Through Sorrow to Find Joy by Dawn Felagund

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Fanwork Notes

In Aman we have come through bliss to woe. The other now we will try: through sorrow to find joy; or freedom, at the least.

This has always been my favorite quote from The Silmarillion. Always having been very conscious of the ways that people hurt and oppress each other, Fëanor's decision in this moment to empower himself to seek joy (even if he miserably, miserably fails at that) has always inspired me. In this moment--still innocent of the Kinslaying and what will come after--he breaks the stranglehold upon him, and all becomes possible.

I will confess that now--working full-time and also a full-time graduate student attempting to become certified as a teacher--I often need to remember this moment and come "through sorrow to find joy." Zipping from task to task and deliberately silencing my muses takes its toll on me. I hope that this series will provide a place where, when I can spare a few moments for myself and my writing, I can store and share the results.

Fanwork Information

Summary:

This series will include small thinglets that do not fit in my other series.

New: Speak Faster. Nerdanel meets Ælfwine on Tol Eressëa. A double drabble.

Major Characters: Aegnor, Andreth, Celegorm, Eriol, Maedhros, Nerdanel

Major Relationships:

Artwork Type: No artwork type listed

Genre: Experimental, Fixed-Length Ficlet, General

Challenges:

Rating: General

Warnings: Mature Themes

Chapters: 5 Word Count: 1, 106
Posted on 20 November 2009 Updated on 11 August 2010

This fanwork is a work in progress.

Seasons

Tyelkormo's first winter outside of Valinor draws him to ponder the circle of the seasons and their meaning to one immortal. A series of four drabbles.

Read Seasons

Tyelkormo plunged his hands against the door so hard that his bones hummed. High in the trees the last of the streamers from the Gates of Summer were swiped by a breeze and disappeared against the bold light of Laurelin.

Yes, it was Valinor; yes, it was perpetual summer here, but Tyelkormo felt a vestigial leap in his blood at the change-of-season, as though his marrow would surge unto bursting its bone-lock and scatter him upon the breeze. He turned and turned and turned upon green grass, swathed in golden light, palms upturned, embracing the sky. He wished for it.


The leaves fell in Formenos and the festivals took their old shapes but the lanternlight, the leaping shadows of the dancers, the jolt of cold air on wine-fevered flesh would not rouse Tyelkormo.

The leaves fell and made a sharp-scented bed amid the oaks and he spread himself thin upon it. "You will not pass like them," Nelyo reassured him, thinking he feared their deaths. "You are bound forever to this form."

The leaves fell and cloaked him in rainbow hues: scarlet and gold and purple for kings.

"That is it," he wept to the silver sky. "That is it."


Winter would be hard, they said, but life in Valinor had not prepared him for the brutality of the cold in the north. An ice storm had passed the night before, and in Telperion's zenith, the trees might have been wrought of silver, not of wood and flesh, like him.

He imagined Vána of the Springtide dancing among them. She exhaled a song, and the ice poured away.

He paused, took a twig upon his palm. Exhaled upon it.

A drop of water shivered at its tip, and his breathe steamed heavenward, dissipating, until all that was left were stars.


His sorrow should have lifted with the coming of spring, but it did not. He heard Nelyo whisper such to his mother as he passed, an inappropriately thin cloak upon his shoulders, out-of-doors.

Only silence hung amid the trees. Is this my fate, to persist while all else dies and lays sodden, barren? He returned to the oaks and lay upon the leaves there, soaked and shivering. He listened for the workings of the world but heard nothing.

Yet there was a tiny leaf, puckered shut like a fist, arisen from last year's leaves. Without a sound it sprang open.

The Swift Flame

Aegnor sees Andreth for the first time on the Summer Solstice. A double drabble.

Read The Swift Flame

The Swift Flame

It is said that Mortals arose at the Sun's first rising, that which is now the longest day of the year. It is said that Ilúvatar molded them of leaves and earth and ignited the life within them with the first rays of Arien's light, before the journey wearied her, when yet the Sun stood for endurance and hope.

When first he saw her, Aegnor was arriving in Dorthonion at the Sun's rising on the longest day of the year. Yet a maiden, Andreth stood on tiptoe, stretching to discern the first scrim of fire upon the eastern hills. She was laughing, lifting her arms, beckoning Arien forth.

If the life of the Eldar courses alike to the waters beside which they awoke, then so the life of the Edain is a flush and a fervor and, at the last, a flash upon the horizon.

Do not hasten! came Aegnor's sudden thought, for he felt how Time clutched him, saw how the Sun flung across the sky again and again and again, how the laughing maiden withered. Would he heave back upon the reins of Time, to linger forever here

Then slow descending darkness.

with the flash of first fire.


Chapter End Notes

Both the history (in italics) and the accompanying story are perfect drabbles, intertwined to form a double drabble. The story of the love between Andreth and Aegnor is found in Athrabeth Finrod ah Andreth in HoMe volume 10.

White Nights

Maedhros prepares for the Fifth Battle.

Read White Nights

White Nights

It inspired a sort of madness, a relentlessness not permitted in the months when the days were shorter and darkness compelled him to sleep. Not since his youth in Valinor, not since the time when he had yet to become disillusioned, when the Treelight granted all activities at all hours, had he worked so hard.

His brother urged him to sleep. Drew the drapes. Tacked them shut. It made no difference.

He could sense Arien's nearness to the north of him. As the light never fully faded from the horizon, the commotion never fully quieted in his mind. Before a half-hour was gone, trying to sleep, he had risen again to his work, to his table strewn with papers and maps, to his inkwell running dry and the growing pile of unsent letters.

In the utter stillness of mid-night, there was no one to argue, no one to declare folly or irrationality. There will be an alliance. No one to express doubt. An alliance of all the forces of good in Beleriand. No foresight troubled him. He threw open the drapes, sent Macalaurë's tacks scattering across the floor. There was light ever on the horizon.

At last, we will prevail.


Chapter End Notes

Last year, my husband and I flew from the eastern U.S. to Ireland shortly after Summer Solstice. I didn't sleep on the plane because I stayed up all night to watch the sun that never fully set in the north. Luckily, I didn't start any battles ...

The Turning

Nerdanel remembers joy. A drabble.

Read The Turning

The Turning

Nerdanel the wise had known that it would end in grief. Mayhap not so badly--her husband exiled, her sons murderers--but grief all the same. But she had seized her joy. She had thought of neither eventuality nor inevitability.

It came nonetheless.

Winters are harsh in Formenos, even more so now without the Trees. Yet on this day--the longest day of the year--winter is unthinkable. The city is arrayed for festival for the first time since the Darkening, and none think of winter.

Nor does Nerdanel. She will have her joy. But she feels the year turning.

Speak Faster

Nerdanel meets Ælfwine on Tol Eressëa. A double drabble.

I blame Oshun for this one, as her comment on my Nerdanel ficlet The Pendant in the Stream sent my mind spinning off in all sorts of weird directions and gave me this ficlet.

2011 MEFA nominee--thank you, Elleth! :)

Read Speak Faster

When he sees me crest the hill, he rises to meet me, offers me a hand to help me down stone stairs I can navigate perfectly well on my own.

"Lady Nerdanel." He fumbles a little, knowing enough of my story to be uncertain as to how to respectfully acknowledge my role in the turbid history of the Noldor that he desires to understand.

He leans forward, elbows upon knees, as I speak. His fingers meet and bridge and contract in and out, in and out, like some quick-breathing creature. He does not interrupt, but I can sense the questions on his tongue, waiting to leap out at me. I can sense the urgency in him, too. Every thump of his heart is one less moment he has to know, to understand.

Would I have known the tenure of my own happiness, would I have done differently? Would I have been quicker to act and longer to linger? Would I have cared less for silence? For the work of my hands? Would I have drunk deeper of joy when it was mine to have?

Not for the first time, I envy the certainty of mortality. In empathy, I speak faster.


Comments

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Oh I love extensialist Tyelko here, it just suits him that he, being Fëanor's son in your verse (most certainly) would question nature and how she works, how the world around him changes from season to season while he is immortal. In this he feels as the opposite of Nelyo and yet not. The autumn one captivates his ambition so well, be it veiled or not as he lies there, reaping his reward and being crowned fitting his lineage. The summer one just feels so perfect, it is as if we see his character reflected back to us in the light of the trees. Simply wonderful and a piece that you can re-read often and yet discover something new.

Thank you, Rhapsy! I certainly had a lot going on in my mind as a wrote it, but the Elves sitting outside of \"the way of nature\" in their deathlessness has really given me something to think on lately. As you note, Tyelkormo seems the perfect character for this kind of musing. It\'s a bitter paradox for the Elves: They are bound to the world yet their permanence means that they can never fully be a part of it. I\'d better stop now before the plotrabbits start gnawing again when I have a lot of work to do today. ;)

Thanks, Angelica! Okay, yes, this series was an excuse to indulge in shameless imagery-writing; I\'m glad it worked. ;) I take a lot of comfort from the ways of nature, and I\'ve been thinking a lot lately on what it means to be Elven and completely removed from nature\'s impermanence. This series starts musing on that.

Thank you, Ithilwen! You read it in the aftermath of a blizzard, and I wrote it as the weather began to really show signs of winter here, which is always a difficult time for me; I needed this piece to remind me that, yes, there is a purpose to winter and to look forward to those first spring leaves! :)

He'd already lived in the North for several centuries under the Sun by then, hadn't he? But I suppose the inner conditions had never so colluded with the outer conditions till then. The tacks are a telling touch--he doesn't seem to bother picking them up from the floor either, although they are hazardous things to leave lying there (presumably even for Noldorion heroes).

My apologies for the lateness of this reply, Himring. I just replied to a new review and realized that I had missed replying to yours. :(

You are right that I wanted the environmental conditions to exacerbate an existing ... frailty? I hesitate to say madness, because I don't think Maedhros is *quite* there at this point. :) This is very much from personal experience; the weather has profound effects on my mood, which tends to swing quite a bit to start. There is a reason why most of the SWG's projects and other mischief that I get myself into tend to occur in the summer. ;)

On the tacks--exactly! You know my Big Brother Maedhros well enough to know that he would normally *never* allow tacks on the floor where they might hurt someone. ;)

Thanks so much for reading and commenting!

Oh, that's lovely. You certainly did take off in an expected direction--like Nerdanel's own life. She explores the concept of mortality through the prism of having one's own expectations of a long Ages flowing in one particular vein only to find it cut incredibly short. Her empathy for the shortness of life given to mortals comes from a very personal place.

Thank you, Oshun! I'm glad you liked it, especially since it was our conversation that inspired it in the first place. :)

Nerdanel is endlessly fascinating to me. (Does it show?? :D) She's very unlike most of JRRT's female characters. Of course, CT had to cut almost everything about her from the books ... >:^(

Thank you, Binka! :) When I first wrote it, I started with something like the line, "He was obviously in haste," and promptly smacked myself on the wrist and uttered that mantra of writers' workshops, "Show don't tell, show don't tell." ;) I'm glad those details came through for you! :) I'm realizing now, too, that part of it was probably inspired too by the copy of Book of Lost Tales 1 on my shelf where Aelfwine looks very impatient for a (rather old-looking) Rumil to get on with it! :)

I made a typo above. I meant unexpected. I adore Nerdanel--due largely to the cut material and your interpretation in AMC. I am doing a Nerdanel story at the moment, which just keeps growing. I like craft and skill better than magic (ahem, Luthien), and an interesting personal life (i.e., one with some conflict and sturggles--not just a happily ever after) to make a woman character interesting to me.

Spilling over onto two comments for a story that is barely a ficlet--that means you've engaged your reader.

And I knew you meant unexpected! :D I was wondering if you'd make a correction in another comment or email me and ask me to edit in the correction with my mad moderatorly skillz. ;)

It depends on the magic for me. Magic works for me if it has a basis in some sort of craft or skill. Like Pandemonium's descriptions of the "magic" workings undertaken by Annatar and Samaril in The Apprentice. OMG. But, yeah, when a character just pulls magic out of her arse, like deciding to grow her hair extra long and weave a magic cloak out of it *ahem*, then I tend not to be impressed. It feels like a creative cop-out to me. It's easy to get out of plot binds with *poof!* magic! If JRRT had shown how Luthien learned her magic or worked it; if he had described the experience or her perception (and I realize most of that would not work with the tone in the Silm), then I would probably like that part of the story much more.

I like so much about Nerdanel. I like that we see her personal life. I like that she's not elevated as some grand beauty--she's even ugly! (By Elven standards anyway.) Before CT mauled the manuscript, she was defined by her work as well as (not just) her marriage to Feanor and mother of seven sons. I like that she clearly had enough faith in herself to stand up to Feanor. And I like that her fate isn't tied to padding around after a man--one reason that I've tried to show her life after Feanor left as something more than constant introspective angst. (Don't know how well I've done with that because there's been some of the introspective angst too! :)

You're doing it again, you know? Next thing you know, I'll be putting aside what I should be doing and writing something collected from where my mind has wandered during this conversation. ;)