A Greater Fire by Elleth

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Fanwork Notes

This is it, the AU that has taken over my life. Not in terms of writing (or not yet), but at least in thinking. I will not yet say where this is going, because I myself have little idea, except for the most general direction... revealing what would happen might just kill the suspense.

The title hearkens back to Fëanor's words to the herald of Manwë, slightly altered: "And it may be that Eru has set in me a fire greater than thou knowest." (The Silmarillion, Chapter 9: Of the Flight of the Noldor) - the significance in the course of the story? You will have to wait to find out.

Not yet beta'd, but a revised version will be uploaded soon. I just wanted this up in time to beat the deadline for the Anniversary Contest. Nonetheless, many thanks to Lyra, who read this through and offered first impressions.

Fanwork Information

Summary:

For the Anniversary Contest: An AU of the what-if persuasion.

Chapter One: After the Darkening, the Kinslaying and the Flight of the Noldor, Nerdanel retreats to Alqualondë. What and whom will she find there, and where will her steps lead afterwards?

Major Characters: Eärwen, Nerdanel

Major Relationships:

Artwork Type: No artwork type listed

Genre: Drama, Experimental, Romance

Challenges: Anniversary Contest

Rating: General

Warnings:

Chapters: 1 Word Count: 2, 156
Posted on 30 September 2007 Updated on 30 September 2007

This fanwork is a work in progress.

Alqualondë: Silence

As the source material keeps most events in Valinor after the Darkening a secret, this chapter cannot yet be considered more AU than my other stories, but if you are reading carefully, you may just spot foreshadowing in some places.

This chapter, probably, may be considered more of a piece to set the mood for the rest of the story than anything else, but I would dearly love to hear impressions, concrit and other feedback. Thank you.

Read Alqualondë: Silence

I – Alqualondë: Silence

 

More than before, during the time of the Trees, Alqualondë; had become a town of light. Before, lanterns had painted silver drops onto the sea, and rays through the Calacirya had cast a warm twilight while the stars blinked faintly overhead.

She shook her head sadly, marveling that there even was a thing as “Before”- a new idea, a new word that had entered into the language soon after the Darkening, for the Blessed Realm was no longer as changeless as... before. There had been a time before Valinor, a time before the Trees, a time before the world even - but never, until now, a time before the Darkening.

Her gaze wandered along the shadowy beach. From her vantage-point north of the town, through the mist, it looked as though a blanket lay spread over Alqualondë - a blanket of light: The lanterns in the havens still shone, and the stars overhead burned brighter now. But contesting that colder light were countless crystals and candles of all shapes and sizes that outlined every street. Narrow footpaths only remained in the middle of them, so close to the little fires that the heat was palpable. Molten wax made some ways treacherous, and the children were forbidden from running lest they slipped and fell. Guttering torches were fastened on walls and balconies overhead, mirrored and multiplied in pearl-and-silver ornaments, in windows and in silver domes. And upon the sea. Always upon the sea.

The light painted the town orange-red and warm; at sharp odds with the cold silence that reigned. The Teleri had sung their last laments, and now they hardly spoke. Only the sea ever made any sound, a ceaseless murmuring concerto that threatened to send her into sleep when she listened for too long. Not comforted, but calmed, perhaps, by that very song, the people went about their work with quiet efficiency; and in silence they had handed her a spade and sent her to the beach when she had first arrived.

She had dug there until her muscles cramped and the tool slipped at last from exhausted fingers. Next to a long line of heaps covered in flowers, shells and pearls, six more open graves yawned now, pits of darkness in the pearly sand. They were patient, she thought, and pulled her scarves closer around herself as she walked to the water. Shadowy waves rolled in and licked her ankles, kissed their way up her lower legs and touched her knees, rose higher in a sudden surge and briefly rested, like encircling arms, around her hips. And they were the last. She had been here long.

She was tired, and the endless waters that rolled against the shore did not quench her weariness. Bone-weary, down-to-her-heart-exhausted, her posture slumped. Her body toppled forward, the sea swallowed her up. The quiet splash hardly broke the silence. Like blood, her red hair bobbed and billowed in the surf, startling against the foam.

Her lips opened. From between her teeth (through that little nick on her upper teeth from when she had tried to bite a painted apple of stone when she was very young, the one that showed only when she smiled, and that she worried with her tongue when she was nervous) a bubble of air escaped and burst the surface.

Something like a heavy sigh, perhaps the sound of great conches, rose up from the sea. She did not feel it when a wave cast her ashore again, and tendrils of water lingered around her - a moment only - and with a caress slipped back to whence they had come. Indifferent again, the sea ebbed and swelled just as before.

* * *

“We have no need of sculptors, Nerdanel. It is time for you to return to Tirion.”

That was Eärwen's voice, fine and filmy like her silver hair, and stronger than it should be. She, too, had lost her family to a madman's cause. But she was queen now, not only a woman bereft of those she loved. Her father and brothers lay dead in three of the graves and her husband and children had departed, but she had a purpose and a responsibility that helped her bear the grief.

“I would redress more of what my family did.”

“There is no more to redress. The dead are buried and the quays are cleaned of all blood. The slain will in time return and make whole what was torn apart.”

“Teach me to weave. I can work wood.”

“The ships were ours only. Though you are blameless, my people will not let a Noldo work on their ships more than a Noldo would let the Lindai work his gems. I cannot allow you, Nerdanel.”

She surrendered at last, after a stretch of silence and hard looks. The teacup she clenched was scalding her fingers an angry red, but she held on. She had known heat before. She took a sip and welcomed the burning on her tongue and down her throat, for it rendered her incapable of speech but for a moment.

“At least then let me stay.” The rest of the words she had swallowed with the hot, sweet liquid. It had made it easier. Even if I have no more purpose here, I will not dwell in so dark a city, and one so full of ghosts of old.

“What of your father? You will be missed.”

“He knows the feeling of my absence and is not so torn by it as you believe. I lived apart from him for many years, and will at times return.”

Eärwen spread her hands and bowed her head, her voice soft in what – apology?

“As a sister you shall be to me.You may keep this room, or come into the palace as you wish.”

A small light flickered into Nerdanel's eyes, one that might have turned into a smile, but died before it did. She cast the blanket aside and rose. Her dress clung, still moist and salty from the sea, to her body. For a moment it seemed to Eärwen that it curled upon the ground like waves.

“I will come to the palace with you.”

* * *

The palace was a complex structure of interlacing buildings, dazzling chambers of pearl carved into the cliffs on which it stood, and many open terraces that overlooked the sea. Vines snaked around pillars of ivory, obscured silver roofs, and bloomed, despite the darkness, with a sweet, intoxicating scent. The corridors Nerdanel walked were twisted and twisting, with tapestries on the walls and carvings in the rock. A blink, a half-movement of the head, and the stylized lines of waves seemed to play upon the stone. Fishes that glimmered in the light of the torches seemed to leap and accompany her, until her hand brushed it and instinct told her that there were spots of mistaril in the walls, shaped by artful hands to create these illusions.

The rooms she was given were spacious and beautiful. Here a rock wall was inlaid with glass that had paintings behind, so realistic she hardly knew the difference if not for the light. Real windows in their place (if not for the fact that they would have faced inward into the cliffs) would look toward the west and Tirion, and that was what the paintings showed: A white city far-off on a green hill between the mountains, and further still, all faded into a gold-and-silver mist. The shadow of the painted city lay heavy upon the eastern side of painted Túna, and Nerdanel drew the curtains closed to cover it.

“These rooms were Arafinwë's. I thought that you might like them.”

She murmured her assent, but rather looked to the balconies, where, through a mass of pearls on strings, she could see the sea sway as though in slow dance with itself.

“Nerwen made these curtains for her father as a gift one day. She spent weeks diving and nearly drove our cooks to madness by bringing home more clams each and every day. Her father finally told her to take them to town and sell them...”

Nerdanel still looked to the sea, but she sat beside Eärwen as her voice faltered.

“All my wisdom offers little comfort in this matter,” she said. “Your family will in time return, that I know, but more I cannot yet say nor see.”

“All your wisdom amounts to nothing, Nerdanel! Words will not return them to me!”

“Nor mine to me. Little comfort words may be, but comfort nonetheless, if you allow it.”

The room settled back into the silence that had become so prevalent here that even those brief words seemed to stir an angry muttering echo in the air.

Eventually, still wordless, Eärwen rose and left on silent feet.

* * *

It was in that way that many days passed in the palace: In silence. Nerdanel, day by dark day and little by little, felt her former restlessness abate. With few to speak to, she easily slipped into the custom of silence herself. When she sat across Eärwen during dinner they said nothing, consumed their meal in silence (sometimes they ate nothing and just sat until a servant came, also wordless, to take the plates away) and went their separate ways.

It had not been long after her arrival in the palace that Nerdanel had discovered a narrow stairway down her balcony. Nothing more than rough steps hewn into the rock, withered by saltwater and overgrown with lichen and algae (it made them slippery and dangerous, and the first time she had gone down she had scraped her fingers on the rock in trying to break her fall) they led down to a slip of sand no more than a few steps in length and breadth. To this little beach Nerdanel retreated often, and more often during the time the Teleri accounted night. When, curled-up in her bed, she found no rest, she walked instead by the water's edge, and laying down at times on the sand she slept, often with the very water as a gentle blanket. Upon waking it was easy to pretend that the moisture on her cheeks was only spray, and the dull throbbing in her head but an echo of the sea that had invaded her dreams.

If indeed she did as her husband had predicted – dropping vain tears in the thankless sea – at least she could be certain that none saw.

None could reach the beach save across Nerdanel's balconies, or by boat. High cliffs fenced the little cove, and she doubted that any would see this spot worth landing, for nothing more than sand and a heap of wet stones at the far end of the beach. She had perched there often, and watched the crabs scurry about her bare feet. Sometimes she would be startled into laughter against her will when one crawled across her toes or brushed the underside of a dangling foot, but those were brief moments and fleeting. The laughter, too, was. The sea soon swallowed it up, and what settled was the same as always in this town: silence. Sometimes she welcomed it.

In this silence, though, there was a measure of comfort. It was not the hush of no words left to say that she experienced with Eärwen, nor the silence that was a mix of anger, hostility and grief when she passed into Alqualondn5; and crossed the paths of other elves. She had taken to wearing a dark shawl over her hair as the Telerin women did, perhaps to signify grief (she did not know and could not ask), but she was taller and stouter than any in Alqualondë, her figure marked by smithwork and childbearing, not by swimming and sailing and dancing on the shores. Nerdanel was easily recognized, and her presence only evoked hushed words and whispers. “The kinslayer's wife. Their mother.” She went seldom into town.

On her beach she had solitude and no need nor desire to speak. That thought too, had made her laugh once – speak to whom? she had wondered. The crabs or myself? Surely either would make animated partners for discussion. After, she had thought (once more in silence, startled by her very thoughts) that she was finally losing her mind. If with that came also the loss of her memories, it would surely prove a blessing – but if she indeed had lost her mind, she did not forget: In her hours of vigil by the water she always looked to the East.

In silence.

And so time passed. She knew not (nor cared) how long her stay had been, for there was little that ever differed in her days – certainly not the darkness, the silence and the sea – but when a shout from above rang across the beach, she jumped with unexpected, not-quite-kindled hope.

“Nerdanel!”

 


Chapter End Notes

I must confess I do not know whether or not Olwë and his sons (in the published Silmarillion Finarfin was said to have befriended them, so they must have existed, at least) died in Alqualondë. For plot purposes I did assume that much, as Eärwen will need her father's title and office in a later chapter.

A note on words:

Lindai: According to "Quendi and Eldar" a name, or one of the names, the Teleri used for themselves. The Quenya form would yield Lindar, but as Eärwen is speaking of her own people here, I found the form quite appropriate.

Mistaril: An attempted reconstruction of Sindarin "Mithril". The Teleri were said to have had skilled silversmiths, and though Olwë's palace is said to have been made of pearl, that hardly rules out the possibility of other materials being used.


Comments

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This seems well done.  It's engaging and easy to follow along.  You have a nice visual and balance of narrative description and dialogue.  I have to admit that I don't yet see the connection between the quote in the story notes and the plot threads as it seems to be about Nerdanel and the healing of the Teleri - so I'll be interested to see how you tie it together.

First of all, thank you very much! :) As for the story title/quote - I fear Nerdanel will put a very particular twist on that in a later chapter... it is not yet apparent, and to tell you what it is would give too much of the plot away already. Sorry! At any rate... the story will soon turn from the Teleri to other places, it is not about them at all... although the idea is intriguing and definitely sounds worth exploring. 

Oh Elleth, what a great first chapter and it starts out with such a great first paragraph where you paint the scene for me as a reader. It is strongly written and every scene that changes gets the same treatment. There are two scenes that stood out to me specifically: Nerdanel on the beach with the six graves. That was simply haunting, I think this was the first bit of foreshadowing, leaving me to wonder a few things, but I am just going to sit back and see how this will play out. Then there is the scene at the dining table: it immediately reminded me of a scene from the tv series Rome where Atia of the Julii and her family sits at the table, grieving and do not touch the food at all. That was the same feeling I got here: a scene that can be compared to ancient Rome and the more details appeared in this chapter, that enhanced the feel I got with this chapter especially when you wrote the detail on how Telerin women dress, it so reminded me of Italy! The scene between the two mothers who both lost so much is touching, although at the start I felt a bit lost who was talking. Now you leave us with such a cliff-hanger, I do have a suspicion who is screaming her name also in relation to the six graves and knowing what stunning artwork you made for the Seven in ’07… I really hope to read a new chapter soon!

Thank you so much for the wonderful review! Also thank you for pointing out places you found problematic - the chapter is being betaed as I type, so maybe that will take care of these flaws. I'll definitely pay attention to them in the revision! :) I'm very glad the descriptions work - I love Tolkien's picturesque style (in the LotR), which quite consciously influenced my decision to use a similar technique. If done correctly it works wonders for the mood of a scene, and it seems that I succeeded at least partly with that. :)

The graves - they may or may not be foreshadowing. I haven't progressed far enough to know for certain, so I like to think of that as a little greeting to canon. The mysterious person calling her name unfortunately is not who you may think. I had planned to incorporate that concept into the story, true, but thae muses since took the plot and ran with it. 

The comparisons to Rome (which I never got around to watching!) and Italy make me very glad. As the story is mainly told from Nerdanel's POV it wouldn't make sense to have the Teleri appear completely alien... they are merely a different culture to a Noldo, like Rome is a different culture (if temporarily removed) to the average European or American. (Does that make any sense?)

Last but not least, the second chapter is in the works, I hope to be able to post it soon! Again, thank you! 

Thank you very much! :) There will be more, this was just the opening chapter... I don't know how far this will go, actually. As I said in the author's notes, I have a very vague outline, but I already know it will be very AU... might as well end up rewriting the entire Silmarillion if that is what the muses tell me to do! ;)

A beautiful introduction, the melancholy mood pervades through and leaves me with a lingering feeling of sorrow even some time after reading it. Your use of silence is done really well without being overdone, and I love the little details that you use! The crabs tickling as they ran across her feet; the slippery wax on the paths and the palpable warmth of the myriad candles; the little bubble of air that escapes from the gap in her teeth. This is a wonderful start to a story that I am looking most forward to reading in its entirety!

First of all, I apologize this took so long... this is one scatterbrained author, as you well know. Let me just say thank you for the review, and you know my obsession with details - there are many more to come in the following chapters, which, I hope, will not be long off. (In any case, being my beta you will be one of the first to read them, so rejoice! ;)

A beautiful start.  I am looking forward to see the rest of this mix of description of the Telerin beachs, which in the light would be so pretty, with the sting of sorrow slipped in, in the form of graves.

 I liked the way you portryed Earwen as a woman who wants to do what she thinks is best and what she must do to keep the faith of her people.  And Nerdanel as the woman thought to be evil, snide comments given to her so she can hear them, due to her family ties, not because of who she is.

Amongst the sorrow, you have that little ray of humour, in Nerwen's clams, which ties in well with the whole scene and it works so well.

 I hope you can understand what I am on about! I look forward to reading more. :)

Thank you very much for the review, Lindale! I am glad you liked the story, and I always love hearing what readers liked best about a particular story or chapter, so thank you for the observations, too - it's an ego-boost as well as tremendously helpful to know what works and what does not.

We will be leaving Alqualonde soon, but I hope it will not disappoint anyway - the mix of remembrance and sorrow will definitely remain one of the prevailing themes in the story as it has been planned and written so far. The humor, in part, will also remain, so hopefully you will have chapters to look forward to, without things getting old or used up. The next update should not be too far off either, so stay tuned. :)

This worked so well for me--the image of a forlorn Nerdanel after her menfolk left her--intensely dramatic.  I also liked how you described Alqualonde and Valinor--I'm a very 'visual' reader so it's a real treat.   I also enjoyed your solid characterization of Nerdanel--especially her chipped front teeth and the cause of it.   She's one of the most ignored female characters in Tolkien's world. You also managed to insert some humor with Nerwen's gift-giving efforts.  I had to smile at that.

It's actually difficult for me to choose a favorite line, but these are the ones that I kept going back to:   "After, she had thought, (once more in silence, startled by her very thoughts) that she was finally losing her mind...in her hours of vigil by the water she always looked to the East.  In silence..."

Will you be continuing this?  ;-D

Thank you so much for the review, Whitewave - replies to the other ones will come when I'm less busy, but your question at least deserves an answer. Yes, this will be continued. In fact, this story is the 'AU that ate my life' that is so often mentioned in my LJ, and a NaNo project of 2007 and 2008; hopefully to be finished before the end of this year - finished writing, that is. Editing and beta-ing will probably take another while in order to get this into a comprehensive and consistent form. I hope it's worth waiting for, though!

I also want to thank you for pointing out your favourite parts and lines of the story - this is a great help to me as an author, to see what works particularly well, and what doesn't. :)