forms appear,
some grim, some frail, some beautiful, some queer,
each alien, except as kin from one
remote Origo, gnat, man, stone, and sun.
God made the petreous rocks, the arboreal trees,
tellurian earth, and stellar stars, and these
homuncular men, who walk upon the ground
with nerves that tingle touched by light and sound.
The movements of the sea, the wind in boughs,
green grass, the large slow oddity of cows,
thunder and lightning, birds that wheel and cry,
slime crawling up from mud to live and die,
these each are duly registered and print
the brain's contortions with a separate dint.
Yet trees and not `trees', until so named and seen -
and never were so named, till those had been
who speech's involuted breath unfurled,
faint echo and dim picture of the world,
but neither record nor a photograph,
being divination, judgement, and a laugh,
response of those that felt astir within
by deep monition movements that were kin
to life and death of trees, of beasts, of stars:
free captives undermining shadowy bars,
digging the foreknown from experience
and panning the vein of spirit out of sense.
Great powers they slowly brought out of themselves,
and looking backward they beheld the Elves
that wrought on cunning forges in the mind,
and light and dark on secret looms entwined.
He sees no stars who does not see them first
of living silver made that sudden burst
to flame like flowers beneath the ancient song,
whose very echo after-music long
has since pursued. There is no firmament,
only a void, unless a jewelled tent
myth-woven and elf-patterned; and no earth,
unless the mother's womb whence all have birth.
The heart of man is not compound of lies,
but draws some wisdom from the only Wise,
and still recalls him. Though now long estranged,
man is not wholly lost nor wholly changed.
Disgraced he may be, yet is not dethroned,
and keeps the rags of lordship one he owned,
his world-dominion by creative act:
not his to worship the great Artefact,
man, sub-creator, the refracted light
through whom is splintered from a single White
to many hues, and endlessly combined
in living shapes that move from mind to mind.
Though all the crannies of the world we filled
with elves and goblins, though we dared to build
gods and their houses out of dark and light,
and sow the seed of dragons, 'twas our right
(used or misused). The right has not decayed.
We make still by the law in which we're made.
Yes! `wish-fulfilment dreams' we spin to cheat
our timid hearts and ugly Fact defeat!
Whence came the wish, and whence the power to dream,
or some things fair and others ugly deem ?
All wishes are not idle, not in vain
fulfilment we devise - for pain is pain,
not for itself to be desired, but ill;
or else to strive or to subdue the will
alike were graceless; and of Evil this
alone is dreadly certain: Evil is.
Blessed are the timid hearts that evil hate,
that quail in its shadow, and yet shut the gate;
that seek no parley, and in guarded room,
through small and bare, upon a clumsy loom
weave rissues gilded by the far-off day
hoped and believed in under Shadow's sway.
Blessed are the men of Noah's race that build
their little arks, though frail and poorly filled,
and steer through winds contrary towards a wraith,
a rumour of a harbour guessed by faith.
Blessed are the legend-makers with their rhyme
of things nor found within record time.
It is not they that have forgot the Night,
or bid us flee to organised delight,
in lotus-isles of economic bliss
forswearing souls to gain a Circe-kiss
(and counterfeit at that, machine-produced,
bogus seduction of the twice-seduced).
Such isles they saw afar, and ones more fair,
and those that hear them yet may yet beware.
They have seen Death and ultimate defeat,
and yet they would not in despair retreat,
but oft to victory have turned the lyre
and kindled hearts with legendary fire,
illuminating Now and dark Hath-been
with light of suns as yet by no man seen.
I would that I might with the minstrels sing
and stir the unseen with a throbbing string.
I would be with the mariners of the deep
that cut their slender planks on mountains steep
and voyage upon a vague and wandering quest,
for some have passed beyond the fabled West.
I would with the beleaguered fools be told,
that keep an inner fastness where their gold,
impure and scanty, yet they loyally bring
to mint in image blurred of distant king,
or in fantastic banners weave the sheen
heraldic emblems of a lord unseen.
I will not walk with your progressive apes,
erect and sapient. Before them gapes
the dark abyss to which their progress tends -
if by God's mercy progress ever ends,
and does not ceaselessly revolve the same
unfruitful course with changing of a name.
I will not treat your dusty path and flat,
denoting this and that by this and that,
your world immutable wherein no part
the little maker has with maker's art.
I bow not yet before the Iron Crown,
nor cast my own small golden sceptre down.
In Paradise perchance the eye may stray
from gazing upon everlasting Day
to see the day-illumined, and renew
from mirrored truth the likeness of the True.
Then looking on the Blessed Land 'twill see
that all is as it is, and yet may free:
Salvation changes not, nor yet destroys,
garden not gardener, children not their toys.
Evil it will not see, for evil lies
not in God's picture but in crooked eyes,
not in the source but in the tuneless voice.
In Paradise they look no more awry;
and though they make anew, they make no lie.
Be sure they still will make, not been dead,
and poets shall have flames upon their head,
and harps whereon their faultless fingers fall:
there each shall choose for ever from the All.
Chapter 2: Philosophia to Philomythus and Misomythus by pandemonium_213
J.R.R. Tolkien (“Philomythus” - Lover of Myth) wrote Mythopoeia in response to fellow Inkling, C.S. Lewis (“Misomythus” - Hater of Myth) who said that myths were “lies...breathed through silver.” Tolkien displayed his poetic mastery in Mythopoeia. Even though I take issue with some of his views, I cannot deny the verses are lovely nor do I disagree that myth and art are vital to the culture and thought of mankind. My counterpoint, such as it is, is offered here.
- Read Chapter 2: Philosophia to Philomythus and Misomythus by pandemonium_213
-
You say I look upon the trees and think only oak or beech,
That past their phyla and their forms, my mind will never reach.
You say I gaze upon the stars and reduce their heat to cold
Courses mathematical with no grandeur to behold.Your lovely verse and lilting rhyme do not properly attest
To the hawk's flight of the dream that lifts the scientist
Who touches trees and sees beneath grey bark and spring-green leaf
The wondrous art within the cells as beautiful as Sheave.Inane you call equations, view such regiment askance –
The maths that paint what fuels the sun or destroy with Shiva's dance.
But there is beauty in those numbers, just as elf-patterned and fair
As the myth that drives the Moon upon his chariot of air.Philomythus, Misomythus - there is no black and white.
For cunning to be wrought, steel minds must soar in mythic flight:
To craft together beauty from all those barren facts;
To re-forge the Iron Crown into shining Artefacts.
Chapter End Notes
Philosophia = Lover of Knowledge
Tolkien’s writings on King Sheave may be found in “The Notion Club Papers,” The History of Middle-earth, Vol. IX, Sauron Defeated.
Comments
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.