The Emperor's Goodbye by Himring

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Fanwork Notes

The Major Arcana prompt the random generator gave me was: The Emperor.

(The comments on the particular site I clicked on also suggested the idea of relaxing control.)

Fanwork Information

Summary:

Before his death, Elros has a near-death experience.

Featuring Numenorean bears, just because.

Major Characters: Elros, Maglor

Major Relationships:

Artwork Type: No artwork type listed

Genre: Ficlet

Challenges: Major Arcana

Rating: Teens

Warnings: Character Death

Chapters: 1 Word Count: 533
Posted on 1 October 2022 Updated on 1 October 2022

This fanwork is complete.

The Emperor's Goodbye

Read The Emperor's Goodbye

Returned from Eldalonde, where he had said farewell to Voronwe for the last time, Elros sat down and picked up a horse chestnut and passed his thumb over the smooth surface that shone as if with polish. He had heard it was a good mast year, with plenty of acorns and beechnuts, as well as chestnuts, for the pigs. But mast and harvests would be Amandil’s concerns now, not his—if the rest of Numenor needed any royal interference at all.

He looked up at the canopy of the chestnut tree above him. Elros was older than the oldest trees of Numenor. That did not strike him so much, when they were Eressean trees introduced by the Elves, but this was a tree that had come from Middle-earth, or at least one that could also have grown in Beleriand, and it had by now reached a great height and girth.

As he sat musing, a faint sound reached his ear and he got up and followed it among the trees. There were more oaks, beeches and chestnuts, growing more densely than he remembered them doing in the palace gardens, and soon he was definitely on a path winding its way through an unfamiliar wood. He was not alarmed, however, but followed the sound of music which gradually became more distinct, although he still could not quite make out the tune or the instrument.

He came out into a glade and the first thing he saw was great dark moving shapes. They were tall black bears, he realized, and they were dancing, very solemnly, in circles and rows, advancing and receding in a statelier fashion than he had seen even dancers doing at his own court in Armenelos. When they caught sight of him, they all made a polite bow, incorporating it into the dance, before they went on as before.

He finally spotted the musician, sitting on the ground, half hidden in shadows. It was Maglor, of course, and he was playing an unusual set of pipes, using only one of his hands. Elros slowly walked along the edge of the glade, circling the dancing bears, towards Maglor.

‘You are not here,’ he said to him, when he had reached him and there was a small pause between dances. It was important, he felt, to make clear to begin with that he understood this.

‘I am not here,’ Maglor agreed. ‘I am standing in for Tinfang. He did me a favour, as a fellow musician.’

Elros thought of all the things he had once wanted to say to Maglor, some of them very loudly. They seemed oddly unimportant just now. Thus, he just sat down beside Maglor and, as Maglor resumed playing, they watched the bears dance on, until the evening star appeared in the sky and shone down brightly on the proceedings. And with its soft rays shimmering in his eyes, Elros leaned on Maglor’s shoulder and drifted off with the plaintive warble of reed pipes in his ears.

When his family came looking for him, they found him under the chestnut tree in the palace garden, as if he had peacefully fallen asleep, but he was not breathing.


Chapter End Notes

The title is meant to suggest the title of an old dance tune (besides alluding to the prompt, of course).

The solemn dancing bears are from Nature of Middle-earth, but I can't quite fit them into my previous ideas about Numenor, so they have become Numenorean dream bears.

Also incorporating the tolkienshortfanworks prompt "harvest".

(Tinfang is another fairly obscure canon reference. There is a new bio of this character by Dawn here.)


Comments

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I love that you incorporated the dancing bears. :D
Weirdly, I had the impression that Elros was getting younger as he walked through the forest and talked to Maglor, although there isn't really anything in the text on which I can fix it (except maybe the leaning on Maglor's shoulder, but that happens very late). Although the unavoidable ending made me sad, it feels reassuring that Elros died knowing that it's been a good year (if there are bad years in Númenor at all) and that everything was in good order.

Thank you! I love those bears and how they link up with the bear lore in The Hobbit! But my head has trouble seeing them literally on the same island with Aldarion and Erendis and the others. I can see them as a Beorian folk tale, though, for instance!

I hadn't consciously thought of Elros getting younger, when I wrote, but it fits very well with what I meant to suggest about how he was feeling!

I think of the beginning years in Numenor as being quite tough for the new settlers, but by the time this is set I envision them having no disastrously bad harvests, although not all of them equally good, and enough planning in place to deal with any less good years without much strain (quite unlike the later distribution issues in Azruhar's time!).

 

I absolutely love the dancing bears of Númenor (out of place though they feel at first) because Númenor was on my mind when I was travelling around Hokkaidô, a long time ago, and the bear is majorly important in the Ainu culture of Hokkaidô. It makes no actual sense, and it certainly doesn't fit with the southern Mediterranean vibes of the rest of Númenor, but it makes me happy. XD

For all we know from canon, there may have been no distribution issues in the days of Tar-Ancalimon and Tar-Telemmaite either. Perhaps those days were just golden and happy and I'm just an evil author! ;) I agree that the beginning years must have been a challenge! In that context, the observation that all of the trees are younger than Elros was very poignant. They not only had to settle a country where nobody had settled before, it was a country that literally hadn't existed before, and that must have been tough. And that isn't even getting into how different peoples had to grow together as one people, and how plenty of them were probably bringing generational trauma and defensive residue from Middle-earth under Morgoth's rule! Elros surely had his work cut out, but he seems to have managed to leave his descendants a well-functioning kingdom at the end of his long life.

Oh, this is so beautiful, tears spontaneously came to my eyes when I reached the ending.

I love that he let go in the comforting presence of both dads (comforting despite all the reasons for the (justifiably) loud words he'd like to say!) And also comforted that the trees they'd planted, along with the other agriculture, had become so well established by now that the island wouldn't need as much tending at the start of his grandson's reign as it did at the beginning of his. (This made me picture Númenor as a kind of inverted Easter Island, relatively barren and harsh initially and gradually forested. And with mystery bears instead of mystery statues, I guess!)

Comparing his age to the great girth of common trees really does give an impression of how old 500 years really is!

I'd love for Maglor to be there on the Island with his fostor son, and then it suddenly made me so sad that Elros is leaving most of his ancestral family here in Arda, inside Mandos and out — although they're mostly people we've come to know and love and of course he didn't.

I do like the implication that Tinfang plays, and in a way calls, to people when it's their time to depart, and that Maglor somehow made a deal with him to play in his stead for Elros. (And bringing in the Warble at the end was a touch that made me smile.)

Really loved this!

It felt like a nice ending for Elros and the bears were an interesting feature.

Also fits the time of year really well, since all the acorns and chestnuts and beechnuts are currently falling from the trees and try to hit you when you least expect it.