Fanworks Tagged with Comparative Studies (Legendarium)

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Doom and Ascent: The Argument of ‘Beowulf: the Monsters and the Critics’ by simon

Simon reads 'Beowulf: the Monsters and the Critics' to conclude his account of the Anglo-Saxon tower of its allegory.

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Spiral Staircase by simon

The Anglo-Saxon poet looks on the sea from the highest point of the tower and then, without saying all that was seen, begins a descent. The way of the poem traces a spiral staircase. Ultimately, the plan of this staircase follows an Elvish design. The staircase is a picture of the descent of mortal generations in history, drawn from the perspective of those who do not die.

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Straight Road by simon

The Fall of Númenor offers the evidence used to arrive at Tolkien's reading of the exordium to Beowulf.

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Passing Ships by simon

The arrival and departure of ships across the Great Sea carries mythic significance for the peoples of Middle-earth. The image of ships crossing out of and back into a mysterious West appears as well in Beowulf and is alluded to in Tolkien's tower analogy in his lecture "Beowulf: The Monsters and the Critics," where the tower allows those who climb it to observe the passage of the ships.

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Thálatta! Thálatta! by simon

While he never climbs the stairs of this Elf-tower, in Lothlórien Frodo Baggins descends a flight of steps to look into Galadriel’s Mirror, wherein he first sees the sea. This post examines the view.

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Crossroads by simon

With Gildor Inglorion we finally climb the stairs of Elostirion and look on the view, and what we see appears to reveal a hidden thread in the story of Frodo Baggins. This post reads two annotated translations of two Elvish songs to step through a crossroads in the narrative to arrive at the tower on the margin of the story, wherein is a stone that is a window onto Valinor.

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Seeing Stones in Dark Towers by simon

As inscribed above the western doors of the Mines of Moria, that magical illustration of Elf-Dwarf collaboration, the name of the game is treachery. From Frodo’s far-seeing dream of Orthanc in his first night in the house of Tom Bombadil, the post draws in the person of Frodo Baggins the image of the Stone by which the will of the Necromancer enters a Tower.

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In the House of the Fairbairns by simon

The first of some posts on the Elf-tower on the western margin of The Lord of the Rings attempts to frame the relationship between the narrative and the appendices of The Lord of the Rings and an analysis of Frodo's dream-visions. 

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The Peaks of Taniquetil by simon

In 1946, two towers appeared in Tolkien's writings. The tower found in The Fall of Númenor may shed light on the meaning of the tower analogy of "Beowulf: The Monsters and the Critics."

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