Tolkien Meta Week Starts December 8!
Join us December 8-14, here and on Tumblr, as we share our thoughts, musings, rants, and headcanons about all aspects of Tolkien's world.
Originally presented at the 2021 Tolkien Society Seminar "Tolkien and Diversity," this paper considers the historical and current use of fanfiction to address issues of representation in Tolkien’s canon.
Using the 2015 and 2020 Tolkien Fanfiction Survey data, this presentation reviews fandom demographics, use of sources, influence of the films, and use of sites and archives to post fanfiction, reviewing changes across the two data sets.
Data from the 2020 Tolkien Fanfiction Survey shows that, while authors and readers of Tolkien-based fanfiction are growing more comfortable with perceiving their work as having a critical purpose, they are still more likely to describe fanfiction as literary criticism when the process is not depicted as a challenge to Tolkien's authority as the author.
As a genre belonging almost exclusively to women, fanfiction creates a "room of their own," apart from mainstream publishing that is often hostile to women, for women authors to critically and creatively explore ideas in popular texts and, in the style of Tolkien, create new mythologies that appeal to them.
This paper, presented at the Mythmoot III conference in Baltimore, Maryland, on 10 January 2015, considers the history of Tolkien fan fiction, the development of online Tolkien fan fiction communities, and how writers of Tolkien fan fiction use their stories to learn more about the texts and develop analytical and critical approaches toward those texts.
Deciding what constitutes canon for the purpose of making fanworks relies partly on the words of the texts but also on the geographical and temporal vastness and diversity of Tolkien's world.
A review of the canon facts available on Nerdanel and discussion of why she remains so popular with fans despite her scarce appearances in the texts.