Forsaken Knowledge by Rhapsody

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Fanwork Notes

Written as a belated birthday present for Doc Bushwell who challenged her friends into writing a story in the distinctive style of another well-known author. My choice is Marion Zimmer Bradley.

Disclaimer: Celebrimbor belongs to the Professor Tolkien and his estate, any reference to the works of Marion Zimmer Bradley belong to her estate.

Beta and thanks to Wenont for tweaking it into the tiniest details!

Fanwork Information

Summary:

In order to finish one of his greatest achievements, Celebrimbor applies a skill he considered forgotten. Added: long overdue author notes.

 ~ MEFA 2009: Honorable Mention in Genres: Crossover: General

Thank you Robinka!

Major Characters: Celebrimbor, Curufin

Major Relationships:

Artwork Type: No artwork type listed

Genre: Drama

Challenges: Color of ..., Gift of a Story

Rating: General

Warnings:

Chapters: 2 Word Count: 2, 066
Posted on 3 August 2008 Updated on 22 May 2009

This fanwork is complete.

Forsaken Knowledge

Read Forsaken Knowledge

Celebrimbor speaks

For long did I think that I simply could ignore all that my father taught me. After all, had my grandfather not taught me more? It seemed so easy, to shut him out and to find healing in this sanctuary. I, at first, tried to ignore the ache in my heart and embrace these new teachings. Ring making, creating powerful ones that would aid every race to achieve more. Ah yes, I did learn enough, but a part of me was missing, and too late I realised that, with my teachings, I shut off or avoided all sharp observations. They called my father cunning, crafty; later untrustworthy, kinslayer, murderer... At the same time I suppressed all that was good about him and me. I turned my back upon my own people, hoping I could atone myself for creating the three. Yet, for that I did have to tap deeply into the place I had long ago closed within my inner being, in order to shield - if not to hide – these three rings from his eye. Thusly, I started, finding my peace, trying not to dwell too much on what once was and to concentrate on the final legacy of our House – with my father’s aid.

All shutters were closed and the fires of the forge dimmed, Celebrimbor simply stared at his creations, uncertain as how to proceed. He could flee with them, shielding his creations from Sauron’s dark touch, abandon all that was dear to him – but what good would it do? No matter where he would journey, from east to the west: Sauron would find him.

“No, I did not spent so much time in crafting the three of you to see you being sullied, if not spoiled by him,” he murmured while his hands briefly touched the three rings, “yet I fear completing you, and am unsure how to proceed. I have known and see once how the true and healing light became instilled in a jewel alike you. It has been so long, however I fear touching upon that memory since all the harm that came to us.”

He sighed and pondered, then suddenly, a thought crept into his mind to surrender the rings to Him – undoubtedly he would corrupt them. Perhaps he could ask one of his apprentices to take the rings away from this forge. And risk their lives when he discovers what I have done? Nay! I would not want to chance another life for this. I am not like my father! Yet, I possess the same skill and craft as he did, I do know this. Many had followed him in awe as well, before the Oath was sworn, I will be the latest in this great line to carry on the tradition. Little did the Mírdain know that he had foregone all he was taught by his father. Suppressed it yes, but not forgotten.

Now, everything was different. How could he protect this masterpiece from falling into the wrong hands? How could he bring them to life as his grandfather once did with his jewels? No dark thought could reach them. Perhaps I still can apply those arts. Could it be possible that I have not forgotten, and somehow convinced myself that it be gone, fearing that I would become just like him? Many years have passed and I am no longer who I was. Should I fear him even now when he is in Mandos?

Celebrimbor sighed and rose from his bench to open a coffin in the far corner. As he squatted down to open it, he let out a breath at the sight of the familiar grey sheets – one of the few things that was sent to him once he learnt of his father’s demise. He could take the linen into the side room, all he needed was a small table to hallow the rings – and he would have enough to cover all the walls. Humming softly to himself, he arose and searched his pockets for a pouch, but came up empty. For a moment he tried to remember where he last placed it, the leather pouch that had carried the three gemstones he so patiently had cut himself, and had kept on him wherever he knew that Sauron would question why he needed three extra stones with the other sets completed. How typical, he thought, of course I would have left it on the workbench! With quick strides and a mocking smile, he quickly fetched it, fearing that if he left the three rings alone too long and unprotected, they might be corrupted after all!

It had been a gift from his uncle - the one he had also turned his back upon - even though both knew that deep in his heart, he could never forget either and their actions in Nargothrond. I did try and, perhaps too much, while I attempted to shut their influences out. I was blind-sided by the intent of true evil right here under my nose. This mild thought surprised him. After all, was he not about to try something his father had taught him? Then gently, a memory so vital to him filled his mind completely.

“Do you know why the forge is grey and why we wear grey?” Curufinwë asked him patiently while he carefully placed a lamp into the mould.

Telperinquar shook his head, voiceless, and not certain as to what to answer.

“Because,” he went on as he closed the mould around it, “colour is in itself vibration. Let me explain this better: we know each colour has a vibration of its own, except for grey. Grey allows vibration to be transmitted freely, without the interference of colour. Try to imagine it. Remember how a grey bay in a herd does not diminish the glow or power of a colour of the others? It does not stand out, yet those around him seem to obtain a gleam. Moreover, you have seen that black absorbs light into itself, and white reflects lights and augments it; however grey does neither, it merely permits the true quality of the light to be seen as it is.”

His hands shook at this memory. In order to hallow the rings with their pure quality, their intended strength, and purposes, no other colour could be present. Celebrimbor knew that this was of utmost importance in order to succeed. Black was all around Sauron, his greed unlimited, and his desire to claim them as his own would be unchecked. Yet Celebrimbor knew that he first had to cover walls of that room with the sheets, change out of his own clothes and into his old grey robes, the only piece of clothing from his daunting past that he had permitted himself to keep when he parted ways with his father. He remembered the day the robe was bestowed upon him, the proud smile of his father as he was lauded for completing his masters. It seemed ungrateful to his ancestors to cast it away. It had seemed easier to cut all ties with his father instead. Celebrimbor stopped in his tracks and paused to wonder. Would more memories surface, now that he had opened this door to the past? Had he been afraid of this for so long, that only dark thoughts and disappointment would overpower all memories?

“Nothing much now could be done to correct wrongs from the past,” Celebrimbor told himself as he carefully placed the Mithril ring with the white stone atop of the grey silk covering the table. “How could I have forgotten such lore,” he wondered and set himself to work. Not all of his father’s teachings were tainted by darkness. If he had only seen this fact in time!

Nenya was the first ring I awoke with my touch and thoughts. For some reason, I hoped that it would preserve and conceal the others, being the strongest, by using the white adamant to its fullest potential. Once I placed it in the deerskin pouch, I set to awake Vilya, then Narya. Once more, I felt connected to my father and grandfather by using the lore of old to a higher purpose, a noble purpose for the good of all. I barely could hide them in time and before his vengeance bore down on me, I ensured that they would be placed in the right hands. I shall never feel any remorse for what I have done and I found healing amidst the blue and grey robes here.

When I beheld my creations once more, I saw my father enshrouded in mist, and bliss was in his eyes. Knowing that this inner peace had healed him, I had to find him, and this done in Arda unmarred. Once the veils parted and the spells thus cast allowed me to pass – just as in Arda Marred, only my kindred was allowed to sail the Straight Road - I looked upon the sun-bathed cliffs, finally finding my home here on the blessed shores of Avalon.

Author Notes

I've been meaning to post this for a long time, whoops...

Read Author Notes

Author notes:

Tolkien was a master when it came down to playing with words. This being said, I am aware that in the Lord of the Rings, the professor wrote the following: and upon his finger was a ring of gold with a great blue stone, Vilya, mightiest of the Three.

Canon as Tolkien presented it, offers also different variations about the strengths of the three rings. In Unfinished Tales, he states that Nenya was the Chief of the tree, which ties in this story with the some sort of leadership Celebrimbor sees in the ring to protect the other two, as he wants to hide them from Sauron. Then in History of Middle-earth, part 9, Sauron defeated Narya is called 'Narya the Great'. It reads to me that all three rings have their own powers and will manifest themselves thusly, but are equal to another.

Looking at the colour attributions, the 'colour' white (Adamant/Nenya) reflects lights and augments it; blue is in my opinion a colour of peace, purity, and healing. To me as the author white is a defending colour here and therefore can shield the others from being touched by Sauron's colour: black. Without Nenya using its colour and being placed in a grey pouch, both the red and blue ring would be tainted and the rings could not have been fully put into use later on as it happened with the other rings.

In Tolkien canon, the professor only elaborates a bit on Narya (which can be used to give others courage and kindle their hearts with hope (based on canon from Lord of the Rings and Unfinished Tales). Of Vilya it is said that the stars shone more brightly above Rivendell, so that is a bit of a give away to the stronghold's location (it tells me that the ring was rather loud compared to Galadriel's ring that deflected and protected).

To find out more about the attributes of the stones and as to why Celebrimbor chose them, I found the following pagan lore:

  • Sapphire: wisdom stone. Blue sapphire is traditionally associated with love and purity. Blood, veins, all healing, joy, peace, beauty, intuition, dreams, "Stone of Prosperity".
  • Ruby: a very energetic stone that imparts vigour to life, fires enthusiasm, encourages passion for life and motivates one in achieving goals. Heart, fever, re-birthing, intense energy, happiness.
  • Diamond/clear quartz: has powers of protection against anyone who doesn't mean you well. Clear Quartz is a pure and powerful energy source, which has the ability to transmit and receive energy. All healing, re-direction of energy, amplify, "Stone of Power", harmony, clarity, psychic awareness.

The key to this story is the use of colours and how the white ring negates the other two rings in such a manner that they can get out of Eregion in secret. Nenya as a ring (white adamant) ensures that the other two remains hidden, how this works is explained in the story. How the ring later on manifested themselves with the ringbearer is another story altogether, but at this point of time, it resolves about Celebrimbor’s view and purpose of the rings.

Curufin’s lesson and explanation is inspired by Riveda’s instruction to Deoris in The Fall of Atlantis, book three Deoris, chapter five Words, section II by Marion Zimmer Bradley

Curufinwë = Curufin’s father name in Quenya
Telperinquar= Celebrimbor’s name in Quenya

 


Comments

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Rhapsy, I was thrilled to see you'd posted something new here! And even though I'm supposed to be finishing my blog, I just had to read it right away. ;)

This piece is simply beautiful: lovely language bearing Celebrimbor gently to his understanding. The last paragraphs are breathtaking, and I had tears in my eyes to read them.

I will have to read again later to leave you a better and more insightful comment. :) For now, I just wanted you to know how much I enjoyed this piece.

Thanks Dawn! Sometimes I can actually finish a story and this one has been in the works for a long time. And its such a relief when it gets that far and I feel humbled that you wanted to read it immediately! (that made me squee) I do believe he needs redemption or at least realising that such a thing is within his reach with fully embracing his heritage. I have another short story which has been shelved for a while (Pandemonium has seen bits of it), so maybe one day... :c)

 

Very nice, Rhapsody. The language and style works incredibly well with the subject matter. I love the part about the color grey. I love thinking about the mixture of Elven craft or knowledge with magic and this entire piece is magical on so many levels. Took my breath away how you examine the interpersonal questions and the mixture and complexities of the feelings of Celebrimbor for his father. Celebrimbor is not a character that I have written about (except bit parts as an infant or child), but would really like to explore. I have always been drawn to him as the last surviving direct heir of Feanor in Middle-earth; just the thought of all that must have meant to him and those around him is quite moving and tragic. And then his end. You bring it all up here, if not directly, by implication. And, yes, introduce to my satisfaction the concept that Curufin is not simply a villain (I do get weary of the mindless bashing of the Fëanorians).

And, if all that were not enough, you stand up very well here to the wonderful things that Pandemonium has explored about Celebrimbor's character recently in her series of stories, uniquely your own take and yet, for me at least, it satisfyingly fits. I'll have to read it again.

I will admit that I do have my own take about the relationship between father and son that shines through here a bit, but it was such a treat to wholly focus on Celebrimbor this time. As for the Pandemonium!verse and Rhapsy!verse, we soon discovered that our interpretations are awfully close (very early into the Elendilmir), yet some things are particulary hers (how she for example so immensely well explored the deeper arts combining it with scientific elements) and I intersected my interpretation of pagan lore regarding jewels and colours. It is a match in a way and yet not. I always enjoy when she infuses pagan lore into her stories! :) Like you, I love Doc B's Celebrimbor a lot, so for her I wrote Tyelpo as a gift (and I suspect she wants more since she knows I have more in the works (but oh, the time!)). As for Curufin, ah, I find it hard to imagine to portray them completely evil, but nor do I want to so easily justify what they did. With every Fëanorian I wrote so far, I found that they are all complex characters with different shades of grey, they are so much fun to explore! Thanks for reading and letting me know it worked so well! It made my day and it made up for the long time I worked on it!

Just like Dawn's Stars of the Lesser, Forsaken Knowledge fits me like a pair of custom knit gloves! Marion Zimmer Bradley is one of my favorite authors, and Celebrimbor and the events surrounding the creation of the Rings of Power are high on my list of Tolkien interests.

Rhapsy, you've captured the feel and prose style of MZB here as well as her infusion of pagan mythology. Tyelpo's ritual to hallow the Three is beautifully detailed and enchanting. Curufin's words on the color grey are fantastic -- appealing as the mystical and with that hint of underlying science, too! Something that is consistent with Celebrimbor and Curufin to my mind.

Then there's Celebrimbor's emotional link of the grey linens and silks and his acknowledgment of his father's acumen. As you know, I'm quite taken with your theme of Celebrimbor's path to reconciliation with Curufin, who is all too often painted as an almost unidimensional Bad Guy™. For one, I see Curufin as a more complex individual (and I tend to think JRRT did, too, once I delved into some bits of the HoMe) and for another, I would like to think that father and son found healing eventually.

Most of all, I love how you've captured Celebrimbor here. In spite of estrangement from his father and betrayal by his mentor and colleague, he pushes ahead with his life and his creations. In this short story with its lovely wordcraft, you've given him an emotional depth and intelligence I very much appreciate.

Thanks so much for such a wonderful gift! This is a story I will read again and again.

I've never read Marion Bradley before but after reading this I think I might enjoy reading her work.  I love the focus on Tyelpo here, imho, he is the most underexposed Fëanorian;  I also loved the rare glimpse into Curvo.  This piece made me feel "hopeful" in a way that redemption for the Feanorians came through the hands of Tyelpo, as a way of "self-correction" and how they are not so evil as they are mostly portrayed to be. For me, the many mentions of the color "gray" and its uses underscore this. 

Oh, Rhapsody, this is wonderful!  I’ve never finished a Marion Zimmer Bradley book, although I recognize the style because I have a copy of the Mists of Avalon that I’ll sometimes open and read a random page.  (I know, I know...)  But if it’s as excellent as this story I really will have to read it properly.  You did an amazing job of taking her style and using it to develop Celebrimbor’s character, and I loved the ideas about the color grey.  Well done.