Around the World and Web

Around the World and Web includes announcements and items of interest from beyond the SWG.

Teitho November/December Contest: Healing

Welcome to the Teitho Contest, where you can participate with a variety of other writers and artists and send in stories and pictures based on our themes.

Join us in this writing and drawing contest!

A new challenge is posted every month. On the first day of the challenge, we announce a new theme on this site. You then have two months to create your entry, which has to be finished when you send it in.

After the deadline of the contest, the voting period begins. Based on the number of entries, it lasts for two or more weeks. The winners are usually announced a day or two after the end of the voting. Teitho remains one of the last prompt-based, independent, Tolkien fan-fiction/fan art monthly contests. Full contest guidelines are here.

Our prompt this month is Healing.

Healing figures significantly in many of Tolkien’s works. We encounter healers like Elrond, the staff of the Houses of Healing in Minas Tirith, Aragorn and the healing hands of the King.

We see many characters being healed—Frodo, Faramir, Eowyn, Merry.

Healing isn’t only confined to physical injury—there is healing of mental and emotional hurts as well.

And we also see incomplete healing—where characters may be healed of bodily injuries swiftly but the horrors and trauma they endured persist—Maedhros, Gwindor, Frodo.

Healing also affects the land in Tolkien. Ithilien—where Legolas and his people go at Aragorn’s request, to rejuvenate and cleanse the land—is just one example of this.

Healing can also be seen in the context of interpersonal relationships—Maedhros healing the rift in the house of Finwë, the repair of Bilbo and Thorin’s friendship at the end of the Battle of Five Armies.

What stories of healing will you give us? We can’t wait to see where your imagination takes you!

Stories or art should be submitted to teitho.contest@gmail.com by Dec 31!

Lord of the Rings Secret Santa 2024

So, it's that time of the year again: time to sign up for the Lord of the Rings Secret Santa exchange! Slash, femslash, het and gen; you can request it all, so why not join in?

Lord of the Rings Secret Santa has been going for twenty-one years, and we'd love to see you join us and keep the tradition going.

LotR SeSa has been a traditional exchange since its inception, but we continue to adapt and refine the exchange to best serve all participants. The exchange has been in the form of a prompt meme since 2020. If you are new to the format, AO3 has a helpful FAQ here.

This year's timeline (2024)

  • Prompt Posting: November 1st to 25th.
  • Claiming: November 26th to December 27th.
  • Collection Open for Posting: November 26th to December 27th.
  • All Fills Due: December 27th

You will be able to post up to 2 prompts, and we will do our best to make sure that at least one of your prompts is filled.

Please note that this is an FPF challenge. (i.e. Fictional, not real people fiction/RPF.) We're always open to all the Peoples and Ages of Middle-earth, which means that characters from The Hobbit and The Rings of Power are welcome too!

The Rules (2024)

  1. You will be able to post up to 2 prompts between November 1st and 25th, and we will do our best to make sure at least one of your prompts is filled.
  2. Your fill is due December 27th 11:59 pm Pacific Time (you can check what that is in your time zone here). Please post it to AO3 (and nowhere else, until January 3rd).
  3. As a matter of fairness, please make your story more than 750 words (1000 is better).
  4. Signing up: the sign up form can be found here (or here if the main link gives you an error message). If you need help with signing up, please don't hesitate to contact the mods at lotrsesa[AT]gmail.com.
  5. Once claiming has opened, please only claim a prompt if you plan on actually fulfilling your end of the bargain, and please only claim one prompt at a time. After you have completed your fill, you may claim a new one.
  6. Claiming a prompt: use the "Claim" button next to the prompt you want to claim. (You can find open prompts under "Prompts" in the sidebar.) Several people can claim the same prompt. You can also claim a prompt without having submitted any of your own.

It's a good idea to join the LotR_SeSa LiveJournal community or the Dreamwidth community so you can keep track of any admin posts. You can also follow us here on Tumblr.

Kiliel Week 2024

Kiliel Week will run on Tumblr from November 17-23, 2024 and accepts all types of fanwork for the Kili/Tauriel pairing.

We accept fic and fanart but also moodboards, edits, playlists and anything else your fannish heart wants!

We take submissions not in English. If you speak a language other than English and want to submit something in that language, please send it in!! We would be happy to reblog it!

If you are submitting something NSFW please tag the @tolkienpinupcalendar. If you are interested we are collabing with @tolkienpinupcalendar for the simultaneously run Kiliel Smut Week!

How do I submit:

Tag @kilielweek, and use the tag #kilielweek2024

If the post is also for Kiliel Smut Week please also tag @tolkienpinupcalendar and use the tag #tpckilielsmutweek

Prompts are available here.

November challenge at tolkienshortfanworks

The challenge for November has been posted to the tolkienshortfanworks community on Dreamwidth. 

The thematic challenge for November is: refuge.

The formal challenge is: include imitation of a sound.
The simplest way to do this is to include a pre-existing word that imitates a sound, for instance: meow, which imitates a sound made by a cat.
But you can also try for something more challenging, if you like: can you make the sound of your sentence or phrase imitate the flowing of a river or the rustling of trees?
Also, think of what Treebeard does with bits of Elvish, stringing them together in Entish fashion:
Taurelilómëa-tumbalemorna Tumbaletaurëa Lómëanor
Like him, feel free to make things up!

As always, these can be filled independently and also freely combined with SWG and other challenges. 

New participants welcome!

More details on these challenges at the linked post.

November 2024 Call for Papers and Proposals

Popular Culture Association: Tolkien Studies Area

The Tolkien Studies Area (TSA) welcomes proposals in any area of Tolkien studies. We welcome scholars in all period specializations, from all disciplines, using any critical theory. We encourage interdisciplinary and multidisciplinary as well as collaborative work. The TSA defines "Tolkien studies" as including, but not limited to, Tolkien's Legendarium; adaptations, transformative works, and translations; cultural studies; critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; literary studies; medieval and medievalist studies; media and marketing; religious studies; source studies; tourism studies; and translation studies.

Academics, independent scholars, graduate students, and undergraduate students are invited to submit individual paper proposals, paper session proposals, and/or roundtable proposals. Presenters may present one paper and participate in one roundtable session.

All presenters must join the Popular Culture Association as members as well as pay a registration fee to attend the conference. These are separate fees that have been restructured to a tiered system taking into account that PCA members range from undergraduates to retirees, with salaries ranging from part-time, minimum wage to retiree pensions and social security.

All PCA sessions are scheduled in 1.5-hour slots. Paper sessions consist of four presenters, each speaking for fifteen minutes, followed by a group Q&A.

Roundtables are informal interactive discussions between five to seven participants and the audience. A roundtable focuses on a timely topic and is designed to raise questions and brainstorm for future scholarship. If you have an idea for a special topic for an academic journal issue or for an anthology, email Robin to find out how to organize a paper session and/or roundtable on the topic!

For individual paper proposals, please submit contact information (name, institutional affiliation [or "independent scholar"], e-mail address, and telephone number), your presentation's title, and a 500-word proposal describing your topic, chosen theory, methodology, argument, and its relevance to current scholarship.

For a paper session proposal, please submit your contact information, all the presenters' contact information, and a 100–300-word proposal for the session. All participants for your proposed paper session or roundtable must register for the conference and submit their individual proposals through the PCA database so they can be added to the paper session.

If you wish to organize a roundtable, please contact me directly at robinareid@fastmail.com. Only Area Chairs or PCA Admins can enter roundtables into the PCA database. Please note that the TSA can schedule only two roundtables; however, there are no limits on the number of paper sessions we can present!

The 2025 PCA Conference will be held in-person at the Marriott in New Orleans, from April 16-19, 2025.

See the 2025 PCA Conference website to submit paper proposals. Proposals are due by November 30, 2024.

Call for Proposals: Anthology on Women and Gender

We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.

Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.

Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).

Topics may include but are not limited to:

  • Female characters in the legendarium
  • Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
  • Non-binary, trans, and gender fluid interpretations of characters
  • Landscapes, environments, and material culture
  • Historical conceptions of gender
  • Intersections with race, sexuality, socio-economic class, etc.
  • Postcolonial analyses
  • Women and gender in adaptations of Tolkien’s work
  • Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium

Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.

Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy

The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.

Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.

Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.

Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.

Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.

Working bibliographies are welcome, but not required.

The seminar will be held August 2-5, 2025 on Zoom and Discord.

The full call for papers and more on the midsummer online seminar can be found here.

Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series

We are sharing this information on behalf of Robin Anne Reid:

I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.

Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.

Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.

While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.

The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.

Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.

Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.

The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.

Tolkien at UVM 2025: Tolkien and War

The theme for the 2025 Tolkien at UVM conference will be Tolkien and War. The conference will be held on April 5, 2025, at the University of Vermont. Recent conferences have been hybrid and welcomed presentations and attendees online as well.

Signum University Regional Moots

These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.

Journal of Fandom Studies: Open Call for Papers

Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).

The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.

All articles submitted should be original work and must not be under consideration by other publications.

See the Journal of Fandom Studies open call for papers for more information.

White Oliphaunt 2024

In the White Oliphaunt gift exchange, Tolkien fans sign up to exchange humorous gifts with each other.

Schedule

  • Sign ups open: November 1st 
  • Sign ups close: November 30th 
  • Assignments out: December 1st 
  • Anonymous posting + Last call for dropouts: December 24th 
  • Gift reveal: December 31st

Tolkien Society: Christopher Tolkien Centenary Conference

The Tolkien Society is pleased to announce it will be hosting the online Christopher Tolkien Centenary Conference on Saturday 23rd and Sunday 24th November 2024. Registration is free and can be done on the conference webpage.

Confirmed Speakers

  • Douglas A. Anderson — editor of The Annotated Hobbit
  • Nicholas Birns — author of The Literary Role of History in the Fiction of J.R.R. Tolkien
  • Sara Brown — lecturer on Tolkien, and Language and Literature Department Chair at Signum University
  • Sonali Chunodkar — researcher on secondary beliefs in Tolkien’s works
  • Michael D. C. Drout — editor of Beowulf and the Critics, and J.R.R. Tolkien Encyclopedia; co-editor of Tolkien Studies
  • Vincent Ferré — Professor in Comparative Literature (University Sorbonne Nouvelle), translator, and editor of Dictionnaire Tolkien. Literary advisor to the Estate of Christopher Tolkien
  • Dimitra Fimi — Tolkien scholar and fantasy professor at the University of Glasgow, co-editor of A Secret Vice, author of Tolkien, Race and Cultural History
  • Verlyn Flieger — editor of Smith of Wootton Major, The Story of Kullervo, and The Lay of Aotrou and Itroun; author of Splintered Light
  • William Fliss — Tolkien archivist at Marquette University’s Raynor Library
  • John Garth — author of Tolkien and the Great WarThe Worlds of J.R.R. Tolkien and Tolkien at Exeter College
  • Christopher Gilson — chief editor of Parma Eldalamberon and leading member of the Elvish Linguistic Fellowship
  • Nick Groom — author of Twenty-First-Century Tolkien
  • Peter Grybauskas — editor of The Battle of Maldon: together with The Homecoming of Beorhtnoth
  • Wayne G. Hammond — co-editor of The Collected Poems of J.R.R. TolkienThe Art of The Lord of the Rings by J.R.R. Tolkien, Roverandom, and co-author of J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion
  • Andrew Higgins — co-editor of A Secret Vice
  • Thomas Honegger — co-editor of Sub-creating Arda and Laughter in Middle-earth: Humour in and around the Works of J.R.R. Tolkien
  • Carl F. Hostetter — editor of The Nature of Middle-earth and Vinyar Tengwar
  • John Howe — artist who has illustrated covers for The Hobbit, The Lord of the Rings, and The History of Middle-earth
  • Yvette Kisor — researcher on medieval literature and the works of J.R.R. Tolkien, co-editor of Tolkien Studies and Tolkien and Alterity
  • Kristine Larsen — writer and researcher on science and astronomy in Tolkien’s works
  • Alan Lee — artist who has illustrated The Lord of the Rings, The Children of Húrin, Beren and Lúthien and The Fall of Númenor
  • Ted Nasmith — artist who has illustrated The Silmarillion and Unfinished Tales
  • Richard Ovenden — Bodley’s Librarian and co-editor of The Great Tales Never End
  • John D. Rateliff — author of The History of The Hobbit
  • Robin Reid — researcher on Tolkien fandom, fan fiction, and race in Tolkien’s works
  • Christina Scull — co-editor of The Collected Poems of J.R.R. TolkienThe Art of The Lord of the Rings by J.R.R. Tolkien, Roverandom, and co-author of J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion
  • Brian Sibley — author of The Fall of Númenor
  • Chris Smith — the Tolkien editor of HarperCollins
  • James Tauber — researcher on corpus linguistics and digital humanities for Tolkien’s works

The full schedule will be published closer to the event.

Teitho October/November Challenge: Legacy

Welcome to the Teitho Contest, where you can participate with a variety of other writers and artists and send in stories and pictures based on our themes.

Join us in this writing and drawing contest!

A new challenge is posted every month. On the first day of the challenge, we announce a new theme on this site. You then have two months to create your entry, which has to be finished when you send it in.

After the deadline of the contest, the voting period begins. Based on the number of entries, it lasts for two or more weeks. The winners are usually announced a day or two after the end of the voting. Teitho remains one of the last prompt-based, independent, Tolkien fan-fiction/fan art monthly contests. Full contest guidelines are here.

Our prompt this month is Legacy.

What impact do past events have on the present? What traits, ideals or beliefs impact an individual’s followers or descendants? What do we leave for those who come after?

Legacies can be both positive and negative, as we see in the house of Fëanor.

It can be steadfastness, as we see in Fingolfin and his descendants.

An individual can leave a legacy, but so can a community or an entire culture—what legacy did Numenor leave to those who escaped the destruction?

It could be a written legacy like the Red Book of Westmarch, started by Bilbo Baggins to recount his quest for Erebor, then added to over the years to become much more than a simple diary.

A legacy may also be an object, an item passed down from individual to individual: a bequest, a sword, a ring, a property, an oath.

What will you choose to explore using this prompt? We look forward to your stories and art this month!

Please submit by November 30, 2024 to teitho.contest@gmail.com

Acorns and Oak Leaves: A Year of Bagginshield

Throughout 2024, the Bagginshield community Acorns and Oak Leaves offers monthly prompts to encourage new creations of all kinds (i.e. art, fics, gifs, etc) - but don't worry, there are no deadlines. Pick and choose whatever prompts you like, and be sure to tag the @acorns-and-oakleaves blog on Tumblr so we can share your Bagginshield creations!

Monthly prompts for the Year of Bagginshield can be found here.

Acorns and Oak Leaves also has a Discord server!


Around the World and Web Archive

Events listed here are no longer active but are listed on the site for historical purposes.

Barduil Holiday Exchange 2024

For this holiday exchange, you'll be assigned another creator (and possibly a specific fanwork of that creator's!) to make something in response to for the Barduil pairing. This could be a fic, an artwork, a playlist, a moodboard, or anything else we haven't thought of yet! The goal is to celebrate our small but mighty fandom and take the opportunity to be inspired by one another.

Sign-ups: Open until 11/15

Creations complete by: 12/20

Posting: 12/25

The mods will check in periodically to make sure everything's going smoothly! Please feel free to reach out to @scary-grace, @nocompromise-noregrets, or send us an ask or DM for clarification. The sign-up form is here.

Tolkien Horror Week 2024

Welcome to Tolkien Horror Week! This is a new event, following in the footsteps of Terrifying Tolkien Week, last run in 2019. This event celebrates all things spooky and creepy in Tolkien’s work—both the things he tells us explicitly and the things he leaves up to our imaginations.

The event will run from October 27th to November 2nd and accepts all types of fanworks. There is an AO3 collection for the event here.

Below are some suggested prompts for each day of the week. They are not mandatory; feel free to combine them or disregard them entirely.

Day 1: Angband & Utumno | seeth all things crooked | captivity
Day 2: Angmar, Rhudaur, & Minas Morgul | of such dread and dark enchantment | sorcery
Day 3: Mordor & the Dead Marshes | the pitiless land | control
Day 4: The Barrow-downs & the Old Forest | the clinging mists | corruption
Day 5: Mirkwood, Nan Elmoth, & Taur-nu-Fuin | the shadows grew long in the forest | hunting
Day 6: Nan Dungortheb & the Paths of the Dead | by perilous paths | terror
Day 7: Isengard, Moria, & Númenor | we cannot get out | trapped

Please mention @tolkienhorrorweek in the body of your post and tag #tolkienhorrorweek and #tolkienhorrorweek2024 in the first 10 tags. You may also submit a post.

Given the nature of the event, please also tag for any potential triggers or content warnings and place any NSFW content beneath a read more/link to AO3.

For more information, please see the FAQ. If you have any questions, drop them in the ask box.

Tolkien Latin American and Caribbean Week 2024

A week dedicated to celebrate Latin American and Caribbean cultures, peoples and traditions through Tolkien's Legendarium. It will start on October 21st (Monday) at 00:00, Brasilia time (what time is it in my country?). The week will end on October 27th, but feel free to post after the week is over. I'll still check tags, mentions and submissions for a while.

Everyone is free to participate, you don't have to be latino or caribbean nor have deep knowledge about Latin America/Caribbean to participate on this event. All creations are welcome - arts, graphics, gifs, fanfics, etc. - as long as they represent a Latin American/Caribbean element(s). It can be languages, cultures, traditions, anything from Latin America/Caribbean. Creations should be Safe for Work, no explicit content will be accepted to make this week accessible to everyone.

Please don't forget to tag your contributions with #tolkienlatam&caribbeanweek and mention me @tolkienlatamandcaribbeanweek.

Prompts

Day One: Eru Ilúvatar | The Beginning | The World and All That Is

Day Two: Ainur | The Powers of Arda | The Shaping of Arda

Day Three: Eldar | The Awakening | Those Who Stayed and Those Who Left

Day Four: Dwarves | Family | Culture

Day Five: Men | Ancestors | Kingdoms

Day Six: Hobbits | Dances | Music

Day Seven: Freeform | AU | OCs

Other Links

 

Half-Elven Week 2024

We are back with the fourth year of Half-Elven Week, an event dedicated to celebrating Tolkien's half-elves. To note – as half-elven, we count all characters who have the blood of elves and some other race, no matter if they are called so in the canon. Half-Elven Week will run on Tumblr from October 14th - October - 20th 2024.

Prompts

Day 1 - Being Different; Doriathrim - Lúthien, Dior, Eluréd, Elurín, Elwing

Day 2 - The Choice; People of Sirion - Elwing, Eärendil, Elrond, Elros

Day 3 - Heritage; Númenoreans - Elros, his children and descendants

Day 4 - Power; People of Rivendell - Elrond, his children and descendants

Day 5 - Legacy; Princes of Dol Amroth - Galador, Gilmith, and their descendants

Day 6 - Loss; Parents of half-elves - Melian, Thingol, Tuor, Idril, Beren, Nimloth, Celebrían, Elros's wife, Imrazôr, Mithrellas, and others

Day 7 - Freeform

Rules

  • Prompts aren't mandatory, only a source of inspiration.
  • OCs are welcome - children of Caranthir/Haleth, Aegnor/Andreth, any elf/other race pair.
  • Tag your work #halfelvenweek and tag us @halfelvenweek so we can find your post.
  • If you have any questions, asks are open!

Lúthien Week 2024

Lúthien Week will take place October 14 – 20, 2024 on Tumblr! This event is dedicated to the characters of the Beren and Lúthien story, from the star-crossed protagonists to faithful allies to villains ... and everyone in between!

Why October? It captures the mood of the story. In all its spookiness, October is the perfect month for Lúthien Week, as the tale features vampires, werewolves, talking dogs, and even talking cats (yes, I mean Tevildo). At the same time, October is cozy, and Beren and Lúthien is ultimately a comforting story to read while curled up in a blanket with a warm cup of tea.

Follow this blog to stay tuned for more info about Lúthien Week! Prompts to come soon. If you have questions, send an ask!

Prompts

Day 1: Lúthien | Beren

Love at first sight | Dancing | Eldritch

Day 2: Thingol | Melian | Barahir

Family | Promises | Inheritance

Day 3: Huan | Finrod | Orodreth

Friendship | Loyalty | Sacrifice

Day 4: Celegorm | Curufin | Daeron

Deception | Determination | Betrayal

Day 5: Sauron/ Thû | Tevildo | Draugluin

Imprisonment | Shapeshifting | Rescue

Day 6: Thuringwethil | Melkor | Carcharoth

Disguise | Enchantment | Battle

Day 7: Mandos | Dior | Descendants

Song | Life and Death | Legacy

October challenge at tolkienshortfanworks

The October challenge at tolkienshortfanworks has been posted to the Dreamwidth community.

The October Challenge is inspired by the Golden Shovel form.

Below you will find three stanzas of poetry by Tolkien.
Take a line or several lines from one or more of these stanzas.
Use the words of the line or lines you chose in your piece in the same order that they come in Tolkien's poem.
Use all the words of your line(s) in the same order, but fill the gaps between with new material, as you like, with no other restrictions. Your piece need not be on the same subject and can be in an entirely different tone or mode!
You can challenge yourself to use the chosen words at the beginning or end of sentences or lines of verse (if writing a poem), if you would like, but this is not required.

A)
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
(from: The Hobbit)

B)
Ere iron was found or tree was hewn,
When young was mountain under moon;
Ere ring was made, or wrought was woe,
It walked the forests long ago
(from: The Lord of the Rings)

C)
Tall ships and tall kings
Three times three,
What brought they from the foundered land
Over the flowing sea?
Seven stars and seven stones
And one white tree.
(from: The Lord of the Rings)

If you want to know more about the Golden Shovel, a poetic form invented by Terrance Hayes, you can find it explained here:
https://www.writersdigest.com/write-better-poetry/golden-shovel-poetic-form

More details on these monthly challenges at the entry linked above.

New participants welcome (a Dreamwidth account is required) and we welcome combination with  prompts and challenges from other communities and sites.

 

 

 

Tolkien Dwarf Week 2024

Tolkien Dwarf Week will take place on October 7 – 13, 2024 on Tumblr. All types of work you want to create are welcome: fanfiction, fanart, meta, music, moodboards, calligraphy, translations, transcriptions, rec lists… you name it!

The aim of this event is to show the underappreciated dwarves in Tolkien’s legendarium some love. (So while I probably won’t be outright excluding works about Thorin, Fíli, and Kíli, focussing on them is not the aim of this event, sorry.)

Please make sure to tag your posts with #tolkiendwarfweek and/or mention @a-grump-of-dwarves so that I can find and reblog them. If you are a bit late in posting, don’t worry: I will continue checking the tag regularly for at least a week after the event has officially ended, and probably a bit less regularly after that.

Prompts

Fanworks are welcome that do not fit the prompts. Just post them on whatever day fits for you.

  • Day 1 (October 7): 1st and 2nd Age
  • Day 2 (October 8): interactions with other cultures
  • Day 3 (October 9): dwarrowdams
  • Day 4 (October 10): travelling
  • Day 5 (October 11): culture
  • Day 6 (October 12): family
  • Day 7 (October 13): craft

Additional prompts can be found here.

Sigriel Week 2024

Sigriel Week is a week of fan creation celebrating the characters Sigrid and Tauriel from the Hobbit movies, timed to coincide with the date of the Battle of the Five Armies on 10 October 2941 of the Third Age of Middle-earth. The event will run on Tumblr from 7-13 October 2024.

Whether you see the relationship between Sigrid and Tauriel as romantic, platonic, queerplatonic or something else, your creations are welcome - and so are late submissions. Just mention this blog @sigrielweek in your posts and tag #sigrielweek2024 so we can see them and reblog!

Here are some prompts and themes to inspire you - each day has a theme and some suggested sub-themes. Feel free to interpret them however you like!

Monday 7 October - beginnings

  • did they meet for the first time when Tauriel and Legolas chased the Orcs into their home - or before?
  • the attack on Lake-town
  • how do they meet in an AU?

Tuesday 8 October - getting to know you

  • do they hit it off straight away or does it take a bit longer?
  • on the lakeshore
  • first steps towards friendship - or more?

Wednesday 9 October - we're in this together, we have separate paths

  • journey to Dale/Gundabad
  • in an AU, is there an age difference/background difference?
  • how do they reconcile the differences between them?

Thursday 10 October - crisis and aftermath

  • Battle of the Five Armies
  • loss and grief
  • supporting each other

Friday 11 October - someone really special

  • realisations of feelings
  • getting together
  • a special place in each other's lives

Saturday 12 October - getting away from it all

  • what does a day with no responsibilities look like?
  • what do they do for fun?
  • what part do their families and friends play in their lives?

Sunday 13 October - afterwards

  • does Tauriel stay in Dale?
  • happily ever after - or not?
  • does Sigrid inherit the crown instead of Bain?
  • what does Tauriel do after Sigrid dies?

October 2024 Call for Papers and Proposals

Popular Culture Association: Tolkien Studies Area

The Tolkien Studies Area (TSA) welcomes proposals in any area of Tolkien studies. We welcome scholars in all period specializations, from all disciplines, using any critical theory. We encourage interdisciplinary and multidisciplinary as well as collaborative work. The TSA defines "Tolkien studies" as including, but not limited to, Tolkien's Legendarium; adaptations, transformative works, and translations; cultural studies; critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; literary studies; medieval and medievalist studies; media and marketing; religious studies; source studies; tourism studies; and translation studies.

Academics, independent scholars, graduate students, and undergraduate students are invited to submit individual paper proposals, paper session proposals, and/or roundtable proposals. Presenters may present one paper and participate in one roundtable session.

All presenters must join the Popular Culture Association as members as well as pay a registration fee to attend the conference. These are separate fees that have been restructured to a tiered system taking into account that PCA members range from undergraduates to retirees, with salaries ranging from part-time, minimum wage to retiree pensions and social security.

All PCA sessions are scheduled in 1.5-hour slots. Paper sessions consist of four presenters, each speaking for fifteen minutes, followed by a group Q&A.

Roundtables are informal interactive discussions between five to seven participants and the audience. A roundtable focuses on a timely topic and is designed to raise questions and brainstorm for future scholarship. If you have an idea for a special topic for an academic journal issue or for an anthology, email Robin to find out how to organize a paper session and/or roundtable on the topic!

For individual paper proposals, please submit contact information (name, institutional affiliation [or "independent scholar"], e-mail address, and telephone number), your presentation's title, and a 500-word proposal describing your topic, chosen theory, methodology, argument, and its relevance to current scholarship.

For a paper session proposal, please submit your contact information, all the presenters' contact information, and a 100–300-word proposal for the session. All participants for your proposed paper session or roundtable must register for the conference and submit their individual proposals through the PCA database so they can be added to the paper session.

If you wish to organize a roundtable, please contact me directly at robinareid@fastmail.com. Only Area Chairs or PCA Admins can enter roundtables into the PCA database. Please note that the TSA can schedule only two roundtables; however, there are no limits on the number of paper sessions we can present!

The 2025 PCA Conference will be held in-person at the Marriott in New Orleans, from April 16-19, 2025.

See the 2025 PCA Conference website to submit paper proposals. Proposals are due by November 30, 2024.

Call for Proposals: Anthology on Women and Gender

We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.

Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.

Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).

Topics may include but are not limited to:

  • Female characters in the legendarium
  • Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
  • Non-binary, trans, and gender fluid interpretations of characters
  • Landscapes, environments, and material culture
  • Historical conceptions of gender
  • Intersections with race, sexuality, socio-economic class, etc.
  • Postcolonial analyses
  • Women and gender in adaptations of Tolkien’s work
  • Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium

Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.

Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy

The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.

Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.

Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.

Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.

Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.

Working bibliographies are welcome, but not required.

The seminar will be held August 2-5, 2025 on Zoom and Discord.

The full call for papers and more on the midsummer online seminar can be found here.

Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series

We are sharing this information on behalf of Robin Anne Reid:

I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.

Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.

Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.

While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.

The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.

Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.

Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.

The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.

Tolkien at UVM 2025: Tolkien and War

The theme for the 2025 Tolkien at UVM conference will be Tolkien and War. The conference will be held on April 5, 2025, at the University of Vermont. Recent conferences have been hybrid and welcomed presentations and attendees online as well.

Signum University Regional Moots

These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.

Journal of Fandom Studies: Open Call for Papers

Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).

The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.

All articles submitted should be original work and must not be under consideration by other publications.

See the Journal of Fandom Studies open call for papers for more information.

Whumptober 2024

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier. Not sure what whump is? Check here!) The event is held on Tumblr and AO3. There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

Please make sure to read the Event Info and FAQ carefully, as most of your questions will be answered there already. Whumptober has tagging guidelines, found in the Event Info. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!