The Ship of Light by Dawn Felagund

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Fanwork Notes

This story was written for Talullah Red, for the 2016 Yule Fic Exchange on Many Paths to Tread. Tal asked for: "Elwing and Eärendil's first Yule in Sirion. I'd like something light and dark, please. Given the circumstances they would be traumatized, but the people around them would be making efforts for them and the other children. If you're one of the Nimloth-survives type, it's fine by me."

Fanwork Information

Summary:

Elwing is a troubled child, acting out to avoid facing the trauma of her past. During the survivors' first Yule at Sirion, mariners from Balar bring gifts to the refugees, and inspired by their benevolence, Elwing and Eärendil remake an old tradition into a new symbol of hope. For Talullah Red.

Major Characters: Elwing, Eärendil, Original Character(s), Original Female Character(s), Original Male Character(s)

Major Relationships:

Genre: Drama, General

Challenges: Gift of a Story

Rating: Teens

Warnings: Mature Themes

Chapters: 1 Word Count: 6, 301
Posted on 1 January 2017 Updated on 1 January 2017

This fanwork is complete.

The Ship of Light

Read The Ship of Light

The sky is too big here and I feel this constant danger like I might come unmoored and fall into it. Then there's the sea, and they run together, especially at twilight when you can look as hard as you can and not see where they separate. So there's this marshy projection into sky on the one side and sea on the other, being constantly infiltrated with water, with the river and the sea, and this is where we are, this is where we live now, here on the edge of the world and in danger of falling.

~oOo~

Lady Celonwen would like what I'd written, I knew, and so I didn't want to share it. I didn't want the attention or the accolades, the eyes on me. She was moving around the room and stopping randomly at desks to hover over the child's shoulder and read what she had written. She always nodded and said, "Mmmm." Some she touched before she moved on: a flat palm in the middle of the back, there then gone. Those were the ones who'd pleased her. Those were the ones she'd invite to stand before the class and read aloud. But me, and what I'd written? She'd stop the class and read it out loud herself; she'd done it before, and this was as good or better than my usual work.

She was coming closer, so I slipped the page under a book. I put my hands flat on the desktop and tested my fingernails against the wood.

"Elwing? Let me see what you have done."

The hand to my back preceded her approval in my case, like she thought I might need to be touched more often than the others.

"Elwing?" Her voice wobbled between concern and irritation. "Where is your assignment? What have you done toward your theme?"

I felt the grain of the wood, the dead flesh of some inland tree, bumping beneath my fingernails. The hand left my back. She radiated disappointment.

She would have loved it.

My eyes stung with tears of bitterness and injustice.

~oOo~

[From the notes of Master Certhechil of Gondolin, assistant headmaster, King's School at Sirion]

Elwing:

  • routinely refuses to complete work
  • talks back to and argues with adults
  • calls adults and children names
  • hits other children
  • swears
  • destroys property
  • makes inadequate effort on work that does not captivate her interests
  • cries without reason
  • plays the victim/refuses to accept responsibility for actions

~oOo~

I was very familiar with the wooden bench outside Master Certhechil's office, and my aunt was very familiar with the inside of that same office. I could measure my growth of the last half-year by the gradual reaching of my feet for the floor. First I could hook my feet on the wooden rung underneath, and now if I pointed my feet, the tips of my toes would snag in their swinging against the floor. The secretary in the headmaster's office winced every time my toes scuffed the floor, but he knew by now the uselessness of asking me to stop.

Master Certhechil was the youngest of the assistant headmasters and so assigned to deal with matters of discipline. He'd apparently been appointed to his position a mere fortnight before the fall of Gondolin, and no one had pity enough to spare him the disciplining of a couple hundred grieving children once Master Pengolodh reopened his school (which was almost right away; he claimed that reasoning suggested that a swift return to normalcy would heal us better than anything else, never mind that this place suspended amid the sea and sky was not and never could be construed as normal).

Down the hall was Master Pengolodh's office and another wooden bench identical to this one, and there was a boy sitting on that one. He was familiar with the office too; he was often here at the same time as I was. But he was the son of Idril the princess and his mother was still alive, so the headmaster himself deigned to deal with him.

I looked at him and he looked back down at me. He was much smaller than me; his feet cleared the floor by a good thumb's width yet. He was swinging them and periodically knocking them into the rung under the bench with a hollow bonk sound that also, I noticed, made the secretary wince and pause in his writing to rub his temples. We were the same age, I knew, but he was half-mortal and not particularly sharp intellectually (so I heard) and so in a lower class for our age group than me.

"Elwing." I hadn't even noticed the door to Master Certhechil's office open. I tattooed my toes quickly against the floor. "You may come in now."

My aunt was there, half-turned in her chair to watch me enter, the soggy handkerchief installed as ever in her hand. My aunt leaked tears the way a tree weeps sap at the spring thaw. Her silver hair was in a severe bun at the back of her neck intended to communicate an abandonment of frivolity in the interest of survival. In Doriath, she had been of Lord Celeborn's sisters the one most enamored of finery. Master Certhechil sat heavily in his chair and the wood groaned. He had a massive white forehead and pale, receding hair. While he talked, I imagined what I would write on his forehead if I ever caught him asleep in here.

These meetings followed a script.

First I was asked to explain why I thought I was here. Since I never did, then Master Certhechil jumped quickly to enumerating my particular sin for that particular day.

My sin was cross-referenced to an item in the Student Codex of Honorable Conduct.

Next it was asserted that whatever I had done was beneath me. It did not matter if it was something like writing a swear word in a poetry assignment (which seemed a legitimate use of the art form) or punching another girl in the head at the morning meal (which was probably the worst thing I'd done and which probably would have gotten me expelled if I didn't have the parents I did, dead or not). It was all beneath me, although if "me" was characterized in that ever-growing list of faults inside the folder on Master Certhechil's desk, then I'm not certain that claim could be made.

The conversation closed with a reminder of my strengths. Usually, this was something Lady Celonwen had written to Master Certhechil; she must spend a lot of time writing about me. Lady Celonwen was my writing instructor, and writing was admittedly something I did well at under most circumstances. Today, he could hardly quote Lady Celonwen since I'd been sent to him from her class for purportedly not doing the writing at which I purportedly excelled, so he said something tepid and insincere about how my headstrong ways suggested the heart of a true leader of her people if I'd only direct my energies appropriately. When he was trying to motivate a person, he always jabbed the air with his fist. He did this when it was his turn to address us all at the weekly school meeting. Through this whole ordeal, my aunt seeped tears and pushed her handkerchief up under her nose and clenched and unclenched her free hand in her lap.

Today, though, Master Certhechil's jabbing fist had deflated back to his desk blotter when my aunt's eyelashes fluttered several times fast as though she was coming awake and she said, "I don't understand you, Elwing." Her voice was nasal with all the tears waiting to leak out. "Lady Celonwen found your assignment when she gathered your books to send down. She found it; she said it was really good. It was advanced for your age."

I held my shoulders stiff and my face unmoving, and I said nothing.

"I don't understand you. It's like you want--" She swiped at her nose with the handkerchief. Tears bubbled in her voice. "You aren't the only who's grieving, you know."

~oOo~

The settlement didn't even have a name, like Eglarest and Brithombar once did. They were also built at the mouths of rivers, but they had enough dignity to command names of their own. Here, we were just the Mouths of Sirion, which sounded gross and humid and fetid and was actually a fair description of what the settlement was like. No one had seen the bother of investing in stone construction after the fall of the Havens so everything was built of wood. The damp seeped in constantly, and the smell of the river: everything dead and spoiled that had flowed across the leagues of Beleriand to lodge here before it may or may not be disgorged into the sea. (From the smell: usually not.) The river's mouth was marshy and so the "streets" were in fact wooden platforms that rose and fell with the flood and all the buildings were on spindly legs and swayed during windstorms. The whole place had a haphazard, slapdash look to it that was beneath the people who'd made Menegroth and Gondolin.

And there were no trees. Not a single one. There was whip-sharp grass in beige profusion, and there was the occasional leathery shrub that didn't mind periodic drowning, but otherwise, it was just a gray winter sky brooding over us. The overcast sky (that threatened but never snowed, although it produced fine, ubiquitous, drifting clouds of cold rain) was better at least than the rare clear day or, worse, night. I felt I couldn't keep a firm enough grip on the earth; I might tumble into the dark and be lost.

My aunt walked me home from school, holding tight to my hand, even though at the age of eight, I felt like I could walk the street beside her without being clutched at, so I squirmed and let my feet wander and generally tried to make the walk home as uncomfortable for her as possible. The clouds were low today and white like wool batting; I didn't feel like I might float away. I could see down the river and to the churning, unquiet sea beyond. The border between sky and sea was very easy to see today, almost violet in color. She clung so tightly to me, I think, because she was very aware of the embarrassment caused by a girl of my breeding acting like I did, and she wanted people to know that it was no lapse in discipline on her part that made me that way.

Now, there were not many people to see us. School did not dismiss for an hour yet but Master Certhechil felt it was "in my best interest" if I just left early for the day so I could "start fresh again tomorrow." Still, she strode with the upright comportment of a lady of one of Doriath's best families, in a ratty dress and with the sodden handkerchief still clutched in her hand and sometimes swiping at her reddened nose.

We reached the building where we lived: a wooden box with two floors and two rooms on each floor. We shared the room at the front. The other family was five people--the father was a forester and so they'd lived in the forest rather than Menegroth, and they'd all survived the attack and the journey--and they lived in the room in the back and had to traipse through our room to reach theirs, so my aunt engaged in all kinds of subterfuge when disrobing or grooming herself in case one of them happened through at an inopportune time. The room was drafty and damp. She let us in and waved me toward my bed on one side of the room. "Start your homework. I'm not in the mood to hear from you tonight."

"I'm never in the mood to hear from you," I retorted.

When she didn't know how to handle me, she always repeated the last thing she'd said. "Start your homework," she said.

My aunt should know from prior meetings with Master Certhechil that I did not do homework. When the other children traded papers and began the gabbling process of sanctioned social interaction and self-correction of their homework, I sat at my desk and used an old pen point to add to the carving on my desk. I piled my books on my bed and opened my ledger in my lap. I did not do homework, but I filled ledgers, and every night, my aunt was content to be fooled. This is what she told Master Certhechil: "She writes all the time, and I just assumed …" He never questioned her too hard on this point.

She sat down with her sewing basket while I wrote. None of us had come from Doriath with much but the blood-soaked clothes on our backs, but some had come with nothing, and she was always stitching a garment for some charity case. At least her prior vanity had some productive use. For the recent weeks, her efforts had been on behalf of the children in the orphans' home. Theirs was a sprawling, ramshackle building right on the beach, looking like a chain of our box-houses nailed together. It rippled like a wooden caterpillar crawling over the sand. The orphans did not go to school with us; our teachers took it in shifts to go down to them. Even Master Pengolodh went and taught history to the older children once per week.

When I really tested my aunt's patience, she would say to me, "I could take ship to Balar and put you in the orphans' home, you know."

"I wish you would," I might say to her. "I hate it here." Or: "If you did, I might actually get a new dress out of you." I had two dresses and neither fit very well anymore.

"We'll see how you like living with someone worse than you who steals you small clothes" was the kind of thing she'd say back.

Or she might say: "We'll see how you like fish stew for every meal."

Or: "When people forget who you are and you're just another ordinary sad case along with all the rest and you won't get away with what you do."

Or any number of things.

~oOo~

I think it must be almost Yule? It's impossible to know in this awful place without trees and snow.

I guess it's Yule because it grows dark so early now, on the walk home from school.

I want to ask Aunt Tawarloth but I hate that she'll know that I'm thinking about Yule. She'll feel like she has to deliver me some speech about how I can't expect any gifts even as she's sewing three dresses a day for the orphans on the beach. Or maybe she'll decide to be affectionate, which will be even worse. I hate when she feels like she has to give me some kind of consolation. She'll want to relive memories that I don't want to share.

Here's something no one here knows about me: I was raised with the Laiquendi. That is not on Master Certhechil's list. It should be. My name even comes from their language. The -wing part means "sea-foam." I don't know how they knew anything about sea-foam. I am not some coddled lady like Aunt Tawarloth; I am nearly a warrior of the secret people, with shadow weapons and secret magics. When the Yule would come, they would kindle lights in the tallest trees: cold fires breathed into the hearts of stones. They'd hang those stones in the topmost branches of the tallest trees in nets spun of cobweb. When a child climbed to do this for the first time, he or she was no longer a child but a man or a woman. My brothers used to climb up so high that the branches doubled over with their weight. When they were done, the forest flowed into the stars and our Yule fires sent sparks against a backdrop of light.

If it was cloudy and snowing, my grandmother would break the clouds open just for a little while so that everything flowed together: fires, trees, stars.

The Laiquendi are fearless people. I was tiny when they lifted me into a tree for the first time. I was one with the tree as though I was its bark. There was nothing to fear. The tree would no sooner let me fall than cast itself to the ground. I crept as high as I could and hung my star-stone in its branches. Every year I went higher. Higher.

Last year, it was Yule and my brothers and I sneaked away as did all the children of the Laiquendi, and we blew magic into stones we plucked from the ground and hung then in nets of spun thread. I chose my tree and climbed. I was as its bark, its branches. I felt my roots plunged deep, holding me fast to the earth. Up I went until there was only sky before me. That topmost branch bowed and swayed in the wind, and when I looked, there were my brothers each in his own tree, and other Elves as far as the horizon, all of us decorating our trees with stars and all of us warding off the dark.

It was three days later that they attacked.

~oOo~

The next day at school, something monumental happened. We were outside for our daily allotment of free play, in the small yard that was the driest patch of earth in the vicinity (though nowhere near dry) and that they kept the grass clipped so that it didn't slice at our legs as we played in it. Someone had hammered together a structure of logs; as children of the forests and the mountains, our hands and feet itched to climb, and after having to coax a boy or two off of the roof of the school, a carpenter came and made this structure for us out of logs too small for use in building anything else but barely dangerous enough to be fun. (Come to think of it, Princess Idril's boy had been one of the children who'd wound up atop the school.)

At any given time, as many of us that could crowd to the top of the structure did, sitting shoulder pressing shoulder with our feet dangling into the abyss of empty space beneath it. If I craned my neck, the sea was barely visible: a gray ribbon that sometimes shone as though spread with the dust of diamonds. Today, the sky was overcast and the stripe of sea did little more than gleam like a band of hammered tin.

At first I thought they were trees. Until this year, I had never known a place where trees did not dominate every horizon, and I found my mind eager to fit my observations to that comfortable old pattern. Like three straight trunks, they arose from the sea, life established suddenly among the nothingness amid which we'd suspended ourselves. I leaned forward, straining my eyes to see the branches I was sure would erupt from the trunks, but something billowed around them instead.

"Ships!"

It was Idril's little son, hanging from the structure by a foot and a hand, the other arm thrust toward the sea and the other foot dangling into nothingness, like he would gallop across the air itself to land upon the decks of the ships.

The play yard erupted into chaos. Most of the children ran to the fence nearest the sea and climbed it, not knowing yet that they would not be able to see the ships from so low a vantage point. I rose where I stood, upon a slender log of wood, arches of my feet wrapping it, and stood untrembling and unafraid, watching the ships slide across the sea. When the other children began to realize their mistake in abandoning the play structure and started to return, I slipped down and out of the play yard.

I kept to the smaller, more circuitous streets so I would not be seen and arrived at what passed for the quay after the ships had docked and dropped their sails. The people onboard wore the kinds of clothing that had once been commonplace for us too but now seemed fine, even luxuriant. They had billowing sleeves and robes and tunics. They wore rings and circlets and the other luxuries of beauty we had once possessed too. They were unloading trunks and crates onto the makeshift wooden docks. Prince Tuor was there, grasping hands and smiling and spreading his arms at the wealth being deposited upon his docks.

I slipped onto the last ship, which appeared to have been unloaded already. The mast bobbed with the motion of the sea the way that a tree will sway with the wind. There was no one on-board to stop me from climbing. The tree that had made this mast was long dead, but I could still feel the memory of its benevolence beneath my hands. I had never been on a ship in my life, but I'd been aloft in more trees than I could count, and I could trust it. I clung close as the bark it had once worn, now long rotted somewhere in to humus, and inched my way skyward until I reach a little wooden cup meant for a watchman and slipped inside.

From here, the illusion of the sky melting into the sea was even more profound. The land was but a parchment-frail bow of beige grass amply veined with blue rivulets that looked like they might swell at any moment and swallow our new home as surely as our old was gone. If the stony majesty of Menegroth and Gondolin succumbed, I wonder why anyone believed this feeble place would survive. The Cape of Balar was a rocky hook to the north, battered by frothing waves that leaped and broke without a sound. To the west, against a pearlescent backdrop of the setting sun, the Isle of Balar rounded its back out of the water like a whale surfacing. I could make out the busy filigree of settlements along its shores and dark quays jutting into the water and bristling with more masts belonging to more ships than seemed imaginable. Our own settlement, I realized, was barely visible, huddling amid the grasses and the reeds, the same dried, dead brown color as the land.

"Ahoy!"

The voice was too high to belong to anyone but a child and made small by distance. I peered down. Idril's son stood on the deck of the ship, peering up at me, shading his eyes with his hand despite the lack of sun. To my dismay, he began to climb the mast after me. In a few minutes, he tumbled into the little watchman's cup. Even as small as we were, there was barely room for the both of us.

"What are you doing up here?" His nose was running and his voice thick with congestion from the cold and damp.

"The same thing you are! I am looking at the view."

"I am not here for the view but to inspect the conditions so that I may sail this shell out tonight. You have no notion of ships and sailing. You don't belong up here. You are from Doriath."

"I am from Ossiriand, and I am a warrior woman of the Laiquendi! I am fearless and I go where I please! Even here!"

At that, he looked impressed. He was a shaggy-haired kid and bright-eyed. "You are supposed to be in school," he pressed.

"So are you! I told you--I go where I please!"

"My father is right down there on the docks." He pointed at the now mountainous pile of crates and trunks that Prince Tuor presided over.

"But he does not know you are here, does he?" At that, he looked guilty.

"I heard that there were Yule gifts come over from Balar. I wanted to see if it was true." He peered down at the trunks and crates, but they were not giving up their secrets.

"I doubt it. I'm sure it's something dull in there, like grain or colorless cloth for sheets." But I have to admit that my heart squeezed at the possibility of gifts and I joined him in peering over the edge.

"Do the Elves in Ossiriand exchange gifts for Yule?" he asked.

"Of course they do! Everyone exchanges gifts for Yule. But what I love most is when they adorn the trees with light." And I caught myself telling him what I'd written about in the ledger the night before, about the stones blown to life with cold fire, hung high in the branches so that, from the ground, the stars seemed to pour earthward: through the trees and into the leaping Yule fires. And light beat back the dark. As I spoke, the sun slipped beneath the horizon and the stars eased from between scraps of cloud. So high up, if I closed my eyes, I could imagine the dark, dignified trunks of myriad trees around me, and I could imagine the branches of each kindling slowly with light to blend with the stars.

~oOo~

It was fully dark by the time I had climbed down with Idril's boy--Eärendil was his name; he told me that--and made my way home. It must be nearly Yule, with the early dark and the Hunter standing on the eastern horizon, bow drawn. The streets were empty, brownish light seeping from the windows of the wooden boxes we were trying to make into home. Eärendil melted into the dark; his parents were always busy, he said, and didn't mind much when he came in. They were used to him playing in the marshes or at the edge of the surf, making boats out of scraps and seeing how they'd fare. I knew I wouldn't be so lucky with my aunt.

I stopped outside of our box-house. There was a small window in the front and fabric for curtains was a luxury so I could easily see inside, and with a start, I realized that my aunt was sitting on the wooden bench that passed for a sofa--mopping at her eyes, as always--with Master Certhechil there beside her--close beside her!--and holding her hand.

(Well really, patting it, but definitely, in the process of the pat, spending more time with his hand in contact with hers than lifted up from it.)

I dashed up the ladder to the door and barged in, but they withdrew their hands slowly, like it was no big deal at all, and Aunt Tawarloth blotted at the underside of her nose and said, "Where have you been?"

"I walked down to the docks to see the ships come over from Balar." I stood in front of them with my feet planted wide. I wanted my aunt to see how short my dress had become and how red my legs were from the cold. "What's he doing here?"

"You left, young miss, in the middle of your school day," said Master Certhechil in that tight, prissy way of his. He clutched at a folder with my name on it, and his expansive forehead gleamed dully in the lamplight. We shared the lamp with the family in the back room, and this was supposed to be their week, but my aunt must have begged it off of them under the pretense of the minor crisis of my absence, her minor romance with Master Certhechil, or a bit of both. "We are accountable for your whereabouts and I could not desist until I knew you were safe."

"You can desist now then."

My aunt squared her shoulders then and dropped the handkerchief from in front of her face. "He is desisting nowhere."

Instead, I was packed off to the back room, where the family that lived there was just beginning their chaotic supper. There were five of them--three children of ages spanning both sides of mine--and they agreed to feed me so that my aunt could finish talking with Master Certhechil about me and what to do with me. I liked eating with them and wish my aunt would permit it more often, but they had lived outside of Menegroth and she didn't entirely approve of their ways. They reminded me of eating with my brothers at the big wooden table in my father's kitchens on feast nights, even though we had no table and sat in a ring on the floor.

I liked it too because the children did not go to school and so there was no expectation of homework or studying, and this naturally included me when I was with them. Their family believed in what my aunt politely called "traditional learning," where knowledge was passed in story and song, ancestries and history memorized using alliteration and rhyme, and none of them knew how to read and write. They were listening to a story being told by the father tonight about the making of Varda's stars. I hung at the outskirts of the group, sitting on a thin rug on the floor, where I could hear the story but also my aunt's conversation with Master Certhechil.

"I do not know if I can handle her any longer, Certhechil." I heard her sniffle and could see in mind's eye that omnipresent dabbing, wiping handkerchief and hated her fiercely. "I do not have the skills for this. I do wonder if she wouldn't be better off at the orphan's school; they know there how to work with children with her level of trauma, do they not?"

"I suppose they do their best, as we all do," I heard Master Certhechil reply. "This type of healing is as new an art to them as to you, or to me."

"She would be with other children, though, who are also suffering like she clearly must be."

"I do not know if that is preferable to normalcy."

My aunt laughed at that. Normalcy! Nothing about my aunt was normal. "It's just--Nimloth was the one of us who wanted a family. I never did. I was abnormal in that regard. I never wanted children. And now--I cannot blame her. She watched my sister--her mother--die trying to save her brothers, and look at what came of them for it. And Elwing knows every detail; I know she does. She's uncanny in that regard, and the more I try to protect her, the more she throws back in my face that she--not I--was hiding in the cupboard during the whole bloodied affair. I do not know how she escaped detection. They were so thorough in their searching and yet they missed her."

"There is comfort in that, is there not?" said Master Certhechil mildly. "It was clearly meant to be. You were clearly meant to have her. Isn't that a comforting thought?"

"It is not," said my aunt stiffly, "because I still do not know what to do."

~oOo~

[From the notes of Master Certhechil of Gondolin, assistant headmaster, King's School at Sirion]

Elwing:

  • projects defiance
  • makes intentionally hurtful remarks to others
  • runs away
  • (Aunt is concerned over ability to care for her. I am concerned over our ability to keep her and her classmates safe at our school. Refer to headmaster.)

~oOo~

Yule was the next day. I learned this when I opened my eyes to wake and it was already light out instead of being rousted from my bed in the semi-dark by my aunt and ordered to dress for school. I went to the window, hoping for snow, but it was the same white sky and same soggy brown marsh grass. At least it was not raining.

My aunt was folding dresses on her bed: dozens of dresses in all sizes and colors. She'd been sewing at them for a while, I realized, and stowing them away somewhere, and to see them all at once was quite stunning. "Elwing, good, you are awake. You can come with me and take these to the orphan's home." She began to pack them into a wooden crate like those that had been unloaded from the ships yesterday until only one remained, spread flat on the bed: a beautiful, jewel-bright blue with a scalloped neckline and a skirt so long as to trail the floor. She lifted it and gave it a good shake to rid it of wrinkles. The soft fabric fell flat in her hands. "Here. I should wait for tonight's Yule festivities, I know, but you need it now, so you might as well wear it."

I held it in my hands, unsure what to say, but she spared me by her busyness hammering the lid back onto the crate.

~oOo~

Later, I sat on the floor with the jewel-blue skirt spread around me. I was playing Queen, a game I had not played since I was a small girl and I used to sit at my father's feet and decree that we shall have cake for supper or that my brothers and I shall be taken out on our ponies or that all of the courtiers shall depart and my father return to the family quarters for the rest of the night. I used to raise a single hand as I spoke in a voice that I hoped was clarion and irresistible.

Now I raised my hand but did not speak. In my imagination, as Queen, I unspooled all the injustices, detangled everything complicated of the last year, until everything lay flat and smooth and I could run my fingers backward along the threads of time, like the sea feeding the river instead of the other way around: this grand thing deigning to notice the inconsequential. When I opened my eyes, my parents and brothers would be alive again, as would the parents of the orphans, and the trees would have grown up tall around us, and I'd have my hand on the bark of one, beginning to trust it and preparing to climb.

As a reward for helping at the orphan's home, Aunt Tawarloth told me that I could spend my afternoon as I pleased. No, she answered before I had the chance to ask, I did not have to stay at her side. I could return to the docks if I wanted or walk the wooden streets; I must agree only to be polite and not destructive. I could agree but I could not muster myself to open my eyes or step forth into my new freedom. How could I?

There was a rap on the door. I waited for someone from the back room to get it, but there was no response, so when the rap came a second time, I had to force myself from the floor and to open the door.

It was Eärendil.

"Do you know how to sail a ship?" he asked and without waiting for the answer he knew, he answered, "I do." His hands were clasped behind his back, like he was hiding something from me.

"Of course I don't," I sniped. "I am a warrior woman of the Laiquendi, not some bow-legged Falathrim mariner!"

He withdrew his hands from behind his back. "I was thinking of what you told me, about the lights in the trees that you used to place there with the other warriors in Ossiriand. I wish very much that I could have seen them. We used to hang lanterns all along the roads into the mountains." He opened his hands. They were filled with rocks of every size and hue, gathered from the edge of the sea. "I spent the morning collecting these. I thought that if you still had your Laiquendi magic in you … well, the masts used to be trees, right? I thought we might adorn the ships, for Yule."

And Varda took the cold stones, scorched black and made ugly with pain, that had tumbled forth from Utumno. She clutched them in her hand. She loved them. She loved them until the Light of the One itself filled them, and they soaked in that love and recalled beauty once more, and they became as light as the air, a warning to all who would bring darkness and a promise to all who endured it.

I took one of the rocks from his hands, a humble brown thing with a pale stripe across its middle, worn smooth by the sea, and I closed my eyes and breathed upon it. I remembered the touch of my feet back upon the earth, then looking up at the stones outlining the trees, bright against a backdrop of stars. My father at the fireside, my brothers, my mother. The sparks making swift-fading constellations against the dark. Then I remembered the wooden caterpillar of conjoined shacks on the beach. I remembered the wide eyes and tentative hands reaching for colorful tunics and dresses. The walls were bright-painted; the windows festooned with strings of shells. Wherever there was space for beauty, it was given. I heard Eärendil gasp.

"I will fill your ship with light," I told him, handing him the kindled stone. "And I know exactly where we must sail first."

~oOo~

[From the notes of Master Certhechil of Gondolin, assistant headmaster, King's School at Sirion]

Elwing:

  • commandeered visiting ship without leave, in the company of another student
  • believes self an Avarin warrior and capable of magic
  • blatant disregard for rules
  • blatant disregard for own safety
  • highly capable of empathy and generosity but prone to atypical demonstrations of such
  • (Aunt has decided to keep her. Referral to the headmaster withdrawn.)

Comments

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So nice to see a fic from you!

i found this fascinating--I like her POV and I especially loved the headmaster and teachers remarks about Elwing. 

I think a lot of the time I find it easy to forget she was quite young at the sack of Doriath and young when she married Earendil as well. It's easy to get caught up in the eternal question of why oh why did she just not give up the Silmaril? this was a very intriguing insight into this girl who has been so traumatized by what she witnessed. I love her interaction with Earendil and that they seem to be kindred spirits--he too lived through a slaughter, losing so many he loved but fortunately not his parents (yet).

i hope this continues--I am curious to see this story progress. 

Indeed, when I was doing my research for this story, I was surprised to find that she and Earendil were eight years old when they went to Sirion, according to the Tale of Years in HoMe 11. I know they were young but HOW young is easy to forget. I'm in the camp of people who was always very willing to blame Elwing and Earendil for their mistakes, but their youth and the trauma they endured certainly complicates their story. I have a more complex understanding of them now. I can see why she'd be loathe to give up the Silmaril, especially to her people's killers (and I tried to hint in this story about her fascination with objects that provide light; I almost included the Silmaril in here, but the story was already 1,000 words over what was allowed, so I curbed my desire to write a sprawling story this time! :)

Thanks so much for reading and commenting! (P.S.--I STILL have "What Is Lost" open on this computer for when I need a reward for doing something! I promise I will get to it sooner rather than later.)

I've often thought about how the Elves coped with trauma since they very often lacked ANY experience with it. (Those who started at Cuivienen, presumably, knew something of it, and those who stayed in Middle-earth and didn't go to Valinor.) But generally the Elves are champs at building walls around themselves and just not dealing with the outside world and the trauma it brings. I think the Edain would have been much better at it (and not surprisingly, Idril and Tuor seem to be making less a mess of Earendil than Tawarloth--well intentioned as she is--is making of Elwing.)

I know from experience that dealing with kids who have survived trauma is hard enough, and I imagine an entire traumatized people, dealing with some of these things for the first time? Would be all thumbs.

Thanks so much for reading and reviewing! :)

I read your meta about Elwing and your change of heart about her, of course--and I'm so glad to see you follow that up with a story--and a story like this!

It shows how well you understand traumatized children--even if hopefully none you have encountered in real life had experienced anything quite as bad as the sack of Menegroth hidden in a cupboard. Even Elwing's removal from Ossiriand to Doriath was an uprooting--the kind of massive disconnect that is represented by her life in Sirion, no wonder she flails, trying to process it.

I really like how you empathize with her POV and contrast it with the teacher's notes.

The end is so hopeful--despite being rated officially as more misbehaviour.

The prompt was really a match made in heaven for me. I picked it up as a very early pinch-hit because it appealed immediately ... it's not often that people ask explicitly for "dark" in a Yule story! :D I sat on it for a long time and then decided I just needed to write Elwing with the respect and honor that I've always had for my students who have survived trauma: their complexity, ability to drive you crazy, inevitability that they will capture your heart. I'm glad it seems to have worked and that she seems believable! ^_^

None of my students have survived the slaughter of their people hiding in a cupboard but I taught quite a few students who witnessed violence--including homicide--at a young age. And of course they were exposed to it constantly as young men living in a city like Baltimore.

The teacher's notes ... I was among the staff who refused to read student files before meeting the kid. The disconnect between an accounting of a person's worst deeds, all in one place, and the human being that I saw in my class--flawed, yes, but ultimately wanting the same love and safety that anyone wants--was too much, and I worried it would bias me.

I love to imagine them sailing their stolen ship of light past the orphans' home and the orphans running out on the beach to see it. And all of the adults have reactions of something like WTF. :D

Thank you for reading and commenting, Himring--so insightfully as always!

I enjoyed this a lot! (Well, I always tend to enjoy your stories, but I guess it still bears saying it!) Elwing is so very believable - not even necessary as a trauma survivor, but generally as a bright child that doesn't quite fit in, although the horrible events in her past can't have helped! - to me as a reader, while I can also understand Tawarloth and Master Certhechil very well. They're not wilfully cruel or ignorant, they just honestly don't understand! Which is sort of nice to see as well. (I don't know whether I'm making myself very clear here. I guess my point is that it's good to have antagonists who aren't villains?)

Unsurprisingly, I loved the details you used to flesh out the setting - the description of the drab, nameless settlement, the contrast to the better-of mariners of Balar, the idea that there would be an orphanage, the Yuletide customs. And of course, seeing these two glorified characters as unruly kids was fun, in spite of the darkness surrounding them. And having them sail on a ship of light both added a ray of hope, and a nice bit of foreshadowing... :D

You're perfectly clear to me! :D That's exactly what I was hoping for with the Certhechil and Tawarloth. Elwing sees them as antagonists, but I was hoping that most readers would question whether that was entirely accurate. Neither character is malicious; both want what is best for Elwing (and the other children), but you are right: They are stumbling in the dark, as well as trying to cope with their own trauma. In my own mind, I thought as a turning point the moment when Tawarloth snaps at Elwing, "You're not the only one grieving." Having worked with kids who experienced trauma, one of the most difficult things is that you don't stop being human when you do that work, and sometimes the human being comes through no matter how you try to rise above it.

This being a Yule story (and since Tal specifically asked for "dark AND light" :D) I couldn't succumb to my usual moroseness. :D I thought to do more with the Silmaril but just ran out of words; the story is 1000+ words too long already. But in retrospect, I like the subtler symbolism.

Thanks so much for reading and reviewing, as always! :) 

This goes oceans beyond any Meta one could write about developing a humane way of looking at Elwing's story. It's gorgeous--far and away the best story (except for a couple by Keiliss) that gives some possible place from which to arrive at an empathetic and sympathetic view of Elwing.

It is a story like this that makes me say that if one really wants to influence  readers' responses to difficult characterizations and problematic story lines like this one--write fiction not criticism. Ain't we lucky in fandom to be able to do that? In academia, we are stuck with the other, which usually ends up at its best being just so much preaching to the choir or wrangling with those who disagree--at its worst and most partisan it's a nightmare. (Mine has always been: what a misogynist, Holy shit, Tolkien doesn't understand women. So, Elwing's canon story horribly misfired for me. And really, really hurt and even insulted me on many levels.)

You were able to soften the constrictions in my chest that I feel every time I think about Tolkien's version with this beautiful, layered version of her story. I love the story of yours. I fell madly in love with this version of Elwing. I liked how she relates to the world, I felt her pain, understand her trauma, and I adored her POV. It's also a wonderful introduction to how she and Earendil would have come be drawn to one another. It's heartbreaking but very human and warm. Explains a lot about things I love about Elrond and Elros. From Tolkien's version, I had to give them Maglor and Maedhros to make them likable adults. (Which is, as you know, not really Tolkien's story.) Here I am doing what I hate to read when other people do it.

Honestly, I just came here to say that this is one of my favorites of your stories now.

Wow, that's an amazingly generous comment! Thank you so much.

I could not agree more re: stories and criticism. You know I've had my own personal demons where the Elwing story is concerned, different from yours but there nonetheless. "Partisan" is exactly it: The myriad interpretations of Elwing's story, more than almost any other, seem to inspire such conflicting and conflict-generating interpretations that it really seems impossible at times for people to talk with rather than past each other.

When I wrote this story, I couldn't write it as "a story about Elwing." I had to write it as "a story about a traumatized child using the canon on Elwing for characterization." And you know I have plenty of experience with that latter type of child (even if not girls!) I'm glad it seems to have worked, for most people anyway ... at least, no one has complained about it to my face yet. ;) It let me circumvent feeling like I had to offer commentary on all the thorny issues Elwing presents.

Thank you again, so very much, for such a kind comment.

I absolutely adored the view of a child for this, even more so for being Elwing. As it often occurs to me, the fics I love the most are those that make me think differently about characters I hold some grudge against. Needless to say, this was the case. I particularly loved all the details of Elwing's lack of regard about her own environment - at least until she meets Eärendil and has some light sparkled back into her life, pretty much as she sparkled magic into dull stones. She never questioned her own aggressive attitudes, and the incapacity of empathy for her aunt's suffering - even if she doesn't consciously associates they grieve for the same things. I felt so sorry for that aunt lol.

The description of the environment is superbly vivid. There are so many passages I could mention that's just not enough room in a comment box lol The tone of the kids' conversation was so perfectly balanced - I could tell Elwing was a bit older than Eärendil. Also... this reminds me so much of the imagery of Europe and America during the early XXth century (the dresses and the rigid educational system), which was really, really interesting! All in all, this is a true lesson in storytelling and I couldn't help myself but blabber about it :)

Sooooooo my last review for book club, about the fic my craven teacher self would never have written o/ I admire that you write such painful subjects, characters being in pain in such a realistic way. As you said yourself, these kind of disabilities are not pretty or cute or sexy, and it is rare to read them portrayed so accuratly.

I liked that you also gave compassion to the adults. It is often too easy to paint them only as failure and bad, when they have to deal with their own trauma. As someone who does not want children, I think that like the aunt I would feel like the situation is very unfair. She struck me as someone who really want to do good, but is too overwhelmed with the situation and lacking all the keys that would allow her to make things truly better.

The world of the Havens as described here is a very bleak one. Not only do the elves live in a poverty that seems very "off" for elves, but they also live knowing death may be coming for them, from Morgoth OR from fellow elves. This bleak setting certainly does not make it easy for Elwing to picture any futur at all. It fits a lot that all those children seem to look at the ships with a lot of enthusiasm. Those ships are not only impressive, they also are one of the last picture of freedom and hope they can get.

I really liked the way you managed to show the Havens are a multicultural place. Elwing inherited cultural traits from the Laiquendi and Doriath, there are family homeschooled with an oral approach to things. And then of course, the background Noldor being there.

I really wanted this to be realistic, based on my experiences working with kids with emotional disabilities/trauma and their families. I adore these kids and have often felt a whiplash in how I view them (as complicated people who have been through a lot and are struggling through as best they can but ultimately as deserving of love as anyone) and outsiders see them (as dangerous, scary, evil, bad, to be locked away and unworthy/undeserving of love). I wrote about one particular experience with this in the essay "We Are Feanor": http://themidhavens.net/heretic_loremaster/2015/03/we-are-feanor/

Same with the families. I am also child-free by choice not because I don't like kids--obviously, given my work, I enjoy being with kids a lot--but because I know I'd make a terrible parent. The aunt could be me! I am generous with my time to the point of selfishness, i.e., I do things and get involved in projects because I love it--my husband calls me Hermione Knope for a reason!--and I would not be willing to give that up for a child. And that would be terribly unfair for that child. Growing up, I often felt like my parents didn't have much interest in "kid things," and I see how that impacted me. It hurt, I still enter into social relationships under the assumption that I will be rejected, and I would not want to do that to a child. Of course, some of this story is also based on seeing how parents--themselves with disabilities and trauma often in their past--struggle so hard to do right for their kids but can't/don't and how harshly they are judged by others who often can't begin to comprehend their struggles. I am not so pie-eyed to believe the line I was told as a new teacher that "there are no bad parents." No, there definitely are. But most really are trying, and I wanted to reflect that--and the complexities of what they themselves are dealing with--rather than continuing to pile onto a group that, in the U.S. anyway, is overwhelmingly poor, poorly educated, and struggling with mental health concerns.

In book club, there were multiple discussions of how we, in writing Silmfic, bring out the "why" from the "what" that Tolkien gave us, and psychology has always played that role for me, and I wanted to use that here to show why Elwing and Earendil made the decisions they did.

Thank you for reading and commenting and for discussing my story at the book club! ^_^ It means an extra lot coming from another teacher who "gets it"! :D