Closing the Circle by Gadira

Fanwork Information

Summary:

Of Fëanor´s death and the final fate of the Broideress. Warning for extremely archaic notions of thought. Part IV of the Broideress Arc.

Major Characters: Míriel Serindë, Vairë

Major Relationships:

Artwork Type: No artwork type listed

Genre: General

Challenges:

Rating: General

Warnings: Character Death, Mature Themes

Chapters: 2 Word Count: 1, 306
Posted on 6 June 2007 Updated on 6 June 2007

This fanwork is complete.

Chapter 1

Read Chapter 1

When the net began to close upon her, she struggled furiously, anguishedly. Her very fëa shook with her resistance, until she felt a constricting pain and realised that she was screaming.

Chest, Throat. Mouth. Her eyes darted around her wildly, and she saw white limbs in a heap on the floor.

She was cold.

o-o-o-o-o-o

Míriel had never imagined that it would be like this. She had wished, hoped to regain her body of old, the swift and precise tool of her every design. With it, she would have run to the Noldor, through the Great Sea or through the Grinding Ice, and saved her child. Nothing that she could attempt would have been impossible anymore.

Now, as she struggled to her feet in the dark chamber, she cried in frustration, and something wet was spilled over her cheeks like blood. She was still as void, as empty, as frozen as before. Her thin fingers could not grasp, her chest could not burn, and her naked feet felt the ominous cold of the stone floor.

Under the impassive glance of Mandos, Míriel bolted away. She ran through the shadows, leaving a painful train of disruption behind. The grieving and envious faces of the Disembodied passed her by in a blur of no consequence, though Finwë wasn´t among them.

o-o-o-o-o-o

When at last she stopped breathlessly on her tracks, her first instinct was to look up. There was a dark door in front of her, and a shiver shook her to the core as she recognised the forbidden threshold. She had seen it plenty of times in her long dreams.

Míriel knew that she should turn back. She knew that no living being was welcomed here, but her instinctive wish to flee was overpowered by the need to know and to see. Slowly, she laid a foot on the black stairs, then the other, until both of them made a full step. The door opened with a faint creaking, and she entered a warm, strangely welcoming darkness.

This hall had been the abode of the Hidden Lady before the Elves ever came to existence. The Weaver Queen, the Empty Seat in Mahanaxar, the Keeper of Fate and elusive spouse of Námo Mandos sat inside, building the tapestries which showed the doings and happenings of all living beings. At her side, three Maiar aided her in her task, and an empty chair stood among them like one of the many hanging threads that waited for what was to be.

Filled with an overwhelming feeling of reverence, the newly-reembodied fëa lowered her eyes to prevent them from guessing at the lines under the dark veil which covered the Valië´s face. Long fingers worked without pause, weaving threads with the crimson colour of blood, the flaring orange of fire, and the flawless black of darkness.

Míriel could not measure the time that she spent here, the black edge of her desperation forgotten. The subtle rustling noise filled her ears, and she fell in a trance while a tapestry fell over another – like drops of blood.

"Look." a soft voice whispered, and she lifted her eyes. Before she could set them on the last tapestry, however, an unbearable heat exploded in her chest, and Míriel fell to her knees in agony.

No!

A little child with bright eyes, born from the ashes of his mother. A flame burning fey, scorching, turning against him, burning fire.

"Look." the voice repeated, impassively. As she could, Míriel supported herself with both arms and obeyed. The tapestry was in flames.

Posessed by the frenzy of a forgotten need, the Broideress grabbed loom and thread with her shaking hands, and sat in the empty chair to weave. As she performed her task, she felt her old skill come back to her in crashing waves, filling the deep chasm of her heartache and strengthening the grip of her fingers. But the happiness, the delight in her gifts was now gone, replaced by a sombre feeling of purpose.

The tapestry fell on the heap with a soft, sliding sound, showing a cloud of dark ashes scattered by the cold wind of the North. And then, Míriel began to weep.

Had this been the reason why she had been prevented from going to save him? Had he been already doomed, when she left the shadows of Mandos for his sake?

Had he been burning, her precious, her brilliant son, since she first held him in her limp arms?

The Keeper of what Had Been, Was and Would Be shook her head.

"I do not invite you to sit at my side, because you are already sitting." the voice whispered in her ear. "I do not invite you to weave, because you are already weaving."

Míriel stared in puzzled grief at her hands, which kept weaving threads of death though her mind was elsewhere, and her eyes were clouded by tears. And she understood the Weaver´s words; because she was not the one who was weaving.

The Valië´s hands cut the last thread of a tapestry which showed her taking her rightful place at her side, all attachments lost, and all joy gone from her eyes.

"Remembrance." the voice said, and one of the handmaidens, who had been working diligently as if she hadn´t ever seen or heard her, bowed her head. "Reflection. Repetition." The second and third, sitting in front of her, bowed in turn, and only then, the veiled eyes stopped and stared at her for a timeless second.

"Impotence."

She bowed.

And so it was that Impotence wove the Doom of the Noldor with her own fingers, and none among her people ever laid eyes upon her again.

(the end)

Notes

Read Notes

Boring Author´s Note (for clarification): This notion of Fate being composed by remembrance/ reflection/ repetition and the resulting impotence is of course a very archaic one (which Tolkien´s world reflects to an interesting degree). It means to understand the world as operating in circles, with no real option to change, and always depending on the previous actions. Someone with an exact knowledge of the past in its correct order (which in archaic Greek tradition is the dominion of the Muses, daughters of Memory, who gifted the singer of true facts with their knowledge) is a Seer. This Seer, the poet, is useful for the community because he keeps its past events in his mind.

For this conception of the world, the different paths laid in front of a man are already determined by what happened before. Míriel´s decisions and fate conditioned Fëanor´s decisions and his fate, and this, in turn, conditioned the decisions and fate of his sons, and of his grandson. This is an inexorable fate, which provokes a feeling of impotence in the individual who discovers that it´s impossible to stop the flow once that it has been started. (The most famous example of unstoppable "flow" of events of European tradition is the Iliad, and its main theme of deaths that must result in other deaths)

Also, the most reasonable incarnation for this conception of Fate is Vairë, and not only because she weaves like the Fates, but mainly because she is the one who is in posession of the most detailed and orderly knowledge of the actions of all beings in Arda since the beginning of times. Like the Muse, she is a recorder, and therefore a seer. (Which means: The bits of theology surrounding her figure in this fic have been created by me, mostly without expressly contradicting canon. Besides, the mythological mind thinks in genealogies –see Hesiod for details-. "Mandos has foresight" and "Mandos is married to Foresight" would be synonyms.)

Another note: (because I´m afraid that people who read this as a separate thing are going to miss this point) This work, as many others of mine, tries to bring out elements of Mediterranean myth and/or to do a reinterpretation of canonical events under this new light. That is their purpose, and that is why they have a somewhat alien and maybe unTolkienesque air. ^_^


Comments

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I've enjoyed this series greatly. You've taken a subject and a character that tends to get cliched treatment in stories and really brought it to life in a new way. Miriel is dark and mysterious and quite unlike any Miriel that I have ever read before. The brief appearances of Finwe, Indis, and Feanaro as they live serve as bitter reminders throughout of what Miriel has set in motion with her choice.

Yet even if she is a dark character, I find myself with empathy for Miriel. When she talks about surmounting any obstacle to save Feanaro ... that is heart-rending. Your Miriel is complex and intriguing (and if we're being honest, making me want to pick up one of my WiPs and write! :^D)

Thanks for sharing this series! :)

Thanks for the review! I have a bit of an obsession with dark Míriels -though I have to admit that the one in Númenor is even darker. ;) I mostly tolerate clichés, but when you start to see recurring patterns (like: every Elf-woman in Tolkien must be perfectly boring and uninteresting, or either grow boring and uninteresting through sucessive revisions to the original idea), I get a bit aggressive and start writing things like this. ;)

Oh, and if I really have inspired you to continue an unfinished fic, then I can consider my story leisurely sucessful.

Gadira (who will grow used one day to sign with this name)

ps: BTW, this is a bit unrelated, but it came to my mind while I thought about your Finarfin essay. Back in 2002-2003, there were loads of good Silmarillion fanfic written. (Among them, yes, there were even some Finarfin stories!) I´ve thought that maybe, if I had a way to post recommendation links, at least some of them might be of interest for people in this group. Just a thought...