Saltation by pandemonium_213

Fanwork Information

Summary:

Per his notes in HoMe XI, The War of the Jewels concerning the tale of the Awakening of the Elves by Cuiviénen, Tolkien wrote the following:  "Actually written (in style and simple notions) to be a surviving Elvish 'fairytale' or child s tale, mingled with counting-lore."  

Clearly, this leaves room for alternative origin stories. This is one.

Written for Grey Gazania's birthday.

Major Characters: Ulmo, Valar

Major Relationships:

Artwork Type: No artwork type listed

Genre: General, Science Fiction

Challenges:

Rating: General

Warnings:

Chapters: 1 Word Count: 1, 499
Posted on 28 December 2012 Updated on 25 May 2021

This fanwork is complete.

Saltation

Read Saltation

Ulmo hates the sensation of the wind that swirls around his body, this mockery of his lover's Children, but Manwë insists that the Enkeladim wear them when they gather in these conclaves, and so he complies out of respect for his leader. The cold air sucks the moisture from him, diminishing him, and he yearns to return to his lover, to immerse himself in her fluids. Yet here he is, exposed, shriveling in the rarified air, where he waits with the others. They shift, uncomfortable in these imperfect, corporeal forms: hands with four fingers but no opposable thumbs, noses too small, ears set too high or too low, or, in Yavanna's case, too pointed. Their bodies are grotesque, for they know nothing of his lover's Children, yet they have the arrogance to don their forms and decide upon their fate.

Ulmo glances at Aulë, who also broods. His brother was compelled to put his own creations to sleep until this vaunted new folk comes forth. Ulmo is too exhausted to offer consolation to Aulë although he understands his anger, for he, too, made his arguments against Manwë and lost the battle.

He remembers how it had been, when they first came to this jewel of a world, after Melkor sent his jubilant message to Ellor Eshúrizel: "They sing!"

Ulmo had entered the Sea, his lover, and she had taken him to her shores and through her rivers and streams to show him her Children catching fish, pulling mussels from the rocks, using tools, and just as Melkor had said, singing songs.

He followed the tribes who left their searing homeland that could no longer feed them, and watched them trudge north, west, and east out of the vast country where they and their kin – those with low foreheads, thick brows, and thicker tongues - had their roots. Ulmo sang to them through the patter of rain and the rush of rapids. He sustained them on their journeys, for they carried the Sea's blood within their bodies, and he loved them.

His brothers and sisters of the Enkeladim doted upon the Children, too, these brilliant animals whose minds gave rise to tools and art, who cared for their young, their old, and their afflicted. But they were so fragile, dying from the least little thing, and if they did not succumb to disease, wounds, or an attack by larger, fiercer creatures, they all died from age, withering and drying up, just as Ulmo did now in Manwë's frigid halls when the winds always roar.

This fragility grieved the Enkeladim, who craved the Children's company. It was so rare to find such intelligence in the vast mansions of Eä, yet here it dwelt, even if it was snuffed out so quickly.

"How can they truly learn as we have," argued Manwë, "if their lives are so swift?" and that sparked the debate: "Let us take them and make them stronger, let them age slower than the stones of their world, and then we may speak with them and they with us. Let us teach them so that they may pass on our wisdom learned over the long-years to their mortal kindred."

Ulmo returned to the Sea and told her of the Enkeladim's ideas. "It is not the way here," his lover sighed as her waves crashed upon the shores of the world. "Death and decay are as natural as birth and fruition. If your kind succeeds in this, they will create abominations."

Ulmo had argued and argued against the plan, but in the end, he failed. Manwë ascended into the vaults of heaven, for only he could approach The One now, and returned to say he had been given permission to create this new race. There would be no more debate, and it was when Manwë and snake-eyed Námo, the keeper of the dead, laid their hands on his lover's hapless Children that Ulmo began to question the true nature and intentions of The One.

Now the Enkeladim wait. The Lord of the Winds' eyes fly open, eyes as blue as the sky that arches above them all.

"They awaken."

In an instant, the misshapen forms of the Enkeladim twist into columns of light, and they streak to the midnight shores of an inland sea. They shroud themselves as a tree, a fox, a stone, a cloud, or a bird's lonely song, but Ulmo chooses to sink into deep waters, relieved to find his lover's arms again. She holds him close while he watches the hillside, dotted with lumps lying on the grass. Manwë blows their dark brother's murk from the sky, so that when these folk open their eyes, they will look upon the stars.

They awaken in no particular order: men and women with light skin and eyes, some with golden hair, others with dark locks, and some with silver, whose substrates (for that is what Námo coldly calls their abducted ancestors) were plucked from the fog-bound northlands. Others have thick black hair and skin that is like burnished copper or pale subtle gold. Yet others have umber skin or so dark as to gleam like ebony. Yet for all their differences, each and every man and woman who has awakened is more beautiful, more graceful than his lover's Children who have sacrificed their lives to birth these extraordinary creatures, who will age slower than stone.

Ulmo watches from the lake, and his heart fills with as much love for these people as he has for their ancestors. Yes, they are strong, but they are also weak in many ways, and quickly fall prey to the hunters of sharp tooth and claw that stalk these lands, and worse, to the corruptions that Melkor has made from their heavy-browed, thick-tongued kin.

His lover whispers, "Yes, they are beautiful, but they are monsters. You love them though."

"I do."

"Then protect and guide them, these beautiful monsters, but promise me this: you will bring them back to me as they are supposed to be."

He promises. Then he calls from the water to the wind, his voice roaring from the cataracts that feed the lake. "We must protect them! We must teach them!"

So a dozen Maiar are sent to the awakened ones, for the Maiar are more like the Children than Ulmo and his kin are or ever will be, and they move among them, even mingling their seed with them. With the guidance of the Maiar, these beautiful people soon regain the strength of their speech, learn once more how to defend themselves, and their songs soar to the stars.

Soon, the people become restless. This does not surprise him, for their ancestors always looked to the horizon, too. Ulmo and his lover watch as the people group themselves, like with like, forming tribes again. Then there are fights over property, wives, and stupid things like whether pale skin and blue eyes are better than brown, and so blood is spilled. Oromë comes to them to prevent the fighting, and the decision is made to leave the lake. The pale tribes follow Oromë and march to the west; the gold and red people go east with their Maiar leading the way; and the brown and black folk return with their Maiar to the south, as if they seek the lands of their ancestors.

Ulmo keeps watch when they encounter his lover's Children, their mortal kindred, who greet them with wonder and fear, and who give them new names: jinn, yaksha, kitsune, xian, elf. And Ulmo remembers his promise.

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Many, many years later, Ulmo floats on his lover's currents near a ship where two mortals — a man and a woman — stand together and look over the sea toward the shores of the vast southern land that gave birth to all people. He knows the man's name. He is a great captain and a king's son, and he carries the blood of the beautiful people and a Maia in his veins, not much, but enough. Ulmo knows her name, too, knows she shares the same blood as the captain even if she is not of the line of kings.

"This theory of yours. I cannot say I am altogether comfortable with it," says the man.

"I see only the evidence, Captain Anardil, and you surely see it, too. How can you deny that those apes are so much like us? We must share a common ancestor with them. I am sure of it."

"I hear your arguments, even if they disturb me, but others will deem your theory to be heresy. If you publish your work when we return to Númenor, I fear you will put yourself in great danger, Lady Darwen."

"I know, but it is not right to suppress knowledge, just because it makes us uncomfortable. There is something, though, that just does not fit neatly with my theory."

"What is that?"

"The Elves. How does one explain the Elves?"

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Chapter End Notes

Notes:

Saltation references Ulmo's Wife. I have used the Quenya names for the Valar rather than contorting myself into a linguistic pretzel in an attempt to use their Valarin names.

Enkeladim and Ellor Eshúrizel. I have borrowed these terms from "The Notion Club Papers," HoMe IX, Sauron Defeated. Ramer's explanation of them is vague enough to allow extrapolation to identify them with the Valar and whatever plane of existence they inhabit. See also Chosen.

Lady Darwen the naturalist and Captain Anardil (Tar-Aldarion) have appeared in Chronicles of the Fifth Voyage of the Númerrámar: The Loremaster Arrives.


Comments

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I am such a fumbler. I wrote a nice longish comment on this on Live Journal and somehow accidentally lost it. Just cannot get my energy back. I did recommend it over there on a new entry of mine. I like it so much. It is thoroughly entertaining and cheeky in the best of all possible ways. I love the references of the origins of Man snd this!!

"I see only the evidence, Captain Anardil, and you saw it, too. How can you deny that those apes are so much like us? We must share a common ancestor with them. I am sure of it."

This is great stuff beginning to end.

LJ has been wonky of late.

Thanks so much for the review and the recommendation!  This concept, i.e., that the Firstborn really are not the first, is central to the Pandë!verse, and I have been dying to get it out there at some point.  For whatever reason, my Dark Muse decided now was the time.  And it's certainly a shorter bite to chew than my other recent and far longer debacle.

Thanks again! 

OMG, I love this!  The well-meaning but truly arrogant and misguided work of the Valar here, Ulmo's unheeded voice, Cuiviénen as a place of tribal conflict... I'm not feeling particularly articulate at present, but yeah, wow.  Brilliant stuff.

Very interesting! It would certainly be consistent with the later somewhat possessive attitude of the Valar towards the Eldar and their seemingly contrasting attitude to Men.

Of course, it runs counter to the idea that Elves are tied more closely to Arda than Men because of the Gift to Men, but I'm guessing by what you say here that you have quite a different angle on the Gift as well.

You also throw interesting light on Ulmö's attitudes. I enjoy how you write him and his POV.

 

 

Thanks so much, Himring, for having a read!   

Yes, this is a very different take on Tolkien's concept of the Elves being more closely tied to Arda than Men, and you would be right that I have a different angle on the Gift to Men. One may look at the latter as a twist:  as the personification of water says to Ulmo, death is part of the natural order of the world.  She sees that natural order as the Gift in her eyes (not just to Men, but to all life), and immortality is the abomination, dooming humans to last as longer than stones ("tied to Arda"), which is not natural.  Bear in mind that a significant impetus of my writing fan fiction is critical examination of some of Tolkien's concepts (like the unspoken but pervasive tone that Men are inferior to Elves), and a look at his more theological notions through the lenses of secular humanism.  Rather than write faux-scholarly essays addressing this, I much prefer to go the fan fic route.  It's a lot more fun! :^D

Ulmo is hands-down my favorite Vala.

Thanks again!

Thanks a million, Aerlinn!  More and more, I am striving to interpret scientific and technological concepts in a more metaphorical form, so I was aiming for that here.  Very glad to hear it retains the mythical quality while referencing the "out of Africa" hypothesis of human evolution.   And Water!  Yes, Water with a capital W.  There would be no life on earth without it, and it is an extraordinary substance with unique properties that allow nucleic acids to form, proteins to form, and lipids to assemble.  I figured Water deserved to be a major player so the molecule we owe so much to became a She. :^D

Hey, thanks, GG!  I doubt that this idea sits well with the majority of Tolkien fans, but it's irresistable for a diehard evolutionist like me! :^D  

Re: diverse elves.  Throughout many cultures of our primary world, there are legends of human-like being with indefinite lifespans, enhanced powers, etc. so I figured this might offer a backdrop for that. :^)

I figured that because Tolkien repeatedly stated that the Valar were demiurges and that at least one (Aulë) was capable of creating humans (and yes, I do consider Dwarves to be human - Homo khazadensis :^D) that they have the ability to tinker with other folks.

Lady Darwen! *giggles*

But seriously, the Cuivienyarna was meant to be a children's counting tale anyway, from what I recall. You did an awesome, fantastic, marvellous job making sense of the origins of the Elves, Pandë! And O.O ... non-white Elves? I already said I love you before, so consider this my proposal or something, I guess. :)

Why do the Valar always have to either meddle when they shouldn't, or sit on their bums when they actually are needed? *rolls eyes at them*

Thanks so much, K!  

Y'know, The Hobbit and The Lord of the Rings were my intro to Tolkien.  I read them at ages 12 and 14, respectively.  I was also keenly interested in science at those ages, too, and among the aspects of The Lord of the Rings that I loved was the incorporation of our primary world's natural history into Tolkien's story.  It made it feel real, i.e., familiar constelllations, stars, plants, animals, etc.  Those elements made it easier for me to suspend belief when functionally immortal humans and jewelry that made one invisible appeared. ;^)

So when I read The Silmarillion some 9ish years later, my head exploded at the concepts of the Sun and Moon being made from exotic tree fruit, buying into the idea that people could live for thousands of years without sunlight (or equivalent), and that a flat earth became round.   Even though I realized this was "myth,"  Tolkien's other incorporation of realistic elements in The Silm really made these jarring.  So I was ecstatic when I first read "Myths Transformed."  Now that was the Tolkien I knew, the man who deeply appreciated natural history.  I know others are relieved he was unable to rework The Silm to accomodate the round earth cosmogony, but I have no doubt he would have come up with a very satisfying reworking of the tale.

At any rate, all that blathering is to say Saltation is my feeble attempt to give a nod to the reality Darwinian evolution in our primary world, and work it into a mythological context.  And the only explanation for the Firstborn in that context is that they are "hopeful monsters.," but of demiurgic origin (hey, if Aulë could do it...) rather than naturally evolving to such (i cannot fathom what kind of evolutionary pressure would result in functional immortality).

Yep.  Elves of Color. Coming right up.  Actually, I have alluded to that in my Bharat fics (Middle-earth!Mythic!India), but I have something else coming along in that regard.

Heh.  The Valar.  An pretty vexing pantheon.  I actually get a bigger kick out of the Valar from Tolkien's earlier writings (Book of Lost Tales, etc).  They have much more panache as fitting for such fallible demi-gods/goddesses.

Thanks again!

I can't remember where I commented on this fic or when, but I remember raving about the "Darwin meets Tolkien" plot, and how the existence of something as outlandish as an immortal race finally finds a good explanation (of course linked to well-meant meddling by the Valar). As a bonus, you get to explain the sea-longing as more than a ridiculous urge to go to live with the Valar - because why would the elves want to do that, in the first place?

So again, my hat off to you for weaving facts from the world we live in, like evolution, into the fantasy playground fill of contradictions that is Middle-earth, making it even richer and more enjoyable.

You made me felt sorry and outraged on behalf of Ulmo and his lover, the sea from where we emerged, being railroad. But hey, without the Valar we wouldn't have all these abominations characters that entertain us so much, would we?

A great story, Pandë! Sorry I didn't come to review earlier.

 

And a very, VERY belated thank you, Russa!   Tolkien's many contradictions open the way for many interpretations of his legendarium by fan fic writers, so this one was irresitable for me. :^D

Ulmo's the sole Vala whom I think spoke some sense now and then, in particular, his counsel to leave the Elves in Middle-earth and NOT ferry them over to Aman.

They shift, uncomfortable in these imperfect, corporeal forms: hands with four fingers but no opposable thumbs, noses too small, ears set too high or too low, or, in Yavanna's case, too pointed. 

 

Four fingered Valar!  I love how alien and uncanny you make them sound.  

 

There would be no more debate, and it was when Manwë and snake-eyed Námo, the keeper of the dead, laid their hands on his lover's hapless Children that Ulmo began to question the true nature and intentions of The One.

Ah, this is interesting.  I have been thinking recently about Eru, and how benign (or not) he truly is.  In fact, there are so many great concepts here - Elves who are diverse, and who are not truly the Firstborn; Lady Darwen; a number of Maiar "mingling their seed" with the Elves, and this:

 

Ulmo keeps watch when they encounter his lover's Children, their mortal kindred, who greet them with wonder and fear, and who give them new names: jinn, yaksha, kitsune, xian, elf. And Ulmo remembers his promise.

 

Such deft, and perfect, links.

Too bad you didn't venture the linguistic pretzel way with Valarin. But I'm afraid Mandos doesn't have a Valarin name—you'd have to invent this one.

I'm a fan of Manwë and Eru being depicted under a corrupted life. I wonder what made Elves (or was it Men?) 'monsters' :D