The Death of Fëanáro by Dawn Felagund

Fanwork Information

Summary:

Fëanor's death and its aftermath, as told by the Fëanorian bards and as it truly happened. A free-verse poem.

Major Characters: Fëanor, Maedhros, Maglor, Mandos

Major Relationships:

Artwork Type: No artwork type listed

Genre: Poetry

Challenges:

Rating: Teens

Warnings: Character Death

Chapters: 1 Word Count: 882
Posted on 12 May 2014 Updated on 12 May 2014

This fanwork is complete.

The Death of Fëanáro

Read The Death of Fëanáro

It was not as he'd been taught it'd be.

It was sudden.

It was sudden as a storm-whipped night and a wind from the north
lashing a tree in fullness of leaf
at its tallest
at its proudest
and yanking it earthward
roots and all.

There was no slow slide into senescence
no nodding off in the afternoon
no forgetfulness of meals
no slow ache in his bones
no lust for rest.
(It was not as they'd said it'd be.)
Nay he'd awakened
heart thundering
that morning as all others
at the prime of his life with only untrodden road before him and battered boots upon his feet
and that insatiable churning restlessness in his limbs to run upon it.

Which is exactly what he'd done.

Forth from battle with the sounds only of his breathing and of his boots upon the rocks
forth toward the red-stained sky of the north
forth following the wreck of Moringotto's army
forth until all that was left of his life unspooled as fast as a ball of string dropped from a towertop so tall that the cold clouds wrapped it
and what was dropped was lost.

It hurt worse than he'd imagined
but it was sudden
(and he found himself more resentful of the speed of it than the pain).

There was no slow rot to seep him into the heart of the world
but the gnash of fire and bite of a wind blowing westward
that bore him thence
and scattered him as ash into insignificance
to mingle with plain earth
and pepper the face of the sea
(which lolled over itself and gulped him down
so that not even ash remained).
There was no torrent of flowers
garish upon naked stony earth
to mark the life he had been.
There was not enough of him left to nurture even weeds.

Life groaned on without him
and upon the west-borne wind there was a sudden awareness
of the whole of it
of all the dying and eating and growing and living
only to die and eat and grow and live again.
He was part of none of that.

~oOo~

The bards of his house told tales of an existential struggle upon the shores of Endórë
in which Námo swiped at his spirit but Fëanáro held fast in death as in life.
There the story changed depending on who did the telling.

In some there was a long struggle and a debate
of an existential nature of the sort that had bored Fëanáro
in life.
(This had been his brothers' purview and many of the words in his mouth
in these songs were in fact his brothers' too.)
Námo Fëanáro Námo Fëanáro they went
(these poems were usually performed as two voices)
until the glittering crescendo
in which Námo won only because of trickery
and added the brightest of spirits to his hoard much like Moringotto had done with the Silmarils.

(The parallel was intentional and audiences never failed to be stirred.
These songs were popular before battles
or in times of doubt.)

In others he won.
He remained
and as shadows recede at Arien's zenith
so Námo receded back to his hall upon the bone-pale cliffs of the Outer Sea
where no waves beat time
to crouch low in defeat.
The spirit of Fëanáro soaked into the earth and into the stone he'd loved.
It was a barren place where he'd died
but some went there like pilgrims
on the strength of tales alone
and conviction that he would never have succumbed to captivity by Námo at any cost
and the tales told that the fire of his spirit
stirred the stone into blood-bright flame
as he'd learned long ago among the Aulendur
and he reforged rock as gems resplendent with a secret color
even the Valar had not imagined in their Song.
Those who went there returned with pockets full of dusty stones
certain of the marvel in their secret hearts.

But all of the tales were wrong.

~oOo~

Willingly
he went.

It had been so sudden
and in the midst of the bitterness confusion and anger over that
he looked back upon the road he'd tread.
There'd been no time to for children and grandchildren to bring forth his descendents
as thick as trees lining the road of his life
compounding the bright deeds that had earned him the name Fëanáro
as facets upon a gem catch evermore and evermore light in inexhaustable supply.
All was still bare.
He'd done so little.
The life of Arda would spiral on
in time so long as to be nearly worth the name Eternity
and all without him.

The fallen tree lies with roots splayed to the sky
desperately taking in what it can of the rain of the storm that killed it
and yes its leaves may yet live awhile
before they sag earthward
to feed what will grow and live anew
(then die itself

and on
and on).

Something beckoned from the west
gray
neither with nor without light
and he grasped it
and the spirit of Fëanáro was swallowed whole.

The wind into the west whipped fierce
enough to loosen one of Nelyo's braids
and snap it hard enough that he looked West
and his brothers followed
all but one
(Macalaurë)
the only one
to see Fëanáro's body borne away as ash.
He gasped

and hands upon harp began the song.

Upon the windless shores of the Outer Sea
the spirit of Fëanáro slumbered
but stirred enough to suggest a ripple upon the face of the sea
and Manwë looked East
and his kin followed
all but one
(Námo
who soothed his charge with an ashen hand
and bided time until even immortality
would unravel like a ball of string dropped from a cloud-wrapped towertop)
and all but he watched the bard begin.
A dusty stone cracked open
and the light of the heart of it speared as deep as the stars.


Chapter End Notes

For several years now, I have been thinking (and sometimes writing) about the inherent injustice in the fate of the Elves. The Elves are bound to Arda and its fate (versus Mortals, who leave the Circles of the World), and yet their immortal nature does not allow them to participate in the most fundamental cycles of life and death that sustain Arda. This seems terribly unfair to me, and it is this mismatch between Elven nature and the nature of the world to which they are bound (not deathlessness itself) that I believe causes their sorrow as they age.

This poem is the result of these thoughts.


Comments

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I adore this section! Made me smile.

in which Námo won only because of trickery
and added the brightest of spirits to his hoard much like Moringotto had done with the Silmarils.

(The parallel was intentional and audiences never failed to be stirred.
These songs were popular before battles
or in times of doubt.)

Eldarin pop music as polemics and politics! Love it. As much as I, one of those hot-headed admirers of Feanaro, would like it to be true, that is not how it happened.

The truth is more mundane and more tragic.

and yet their immortal nature does not allow them to participate in the most fundamental cycles of life and death that sustain Arda. This seems terribly unfair to me, and it is this mismatch between Elven nature and the nature of the world to which they are bound (not deathlessness itself) that I believe causes their sorrow as they age.

I'll buy that. As much as that fits for me, meanwhile I am always running like a little hamster on my wheel, trying to think of the AU version where I can give the end of all things a happy resolution for the Eldar. Therein lies the danger of cliche and romantic twaddle. Maybe I can figure out a way that would not be too disastrously trite!

Philosophical discussion aside, it is a lovely and powerful poem. (And I do not know if you have read any of my diatribes against mediocre fannish poetry--basically "keep them on your harddrives, please!" This one is definitely a sharer! Which is high praise coming from this grumpy old lady!

[So sorry for deleting and editing for typos. I am sure I left some anyway.]

Ah, I'm glad (and relieved!) that you found it worth sharing! I don't really consider myself to be a poet. I don't write a lot of poetry. But when I do, it hits me like a wrecking ball. (Like this. I had settled down to do some reading and it would not leave me alone.) For some reason, mediocre poetry is more painful than mediocre fiction, imo. (Probably because the attempt to adhere to rhyme and meter makes for some forced and awkward turns of phrase. I also find that people tend to confuse "hard to understand" with "deep" in poetry more than fic. In fiction, there is at least an attempt to carry a story most of the time.) I read some real poetic doozies in my editor's days! One love poem that feelingly asserted, "One of your smiles keeps me going for miles." Ouch.

"Eldarin pop music as polemics and politics!"

Absolutely! It's all in keeping with my almost-decade long obsession with the sources of the texts and how they might have been used as propaganda or for other purposes other than factual accuracy.

I like the Second Prophecy of Mandos as a happy resolution for everyone. Except that I've given it a sad ending in a story before. Typical! But not taking my version, I like the "Morgoth is defeated and everyone lives happily ever after on Arda Unmarred, Elves and Mortals together, all singing folk music and making daisy chains." And Feanor gets to come back then.

I like the Second Prophecy of Mandos as a happy resolution for everyone. Except that I've given it a sad ending in a story before. Typical!

Yes. You certainly did! And it broke my heart! Beautifully written though.

But not taking my version, I like the "Morgoth is defeated and everyone lives happily ever after on Arda Unmarred, Elves and Mortals together, all singing folk music and making daisy chains." And Feanor gets to come back then.

 Now you are embarrassing me. That is pretty much the summary of what I want!

Now this poem is very nice. I will read it over and over to enjoy it more. Lots of great narrative and background detail in addition to very well conceived and constructed.

I agree on holding higher standards for poetry. I can enjoy not particularly polished prose if it has a great story and some passion behind it. And I can enjoy beautiful language in prose fiction, even if the writer loses momentum or never even finishes the story.

But a poem has to do it all for me before I can enjoy it.

That's pretty much what I want too, although the stories set in such a world would be boring as hell! So if we've been given Arda Unmarred to work with, I'm going to exploit the misery to its fullest extent. ;)

I was in denial for a long while about the Second Prophecy. I didn't want to believe that JRRT actually rejected it. I just wanted to think that it wasn't written into the published Silm but it really does happen at the end.

"But a poem has to do it all for me before I can enjoy it."

Yes, me too. As you note, aspects of a story can be enjoyable or entertaining but poetry? Notsomuch. It's kind of like bad music. If something about a song is unlovely (or senseless, since some music is deliberately unlovely in a way that works), it just doesn't work for me. I suppose it's the auditory component, for me anyway,whereas prose can be more straight imagination.

So the bards imagine Feanor resisting Namo, but he goes willingly? Is it because he is in a state of shock at his death? It was certainly sudden, as the poem says--and so soon after the Prophecy of the North. It seems it does not even occur to him to rebel--although it seems he continues to inspire rebellion in others?

I'm trying to read what the poem says in the light of your notes... Does the fire that makes Feanaro blow away as ash also not allow him to become part of the cycle of the world or is it merely Namo's call that does that?

And in your last line, the story that was wrong somehow becomes true? Is that because Maglor is singing or in spite of him or unrelated?

Thank you for commenting, Himring (and for kudos on AO3 :). Here are my thoughts on your questions; your mileage may vary! I don't think the author holds the only "right" way to read a text.

"So the bards imagine Feanor resisting Namo, but he goes willingly? Is it because he is in a state of shock at his death?"

I think it's because he becomes aware of a process larger than himself and that he risks not being able to be a part of it. The last stanza of the first section:

Life groaned on without him
and upon the west-borne wind there was a sudden awareness
of the whole of it
of all the dying and eating and growing and living
only to die and eat and grow and live again.
He was part of none of that.

We have from L&C that Elven spirits can remain in the world and "haunt" a place. In this piece, Feanor's followers like to imagine that he did just that, so important to him was going to Middle-earth (or so abhorrent to him was living in Aman). But the truth is that he realizes, in the moment that he has the choice to stay in M-e or go to Aman, that to stay would be a loss; that he would cease to have influence over the world in any way that he would define as meaningful.

"Does the fire that makes Feanaro blow away as ash also not allow him to become part of the cycle of the world ..."

Yes. At that moment, he regards his current life as physically and spiritually lost if he chooses not to go to Aman. He doesn't even get the benefit of one of JRRT's favorite death images of the flowers growing on the grave mound. :)

There was no torrent of flowers
garish upon naked stony earth
to mark the life he had been.
There was not enough of him left to nurture even weeds.

"And in your last line, the story that was wrong somehow becomes true? Is that because Maglor is singing or in spite of him or unrelated?"

I meant it to be metaphorical. The "pilgrims" go to the place of his death in search of these supposed stones that have fires in their cores. Such things don't exist there (or if they do, Feanor had nothing to do with them). But in the form of songs and tales--which do continue to inspire his followers to rebellion or at least persistence in their cause--his death *does* serve such a role. So regardless of what he chose, he would have lived on in that sense, and given that, what he really did choose (which version of the tale is "right") matters little. It's a way of thinking about himself that he didn't consider when he made his choice to go to Mandos in order to have a chance of continuing to influence the world. (Which, since I take the Second Prophecy as "canon" in my verse, he does do ... about the happiest ending I can squeeze from his story! :D)

 

Thank you for the explanations! They do help me to appreciate the connections between the parts better, although before I was already struck by the strength of the imagery and by the details (such as Nolofinwe's arguments being put in the mouth of Feanaro and Nelyo's braid snapping in the wind and the pilgrims certain of the marvel in their pockets...).