Downfallen by pandemonium_213

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Fanwork Notes

Many thanks to the Skinks of August (oshun, Jael & Ignoble Bard) for comments. ETA: And thanks to Raksha for some logistical tweaking.

Fanwork Information

Summary:

Sauron recounts the first human sacrifice in the temple of Armenelos.

MEFA 2009: First Place - Races: Villains: General

Major Characters: Ar-Pharazôn, Sauron, Tar-Míriel

Major Relationships:

Genre: Drama, General

Challenges: Akallabêth in August

Rating: Adult

Warnings: Expletive Language, Mature Themes, Violence (Mild)

Chapters: 1 Word Count: 2, 812
Posted on 15 August 2008 Updated on 15 August 2008

This fanwork is complete.

Downfallen

Read Downfallen

Vengeance is in my heart, death in my hand,
Blood and revenge are hammering in my head.

– Titus Andronicus, Wm. Shakespeare

~~~

With the speed of a snake’s strike, I grabbed the desiccated arm of the one who had awakened me so abruptly. The vise of my hand tightened on spare flesh and bone.

My manservant crumpled to the floor and whimpered in pain. “My Lord Zigûr!" he gasped. "It is only I. It is time.” 

Releasing the wretch, I groaned, perhaps too loudly. The slave scuttled away to join the others, reminding me of nothing less than bipedal roaches with eyes shining flatly against the light of the single lamp in the dim room. I kicked off the coverlet, soaked with my sweat from the oppressive night’s heat.  Sitting up, I rubbed my face and scratched my scalp. My stomach grumbled, but I could take nothing but water during this counterfeit show of purification.

“Well,” I said, rising to my feet. “Let’s get on with it.”

A slick film of condensate covered the cool marble floor of the lavatory; I set my bare feet onto it with caution. The slaves had lit the sconces along the wall, filling the room with golden light. I stepped into the basin and poured the first urn of tepid water over my head, chanting empty words of ritual. Seven times I doused myself, sluicing away sweat and the residues of doubt.

Stepping out of the basin, I moved to the middle of the room for the remainder of the cleansing. Furtive glances feathered over my naked body, the slaves’ pupils widening as their flitting eyes caressed my most intimate anatomy.  Disgusting craven creatures. No one in this land of inbred nobility and mongrel slaves was worthy of me. Let their clefts moisten. Let their members stiffen. I’d just as soon fuck a dog.

My servants slathered my skin with fine olive oil scented with sandalwood and scraped my skin with strigils. They wiped my limbs and torso with fine linen towels. One of the men handed me a length of silk that I wrapped around my waist. I returned to my chambers and sat dutifully on a stool where the slaves continued to groom me.

A young woman anointed my hair, combing and twisting long strands into tight plaits and fixing the ends with gold beads. A brown, wizened crone painted the edges of my eyes with kohl, extending the design out toward my temples. The delicate touch of the brush on my face and the sensations on my scalp from the plaiting sent me into a meditative state of pleasure. I soaked up the soothing feelings generated by such simple physical touch, driving back the mounting tension that coiled in my guts in anticipation of my task to come.

“Please, my lord,” said my chief slave, a wiry man from Far Harad. “We have your raiment ready for you.”

The white linen chiton slipped over my head and shoulders, its texture smooth against my skin. I pulled my hair from beneath the garment; the small metal balls on the ends of my braids beat a delicate tattoo against my back. I examined the results of my grooming in the large looking glass hanging on the wall of my bedchamber.

The familiar face of a tall man looked back at me. Although the same eyes took in the same nose, the same mouth, and the same dark brows of the craftsman and scholar who had first embraced this human form over two thousand years ago, the image was far removed from him. Dark pigment accentuated the preternatural gleam of pale grey eyes. My hair hung in a shiny mass of sinuous black snakes with small golden heads. Muscles bunched when I moved my arms. The overall effect was dramatic, but that was what these people wanted: drama.

How becoming. A painted catamite of Melkor, sneered the silver voice from its dark cell in my mind’s dungeons.

“Shut up!”

From the perplexed expressions on the slaves’ faces, I realized I had spoken the words aloud. I crushed the vestige of conscience that castigated me and warned of consequences -- terrible consequences.

After thrusting my arms through the sleeves of the white wool robe the slaves held for me and fastening the gold belt around my waist, I left my quarters to join my acolytes who waited in the courtyard of the palace.

Sweat streamed down my chest and back, the linen of my garment adhering to my skin as I marched under the uncompromising light of the summer sun. The procession wound through the streets of Armenelos: musicians played flutes and jangled bells; singers lifted their voices in praise to the Giver of Freedom; my acolytes waved fragrant branches of taniquelassë and censers with cloying smoke streaming from them. The citizens of Armenelos lined the streets and stood in archways and above on balconies, cheering and tossing flowers before my sandaled feet.

Up and up the procession wound, and closer and closer to one of the greatest of my works, save for the simple gold ring that graced my left forefinger. The king may have ordered the temple to be built, but it was I who designed it and guided the feats of engineering required for its construction. Only Lugbúrz rivaled it. The temple, a wonder of the world, was constructed of mica-flecked red granite blocks and rose five hundred feet from the ground. High above, the curves of its silver dome reflected the sun. Its foundations sank well below the wide paved courts that surrounded it, courts that were now crowded with citizens, immigrants and slaves. The King’s guards held back the throng so that the procession could pass through.

I entered the temple through the wide entryway, the gold- and silver-plated doors flung wide open. Lamps burned cedar-scented oil, illuminating the passageway that led through thick walls, their depth required to support the structure of the building. The temperature within the temple dropped, and I shivered, chilled by the cool air and by anticipation. In the outer hall that circled the building, I gestured to my chief priest who waited there, and he joined me in the stately procession.

“Is he ready?” I asked out of the corner of my mouth.

“Yes, Lord Zigûr. He has been bathed and anointed. No struggle whatsoever. He is at peace that he will be so blessed to be the first who will offer his life to the Giver of Freedom.”

“Indeed,” I said. “He is blessed.”

My contempt for the priest transformed into a benign smile of dismissal, and the unctuous man dropped away. More likely the victim –- the offering -- was resigned to his fate. The man was one of the Faithful, an insidious faction that I had taken pains to stifle. Sacrificing these troublemakers in the name of Melkor had great potential for demoralizing the political opposition and suppressing them.

Worshipers filled the inner sanctum of the temple. High above me arched the silver dome, its panels marching in concentric circles to the central louver, but two other louvers, now shut, were also built into the dome. The openings were aligned such that the light of the sun on the three high holy days of Melkor would strike the high altar.

Against the wall opposite the wide arched doorway stood the marble statue of Melkor in his most beautiful aspect, nude with knees locked, his head bowed in benevolence and arms outstretched and palms open in acceptance. At the statue’s base was my seat, carved from black granite and embellished with gold plate, but that was not my destination today. I walked across the mosaic floor, its glazed tiles depicting scenes of the victories of Númenor, to the heart of the temple.

The miasma of incense, flowers, and human sweat assaulted my nostrils. I tried to focus on my own scent, reminiscent of the air after a lightning strike, a rarified scent that was my signature, no matter what form I took. But today, for the first time in my long life, I noticed a foul chord: the stink of putrescence lurked beneath my clean, charged odor.

I turned and walked up the steps of the king’s dais where Ar-Pharazôn and his queen sat. Bowing to my knees before them –- and seething inside from such debasement -- I awaited the king’s acknowledgment.

“Rise, Lord Zigûr,” said the king. “We give you our blessings on this holy day. May the Giver of Freedom find the offering worthy.”

“May Ar-Pharazôn the Golden live forever under the Giver of Freedom’s love and protection.”

The king’s half-smile of benediction deepened the permanent furrows in his cheeks. Beneath his dark brows, set in a bristling frown, his blue eyes bored into me, seeking, questioning, but also filled with triumph. My anger and humiliation threatened to choke me.

His queen, on the other hand, would not meet my eyes. Although she exuded the dolorous mist of depression, she was still beautiful with fine features, smooth skin and silky dark hair with highlights of copper fire. When I looked at her, the pang of agonized memory tore through me, and once again, I gave thought to her disposition after I had rid myself of her king. Her delicate hands gripped the arms of her chair, but that did not prevent her from trembling.

“Ar-Zimraphel, my queen.” As I spoke, I stroked the borders of her mind, calling to her with gentleness, patience and feigned love.

Tar-Míriel, beautiful Jewel-daughter, you who should be queen of all.

She raised her face. The hatred in her twilight-blue eyes set me back as if she had slapped me. I dropped my eyes and bowed my head, respectful and rejected. No, things would not go easy for her when Ar-Pharazôn was gone.

The hem of my robes glided over the steps of the dais as I returned to my path toward the centerpiece of the temple: the Altar of Fire, a low but massive stone platform positioned directly below the apex of the dome. There animals sacrificed to Melkor were burned after their throats had been slit on the Altar of Everlasting Life and their blood drained and consumed. Today, smooth white wood was stacked artfully in the Altar of Fire’s center. That the wood of Nimloth, the descendant of Galathilion, would consume the flesh of one of the Faithful, a kinsman of Lord Amandil, struck me as especially fitting.

The Altar of Everlasting Life rose high above the Altar of Fire. I ascended the ramp to stand above the multitude that crowded within the temple. The rank and file stood, but closer to the altars, the nobility, the wealthy, and those who had curried favor with the court were seated in wooden chairs placed in rows that curved around the center of the temple. I raised my arms, the seated rose to their feet, except for the king and queen, and all began to sing.

How they loved my hymns to him, my master. They even had favorites. They joined in, their panoply of voices climbing to the dome and beyond to the sky. Could Melkor hear them? Manwë? Eru? 

Their faces shone with adoration. Such gullible fools. I had no more belief in Melkor-as-godhead than I did in Eru Iluvátar, the phantom sky-father who had abandoned the world, who had abandoned his Children, and who had abandoned me. It was all so much empty ritual, but ritual that the Men of this island slavishly devoured, just as Men everywhere gobbled up belief. They killed one another over their beliefs, something that they thought gave meaning to their lives and for which they were willing to claim the lives of others. It was belief, albeit false, I well knew, that I fostered for it suited my plan well.

The hymns to Melkor ceased, and I chanted the litany, following the predictable ceremony that these people so craved.

“Giver of Freedom,” I intoned.

“Deliver us from death,” responded the worshipers.

“He that arises in might. . ."

“We have no other god before thee.”

My priests brought him forward. Balakzîr. I knew his real name though. He placed one foot before the other, the gait of a man in a trance. The acolytes who flanked him held his arms, and his hands were bound with leather straps. Naked save for a thin white loincloth, his body -- that of a young man approaching his prime -- gleamed with fragrant oils, his rippling muscles catching the light. His face bore no expression, and his blank eyes stared into a void. His lips worked with unheard words, but I knew it was a prayer to Varda and thus a hopeless supplication. She would never listen, and even if she heard, she would do nothing.

The chant of the worshipers intensified when the acolytes brought the young man up to the high altar. An attendant removed my outer robes, leaving me in my chiton with my arms bare to the shoulders for the task at hand.

They laid him out before me, securing his wrists and ankles, his neck above the bowl-like depression in the red stone, already stained with beasts’ blood that drained through a channel to a spout where an acolyte caught the outflow in a golden goblet. I raised my eyes to the dome and past the open louver to the rectangle of crystalline blue sky. The angle of the shaft of sunlight streaming through the opening was minimal. When the sun reached its zenith and struck the high altar, the stone would drink human blood.

Excitement coupled with trepidation coursed through me as I chanted words devoid of substance to hearts full of hope, to hearts full of fear. I ceased speaking, and silence fell over the crowd in the temple: a hush of anticipation. The shaft of sunlight inched closer to the high altar.

There he lay, each limb fastened, just as I had requested, so much like others whom I had persuaded to reveal their secrets, bound similarly deep in the dungeons of Angband and Lugbúrz. There would be no persuasion now. Only death. Yet this was a first. Many times I had ordered others to kill. Less often, I had killed others myself in combat. I took pride in my craftsmanship when I set my tools of coercion to bare flesh. But I had never taken the life of one tied and helpless before me.

The acolytes holding the torches stepped forward at my signal and put flame to the wood of Nimloth on the lower altar. Ar-Pharazôn shifted in his grand seat and turned his head away. His queen’s face was pallid and stone-still. A black reek billowed forth when the wood caught fire. The rising smoke swallowed the shaft of sunlight, and the entire chamber of the temple darkened. I jerked my sight upwards to see that dark clouds had replaced the clear blue sky. An icy bolt of fear shot up my spine. Superstitious nonsense, I said to myself. It is only a change in the weather. I set my jaw, determined to continue.

Balakzîr’s ribs expanded and contracted. His sweat-slick skin vibrated from the percussion of his heart. Then his eyes focused, and he looked directly at me.

“Ciryandil,” I said, meeting his stare. “I know who else collaborates with you. They, too, will lie here soon.”

His numb composure fled then, but he did not cry out. He grimaced and writhed against his bonds, his back arching and his hands opening and closing into fists.

I stared at his hands and then fixated on my own, palms cupped in supplication to Melkor: my hands that had created wonders with Aulë, hands that had tormented my master’s thralls, hands that had morphed into a wolf’s paws, hands that had clasped Eonwë’s before we parted forever, hands that had forged ploughshares and swords, hands that had raised the cup to colleagues, hands that had crafted a ring, hands that had laid the instruments of betrayal against a friend, hands that were little different than those of the man I was about to slay.

I grasped the whale-ivory hilt of the knife that I had forged and sharpened myself. Black smoke roiled in the dome of the temple; hell’s flames leapt from the white wood. The clarion peal of my conscience warned me:

Do this and there is no turning back.

I met Ar-Pharazôn’s eyes, no longer bold but rheumy from the smoke, his usually florid face now pale and bland. The flames of my hatred for him snapped and crackled. My desire to take the wealth of Númenor and its vassalage for my own consumed me like dry wood ignited by lightning. Disembodied voices spiraled around me, hissing and snarling, and the images of terrible gods, sacrifices and bloodied priests streamed from elsewhere and everywhen into my thought, silencing the silver voice within.

Kali and Moloch. Taranis and Jephthah. Eat of my flesh and drink of my blood.

I raised the knife.


Chapter End Notes

Zigûr - the Adûnaic name for Sauron (see The History of Middle-earth, vol. IX, "The Notion Club Papers" and various notes therein).

Lugbúrz = Barad-dûr.


Comments

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This is such a chilling read, especially since it is narrated from such a calculated mind who takes yet another step into darkness. I think you picture the minds and vast belief of teh Numenoreans themselves, the folly - according to Sauron - in believing a deity and how he so cunningly uses such faith for his own means.  This makes religion so dangerous when it falls into the wrong hands and at the same time you bring out the weakness of such a belief system. What an awesome build up, from the calmth in the morning to a scene that ends at its peak, just wow!

Thanks for the compliments, Rhapsy.  If you found this chilling, then I have done my job.  And yes, there might just be some thinly veiled commentary on belief systems* and the false gods contained therein.  JRRT's writings in the Akallabêth certainly address this.  I'm also riffing on JRRT's comments interspersed through The Silmarillion, The HoMe and Letters about Sauron's repentance and slow descent back into darkness.  The sacrifices on Númenor seem to me to be a point of no return, and although (my interpretation of) Sauron retains his conscience, his overarching ambition and desire for revenge squelch those warnings time and time again.

*Still need to read James Carse's latest which is languishing on my bookshelf. 

 

That is a marvelously imaginative and beautifully-written story. The atmosphere is perfect and the entire piece is so stunningly visual. I adore strong visual images in a story and this one is packed with them. As I said before, in a comment on a draft of this, the preparations for the sacrifice with the kohl-lined eyes and the description of his outfit reminded me of ancient Egypt, while the sacrifice elements sounded very Aztec to me.

There were so many concepts that I appreciated that I cannot begin to list them all. I was particularly struck by the fact that he is still experiencing guilt and pangs of conscience, that even for Sauron there could have been a point of no turning back, which implies that prior to that it still might have been possible. I wickedly enjoyed his snarky in his observations about his dupes (they really did deserve his disdain).

This is another fascinating and riveting story, filled with incredible, carefully considered small details. The vision it presents of what it might have been like is compelling for me.

Thanks so much, oshun!   I'm glad this appealed to you, dark matter and all. Sometimes I worry that I get too focused on the visual.  In one of JRRT's letters (really, you should read them), he writes about apparel in M-e.  He describes the Númenóreans as archaic and sort of "Egyptian" so that image was in my head.  Plus I love conflating other ancient mythologies with Tolkien's mythopoeia.  I really should have found a way to add "Xipe Totec" to the sacrificial images and words that pour into his head just before Zigûr takes that final step.

On the point of no return, this passage from the Akallabêth stood out for me in my later day readings of The Silmarillion:

"But Sauron was not of mortal flesh, and though he was robbed now of that shape in which he had wrought so great an evil, so that he could never appear fair to the eyes of Men..." 

That to me suggests a threshold had been crossed, so I coupled it with JRRT's writings about Sauron's slow descent back into darkness during the Second Age.  Plus, a conflicted villain (to me) with a conscience is far more interesting than a unidimensional one.   

On his snarkiness, my interpretation of Sauron comes by his condescension and sarcasm honestly. ;^)

Thanks again! 

Reading this made my skin crawl.  As usual, you were able to keep my attention all throughout. It's chilling how Aulendil feels/thinks about his servants, comparing them to "bipedal roaches" or preferring to do a dog than to bother himself with the humans who desired him, I suppose that's how he felt when he was around the elves or the orcs or whoever was serving him.  But still, the little tugs at his conscience, whether from his memories or from something or someone, makes one feel that there might be some hope left still.   I also felt frustrated about the seeming "absence" or "lack of presence" of the Valar while all this was happening. 

I have so many favorite parts, but what I liked the most was the part when he looked at his hands just before doing the act. 

Thanks so much, whitewave!  Just like my response to Rhapsy, if this made your skin crawl and was chilling, then I have done my job.

Yes, Zigûr is nothing if not very arrogant and condescending, and I am sure he finds his role as subservient to Ar-Phârazon to be galling and thus will look at everyone around him with a jaundiced eye.  However, I don't think he always held elves and men in such contempt.  In fact, based on JRRT's writings in "Myths Transformed," that Sauron had "love (originally) for other intelligences," indicates to me that this positive aspect of his personality was in play when he decided to "reform" after the War of Wrath and that he did indeed have a conscience -- hard to imagine that a being with such complex intelligence would not.  However, he eventually fell back into his old ways since the grip of Morgoth was strong (or something to that effect -- paraphrasing JRRT here).  Anyway, the bitterness he displays here is part of that descent back into darkness (gleaned from JRRT's notes) which I mentioned in the responses to oshun & Rhapsy.  The sacrifice is the point of no return. 

As for any sliver of hope?  Well, we'll see how the Pan!verse plays out.  His better side is nothing if not a dogged survivor in my 'verse, even if suppressed and silenced in the face of raging ambition.

Don't get me started on the Valar and Númenor.  I don't have very charitable opinions of the Guardians of Arda on that subject.

Oooh, and I'm glad you liked his contemplation of his hands.  Hands are among the hallmarks of what make us human.  So he's examining his own humanity there -- the bad and the good -- and his common link with the young man.  JRRT refers to the corporeal forms of the Maiar as "raiment" like a sweater or coat, etc.  I tend to ground this considerably more in the Pan!verse: put on a body, and one's mind and behavior are strongly influenced by it.  A body is not just "raiment."  Just a point of disagreement I have with the old Oxford don who sometimes wanted to have his biological cake and eat it, too. :^) 

Thanks again! 

What a gorgeous and terrifying snapshot of Numenor under Sauron's sway!  The details of Sauron's clothing, the temple architecture, and the sacrifice itself are wonderfully and rather cinematically written; I feel, while reading, like I'm in an H. Rider Haggard novel or Cecil B. DeMille movie, lushly painted and oh so sinister.

I especially enjoyed the attempts of Sauron's conscience to be heard and then to stop the atrocity to come - the fact that he has a conscience makes his action all the more evil.

And it's a nice touch that there's an air of decadence and decay and corruption all over the city.  Numenor, created to be a haven of wisdom, is debased; it allows slavery; its King has allowed and seemingly encouraged the worship of a god that his ancestors died to defeat.  And everyone except poor Miriel is flattering Lord Zigur; the priests see nothing wrong with human sacrifice. 

An outstanding story of Sauron and of Numenor in its last days. 

Thanks so much, Raksha!  On Sauron's conscience and remnants of the good in which he originated, yes, this makes his actions that much worse, and that is exactly what I am attempting to convey here and throughout my story arcs.  Tolkien wrote (Letter 183, Letters of JRR Tolkien): 

"In my story, I do not deal in Absolute Evil. I do not think there is such a thing, since that is Zero. I do not think that at any rate any 'rational being' is wholly evil. Satan fell. In my myth Morgoth fell before Creation of the physical world. In my story Sauron represents as near an approach to the wholly evil will as is possible."

Based on the various versions of the Akallabêth (that in The Silmarillion and in the History of Middle-earth), Númenor was well along the path to corruption by the time Ar-Pharazôn took Sauron as a "hostage."  They were ripe for Sauron's manipulations so that's what I hoped to get across.  There are those in Númenor willing to oppress others and commit all sorts of atrocities in the name of belief, just as there are today.

I'm wildly flattered to be mentioned in the same breath as H. Rider Haggard and Cecil B. DeMille and tickled that you and oshun had the same response to the visuals of the story.  I'd like to have Maurice Jarre ("Lawrence of Arabia," "Dr. Zhivago") write the score. ;^) 

 

I'm wildly flattered by being mentioned in the same breath as H. Rider Haggard* and Cecil B. DeMille

I loved it. It's so evocative - all the details, the atmosphere - like you're there. I really liked how you mentioned Kali, Moloch & co in the end. I've always been interested in old religions, and it really added to the understanding of the why&how-s the Numenoreans would sacrficice humans. It was lovely how 'real' you made Numenor by giving it an ancient Egyptian vibe, and mingled with other old cultures. And Sauron has a conscience! Or something that was a conscience once. That was one of the best things about it, I think. Stories easily lose credibility when there is absolute evil involved, at least to me. I also love how you made him observe that neither Melkor or Varda was worship-worthy really..or Eru. Hmm..I'm probaby not making sense other than saying it's great. :P

Thanks a million for reading and for the compliments, Aerlinn!  I can't resist interweaving other mythologies into my vision of Tolkien's world which I think is fair enough, given that his mythopoeia drew upon established myths.  I would have liked to have included one of the Aztec gods in that list, but the choices just didn't fit the word flow. :^)  In one of JRRT's letters, he alluded to the Númenóreans having a culture akin to that of Egypt so I ran with that. 

"Downfallen" does in fact comment on the darker side of religion.  Sauron here might be viewed as a dark version of Elmer Gantry.  My take on Sauron throughout my work is that he does retain his conscience.  Tolkien wrote in Letter 183 (Letters of JRRT, ed. H. Carpenter): 

"In my story I do not deal in Absolute Evil. I do not think there is such a thing, since that is Zero. I do not think that at any rate any 'rational being' is wholly evil. Satan fell. In my myth Morgoth fell before Creation of the physical world. In my story Sauron represents as near an approach to the wholly evil will as is possible."

Throughout my fics, I strive to write Sauron as a multifacted villain with a conscience.  That's not altogether comfortable for many readers and sometimes not comfortable as a writer, but I don't find unidimensional bad guys particularly satisfying.

Again, thanks so much...and welcome to the SWG. :^) 

I love your work!

The phrase that gripped me the most was "hands that had clasped Eonwë’s before we parted forever". I saw it as symbolic of letting go of that which was good, and never able to go back.

I love the architectural and clothing details. Please keep doing them. (I particularly liked the braids and gold beads.) It was like something from Babylonian culture, which was more vivid than the medieval styles more typical of fantasy writing and movies.

My deepest apologies for the belated response, Uvatha, but my appreciation of your comments are no less sincere!  Thank you very much!  Indeed, making choices that lead to a path of infamy is the major theme of this short story.  My version of Sauron retains at least some vestige of conscience all the way to the destruction of the Ring (a nod to Tolkien's remark that Sauron was not wholly evil), so his parting from Eönwë (although they do meet much later in my 'verse) and especially, the human sacrifice are the irrevocable steps he takes.

Thanks muchly for the compliments on the architectural and clothing details!  I was aiming for a vibe reminiscent of the ancient cultures of the Mediterranean and even Mesopotamia.  Heck, my vision of Ost-in-Edhil is heavily influenced by Graeco-Roman culture.  I figured something different that Medieval might be fun.

Thanks again, and my Dark Muse is quite honored that you enjoy his tales. :^)

Whoa. You wrote Sauron so well here it gave me shivers. This entire story was really intense and well written! There were a lot of powerful lines, but I loved the paragraph about sixth form the bottom - the one about hands.

Great story :)

Hey, thanks, Astris!  I'm guessing this comment is the result of Dawn's posting on Tumblr? :^)  Regardless of the source for inspiration, I very much appreciate that a) you read this; and b) that you liked it, especially the bit about the hands, which is intended to emphasize Sauron's manifestation as a human.  In my 'verse, the Maiar can't just toss human form on and off like a sweater.  Taking on such a form affects them profoundly.  

At any rate, thanks again.  First person Sauron is one of my guilty pleasures (and I have another from this POV in the works).   In a fit of SSPing, my Dark Muse also recommends Into This Wild Abyss.