Around the World and Web

Around the World and Web includes announcements and items of interest from beyond the SWG.

Finish Your Fucking Fics February 2025

Ultimately, the goal is to have fun, and finish whatever WIPs you can (without burning yourself out or having a bad time). If you needed a sign to pick up that project you've been putting off, the time is now!

Find the bingo card image here!

Prompts on the card, from left to right:

Top Row

  • Update your oldest WIP
  • Finish a WIP that's been buried deep in your drafts
  • Finish a WIP that you haven't posted yet

Second Row

  • Finish a recent WIP
  • Finish a WIP you're scared of
  • Finish a WIP that's been haunting you

Third Row

  • Update a partially posted WIP
  • Finish any WIP/Free Space
  • "Finish the next WIP in a series you've been avoiding

Last Row

  • Update your newest WIP
  • Finish a WIP that's been ignored for at least 6 months
  • Finish the next chapter for a fic you've been meaning to for months

Fandom Trumps Hate 2025

FTH is an online auction of fanworks that generates donations to progressive nonprofits that are working to protect marginalized people. We began FTH in the immediate aftermath of the 2016 Presidential Election, and over the course of the last 8 years have raised over $300,000 for a range of amazing organizations.

Here is this year’s list of supported organizations. We’ll be posting more detailed profiles of each of them over the coming weeks. We also encourage you to look at the Auction FAQ (which has lots of useful information for people thinking about signing up as creators, as well as dedicated sections on bidding and on nonprofit orgs.) If you’re raring to go, you can look at our bidding policies.

Lastly, in a couple of weeks we’ll be kicking off our newly-revived offscreen activism tumblr blog, FTHAction. If you're on tumblr, give us a follow!

FTH2025 Auction Calendar

Monday, January 20th: creator signups open for both the auction and the crafts bazaar

Sunday, February 2nd: creator signups close

Friday, February 21st: browsing period begins, crafts bazaar announcement goes live

Tuesday, February 25th, 8am ET: bidding opens

Saturday, March 1st, 8pm ET: auction bidding closes

Monday, March 10th: craft stalls close

Wednesday, March 12: proof of donations due

Femslash Big Bang 2025

Sign ups for the 2025 Femslash Big Bang open January 12th, 2025 (7pm AEDT)

Rules

  • Write 10k of fic OR create 2 pieces of art for the yearly challenge
  • 1k of fic or 1 piece of art for the monthly challenges (optional, for those who want to do something shorter)
  • A femslash ship must be the main pairing (others can be included, but as side or background pairings)
  • Any fandom goes!
  • OFCs, RPF + Crossover all allowed
  • Can also be original works not just fic or fanart

If Entering

Schedule/Important Dates (full list version)

  • Sign-ups close on the 28th of February
  • Final Due Date for the Big Bang Challenge is August 30th, 2025
  • Monthly challenges (separate to the big bang) run from February to November (start on the 1st of the month, and end on the last day of the month).

Other links

January 2025 Call for Papers and Proposals

Call for Proposals: Anthology on Women and Gender

We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.

Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.

Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).

Topics may include but are not limited to:

  • Female characters in the legendarium
  • Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
  • Non-binary, trans, and gender fluid interpretations of characters
  • Landscapes, environments, and material culture
  • Historical conceptions of gender
  • Intersections with race, sexuality, socio-economic class, etc.
  • Postcolonial analyses
  • Women and gender in adaptations of Tolkien’s work
  • Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium

Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.

Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy

The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.

Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.

Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.

Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.

Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.

Working bibliographies are welcome, but not required.

The seminar will be held August 2-5, 2025 on Zoom and Discord.

The full call for papers and more on the midsummer online seminar can be found here.

Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series

We are sharing this information on behalf of Robin Anne Reid:

I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.

Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.

Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.

While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.

The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.

Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.

Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.

The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.

Tolkien at UVM 2025: Tolkien and War

We are excited to have John Garth as our keynote speaker, and we are encouraging all abstracts but will give priority to those on the theme. Possible topics include but are not limited to:

  • War in Europe
  • War in Middle-earth
  • War and Tolkien’s poetry
  • Heroic battle poetry
  • War and Tolkien’s English
  • War in the films/TV shows
  • Gender/Sexuality and War
  • Psychology and War
  • Religion and War

Please submit 200 word abstracts to cvaccaro@uvm.edu by Sunday February 2nd.

Signum University Regional Moots

These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.

Journal of Fandom Studies: Open Call for Papers

Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).

The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.

All articles submitted should be original work and must not be under consideration by other publications.

See the Journal of Fandom Studies open call for papers for more information.

January Challenge at tolkienshortfanworks

The January challenge has been posted to the tolkienshortfanworks community on Dreamwidth. 

The thematic challenge is: small comforts.
A hobbit-like start to the year!
But there are all sorts of small comforts to be had, in all Ages, if we put our minds to it.

The formal challenge is: include a list of ingredients, short or long.
If your small comforts happen to be culinary, that could be an actual recipe.
But it could also be the ingredients of a medical remedy or, in arts and crafts, of ink or dye, etc.
You could go for a metaphorical list of ingredients as well!

The prompts can be filled separately and freely combined with other challenges that allow this. New participants welcome. More details on the challenges at the linked post. 

 

Fandom Snowflake Challenge 2025

Fandom Snowflake is an annual challenge with prompts and tasks related to fandom. Every odd-numbered day we’ll be posting a challenge for the day where you can participate & leave a comment with a link to your post (or just "I did it!", which is also good ^_^). Remember there’s no deadline, so you if miss a challenge on the day, feel free to post it on another day. You may also skip a day if you won’t have fun on the challenge, the Snowflake Challenge is meant to be something fun to start the new year with, don’t strain yourself trying to do everything if you can’t or don’t find it fun!

As for what you can post about: anything that brings you joy & excitement! Here fandom is meant to be a coming together or people sharing a passion. Fanworks can be anything you poured a piece of yourself in, anything you worked on, anything you made that brings you joy!

Prompts

Challenge #1: – Update fandom information
Challenge #2: – Your Fannish Origin Story
Challenge #3: – Talk about a fannish opinion that's changed over time
Challenge #4: – Set Goals
Challenge #5: – Talk about what has improved in your life thanks to fandom
Challenge #6: – Share a favorite piece of original canon
Challenge #7: – Wishlist
Challenge #8: – Fandom Promo
Challenge #9: – Create Something
Challenge #10: – Fandom Firsts
Challenge #11: – Favorite Trope, cliche, kink, motif, theme
Challenge #12: – Rec Post
Challenge #13: – Comment Challenge
Challenge #14: – Create Your Own Challenge
Challenge #15: – Talk about an unexpected joyous moment you experienced last year

Hidden Paths 2025

Hidden Paths is an event dedicated to the celebration of smaller Tolkien canons. For the purposes of this event, we define "smaller canons" as any Tolkien canon or text (including academic works and translations) that is not explicitly set in Middle-earth and is not based on The Hobbit, The Lord of the Rings, or The Silmarillion and closely related histories.

Your friendly mod (Narya) will post prompts to tempt your muses - one set a few months in advance of the 'official' event dates, then two more sets during the event itself.

If you like the prompts, then use any or all of them to create and share a fanwork based on one or more small Tolkien canons. If they don't speak to you, please feel free to do your own thing – the prompts are there to spark creativity, not impede it!

Early prompts can be found here.

We welcome fanworks based on past prompts - these can all be found here.

Rules, FAQs and useful links can be found here.

Our AO3 collection is here.


Around the World and Web Archive

Events listed here are no longer active but are listed on the site for historical purposes.

Tolkien OC Week 2024

A fandom event for OCs and underdeveloped characters in Tolkien's world!

This event celebrates both characters of Tolkien's world and our own characters that need more love, by creating and reblogging all kind of fanworks, like fanfiction, fanart, fanvideos, fancrafts, headcanons, playlists, edits, moodboards etc.

The event will take place between 25th August - 31st August 2024 on Tumblr for the fourth year running.

NSFW text entries are allowed and we’ll tag them accordingly when we reblog them, but please put them behind a “read more”.

We'll also be tracking the tag #tolkienocweek during this week!

Schedule

Day 1 (25th August): World Building

Create a fanwork about an original character, and use them as a jumping off point for worldbuilding. Share a dwarf from the far side of Rhun, consider the existence of an Aina before the creation of Arda, explore Rivendell from the point of view of an outsider, or tell us about the underground punk subculture of Gondolin.

Day 2 (26th August): Canon-OC Relationships

This year, it’s not just about romance. Today, explore a relationship between your OC and a canon character. Your character could be a lover or spouse of someone canonical, lf course, but they could also be a friend, sibling, teacher, servant, fan, or even rival!

Day 3 (27th August): Alternate Universes

Share an OC who isn’t canon compliant at all. Maybe you want to add a fourteenth member of Thorin’s company or give a reborn Celebrimbor children with a surviving and reformed Sauron. Or, maybe you want to do a crossover with your Star Wars OC or let your self-insert narrate a coffee shop AU. Go wild!

Day 4 (28th August): Gaps and Ghosts

Create a fanwork based upon a character that Tolkien either thought up and abandoned, such as Odo Took or the characters of The New Shadow. Or, create someone he missed creating in the first place, like… um… just about anyone’s mother.

Day 5 (29th August): Non-Humanoid Characters

Middle Earth isn't just elves, Men, hobbits, and dwarves. Today, share a character who is something different entirely: an animal, a dragon, a Maia who doesn't take humanoid form, an ent or huron, or a creature of your own invention.

Day 6 (30th August): Background Characters

This prompt is all about people who are in the background of the action: the low-ranking soldiers, the servants, and the ordinary people living in extraordinary times. Or maybe you want someone who isn't so ordinary, like an advisor in the Council of Elrond who never made it onto the page, or one of the Maiar who sank the Feanorians on the stolen boats. Show us their view of the action!

Day 7 (31st August): Freeform

Did we miss something? Do you have an OC that doesn’t fit into any day, or did you want to do a second fanwork for one of the days? Today, create and share whatever you want, as long as it has to do with original or abandoned characters!

Since we want to celebrate creations about neglected characters all year long, the mods will occasionally reblog posts and fancreations about OCs and underdeveloped characters. If you would like to see your post on our blog, you're very welcome to tag tolkienocweek. Since tumblr's tagging system is often being faulty, don't hesitate to message us, too!

We are looking forward to see and share all the awesome work you come up with!

Eönwë Week 2024

We are pleased to announce the coming of Eönwë Week, a fandom event dedicated to our favourite Herald. The event will run from August 12th to 18th 2024 on Tumblr.

Prompts

August 12th: Genesis | Air | Almaren
August 13th: Friendships | Herald | Valinor
August 14th: War | Celeg Aithorn | Beleriand
August 15th: Romance | Mercy | Taniquetil
August 16th: Lost Tales | He Of The Sun | Son of Manwë
August 17th: Eagles | Duty | Noldor
August 18th: Freeform

Rules

  1. Have fun!
  2. This event should not be the vehicle to characters hate, bigotry, racism, transphobia and other less savoury behaviours. This is a safe event for lgbtqia+ people and behaviours reflecting any type of threats against this community will be blocked without any tolerance. it’s 2024, get over yourself.

    The mods hold the rights to arbitrarily refuse someone’s participation to the event following that user’s behaviour toward others in the fandom.
  3. Nsfw / dark content / dead dove are accepted but should be tagged properly.
  4. No AI generated works will be accepted, including ai generated art, writing, photo manipulation etc.
  5. Prompts are here as a general guidance, you are free to interpret them as you want.
  6. Respect other users’ entries. If something is not to your liking you are not entitled to let it known. Simply scroll down. it is that easy.
  7. Tag your entry with #eonweweek or mention this blog in your post to be reblogged.

Find the event's FAQ here.

Teitho August/September Contest: Do you remember ...?

Our prompt for August/September is “Do you remember . . .”

This prompt can be used for any character, any book, any timeframe in Tolkien’s work! We can’t wait to see what memories you will use for your stories and art this month!

Will you have your characters think back on good times or bad? Difficult days or ones of joy? A simple day or a fraught one?

Is it a thought going back to the Light of the Two Trees? The first sunrise over Beleriand?

The shadows of Menegroth? The caves of Nargothrond? The Halls of Theoden? Sunlight on a river?

Or perhaps three stone Trolls? A raven? Or the taste of strawberries on a spring day in the Shire?

Please do remember to submit your story/art for this prompt to teitho.contest@gmail.com by September 30, 2024!

Learn more about the Teitho contest guidelines here.

August challenge at tolkienshortfanworks on Dreamwidth

The August challenge has been posted to the tolkienshortfanworks community on Dreamwidth.

The thematic challenge is: magic trees.

This could be any variety and degree of enchantment, powers or sentience: the Trees of Valinor, the White Tree, Old Man Willow, Huorns, Mirkwood, etc.

The formal challenge is: call and response.

This is essentially the idea that there is a leader or lead voice that makes the calls and a group that responds, whether in music and song, in poetry, or in dialogue and maybe other forms of prose.
Typical for call and response are all kinds of working songs from all over the world, choral music with solo voices, and some religious traditions. Think also of cheerleading and political speech-making and any kind of gathering where someone is trying to whip up a mood.
But feel free to adapt in any way you like. At a pinch, your chorus doing responses can be a group of one and you could have just two participants!

 Either prompt can be filled independently of each other and combined with other challenges that allow that, such as the SWG monthly challenges.

More details at the linked post.

New participants welcome.

Silvergifting Week 2024

Silvergifting Week will happen on August 5-11, 2024.

For the third time, Silvergifting week will happen on Tumblr, celebrating the relationship between Celebrimbor and Mairon | Sauron | Annatar. The purpose of this event is to encourage people to create works focused on this pairing (either romantic or queer-platonic). All kinds of fan works are welcome as long as they're created by you: fan art, fan fiction, headcanon, moodboard, fan craft, playlist, cosplay, meta, etc.

The tag of the event is #silvergiftingweek. When posting, use this tag and/or tag this blog @silvergiftingweek. Please respect general Tumblr content posting rules when participating in this event. Mature and potentially triggering content should be posted under cut.

Prompts

These prompts are not mandatory, they're just for inspiration.

Day 1: Beginnings First meeting. First time. Developing relationship. The past and the present.

Day 2: Desire Falling in love. Soulmates. Desire and passion.

Day 3: Larger circle Gwaith-i-Mírdain. Friends. Celebrating together. Other relationships.

Day 4: Crafting Forge work. Collaboration. Ambition. Rings of Power.

Day 5: Darkness Betrayal. Sauron’s darker side. War. Captured. Dark ending.

Day 6: AU Canon divergence. Meeting in a different time. Meeting in a different universe.

Day 7: Post-canon New beginning. Valinor. Reconciliation. Recovery. Remembering the past.

August 2024 Call for Papers and Proposals

Journal of Tolkien Research Special Issue: Asexuality and Aromanticism in Tolkien’s Legendarium

Queer scholarship in Tolkien studies has made great strides in recent years, from David Craig’s “‘Queer Lodgings’: Gender and Sexuality in ‘The Lord of the Rings’” (2001) to Jane Chance’s Tolkien, Self and Other (2016) and Christopher Vaccaro and Yvette Kisor’s Tolkien and Alterity (2017). At a critical juncture of growth, this sub-field is poised to evaluate and address any gaps that exist as the field moves forward. One such gap, in both Tolkien studies and queer studies, is asexuality and aromanticism, which, while part of the LGBTQIA+ umbrella, are significantly underrepresented in scholarship and interpretation.

Asexuality, defined broadly as not experiencing sexual attraction to other people, and aromanticism, not experiencing romantic attraction to other people, convey a spectrum of individual experiences (ace-spectrum, or aspec). Aspec perspectives not only represent these individual identities and experiences but also illuminate and refresh understandings of love, desire, relationships, communities, and culture. Implemented within literary interpretation, an aspec lens offers insights into characters, plots, themes, narrative structures, and much more.

In order to address a gap in queer scholarship in Tolkien studies and to solicit new perspectives that can deepen understandings of Tolkien’s work, we invite submissions for a proposed special issue in Journal of Tolkien Research that focuses on asexuality and aromanticism in Tolkien’s work.

Topics can include but are not limited to:

  • Aspec readings of individual characters
  • Interpretations of love/relationships beyond (but not necessarily excluding) romantic, sexual, and/or platonic love
  • Intersections between aspec theory and gender, disability, race, or other critical theory
  • Comparative readings between Tolkien’s work and other fiction
  • Amatonormativity or aspec aspects in Tolkien’s work, life, and historical context
  • Reception of Tolkien’s work by aspec readers
  • Aspec interpretations within adaptations of Tolkien’s work
  • Interpretations focused on specific identities within the ace-spectrum, including demi-
  • sexual/romantic, grey-sexual/romantic, etc.

Proposals/abstracts of a maximum of 300 words, along with a short bio and working bibliography (not included in word count), should be sent via email to aspectolkien@gmail.com no later than midnight Eastern Time on August 31, 2024.

Tolkien at Kalamazoo 2025

Hosted by the Medieval Institute at Western Michigan University, the International Congress on Medieval Studies is an annual gathering of thousands of scholars interested in medieval studies. The Congress embraces the study of all aspects of the Middle Ages, extending into late antiquity and the early modern period, including—but not limited to—history, language, literature, linguistics, art, archaeology, religion, science, medicine, music, drama, philosophy, gender, sexuality, mysticism and technology, as well as medievalism. The 60th International Congress on Medieval Studies takes place Thursday, May 8, through Saturday, May 10, 2025. Find more at the conference website.

Tolkien at Kalamazoo will be offering a total of eight sessions (paper sessions and roundtables), two of which are co-sponsored. The sessions are a mix of in-person, virtual, and hybrid as identified below. Send 100-word abstracts or complete papers to Christopher Vaccaro (cvaccaro@uvm.edu) and Yvette Kisor (ykisor@ramapo.edu) by the1st of September.

Tolkien and Medieval Conceptions of the Sea (in-person paper session): HYBRID

The Medieval Roots of the Poems of J. R. R. Tolkien (in-person roundtable): HYBRID

Tolkien and Old Norse (hybrid / in-person paper session): HYBRID

Tolkien and Medieval Feminisms (in-person paper session)

Medieval Languages and Tolkien's Language Invention (in-person paper session)

Medieval Resonances in Tolkien's Letters (in-person roundtable)

Fire, Dragons, & Jewels, O My!: Medieval Poems & J.R.R. Tolkien (co-sponsored with the Pearl-Poet Society, virtual paper session)

Return of the Franchise: The Ongoing Reception and Interpretation of Tolkien's Medievalism (co-sponsored with the Tales after Tolkien Society, virtual paper session): HYBRID

Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series

We are sharing this information on behalf of Robin Anne Reid:

I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.

Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.

Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.

While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.

The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.

Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies. 

Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.

The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.

Tolkien at UVM 2025: Tolkien and War

The theme for the 2025 Tolkien at UVM conference will be Tolkien and War. The conference will be held on April 5, 2025, at the University of Vermont. Recent conferences have been hybrid and welcomed presentations and attendees online as well.

Signum University Regional Moots

These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.


Many thanks to Robin Anne Reid and her Online Conference Project for handily compiling this information on a regular basis!

Innumerable Stars 2024

Innumerable Stars is a Tolkien fandom gift exchange for all works by Tolkien or associated with Middle-earth.

People Who Participate in Innumerable Stars are:

  • Interested in and excited about multiple Tolkien-based canons.
  • Interested in their fellow fans’ creativity in fanfiction and fanart, and excited to explore their own.
  • Open to creating and receiving any one of a number of different prompts or ideas.
  • Happy to read and comment on the fanwork(s) they receive with thanks first of all, but also to read and comment on other fanworks in the exchange.

People Who Participate in Innumerable Stars will:

  • Generally read and create for a variety of slash, gen, het, adventures, fluff, dark, erotica, worldbuilding, etc.
  • Create their fanwork following their recipient’s prompts in good faith, and receive the fanwork(s) that have been given to them in good faith also.
  • Also write or draw “treats” for others in the exchange, if their own time and inspiration permits after they have completed their assignment,. These are not required but they add to the fun and excitement of the exchange!
  • Create their fanwork without the use of AI, be it in writing or art.

What Innumerable Stars is NOT:

You do not have to be open to or interested in every type of fanwork to participate.  However, Innumerable Stars is not for anyone interested in just one character, pairing, or scenario. Nor is it for people who find stories or art containing material they are not interested in offensive because it exists. If either of these apply, we wish you well, but this is not the exchange for you.

Schedule

Nominations Open: Sunday, 04 August 2024, 8:00 PM UTC

Nominations Close: Sunday, 18 August 2024, 8:00 PM UTC

Sign-ups Open: Sunday, 18 August 2024, 11:59 PM UTC

Sign-ups Close: Sunday, 01 September 2024, 8:00 PM UTC

Assignments Out: Monday, 02 September 2024, 8:00 PM UTC

Assignments Due: Sunday, 6 October 2024, 8:00 PM UTC

Works Revealed: Sunday, 13 October 2024, 8:00 PM UTC

Authors Revealed: Sunday, 20 October 2024, 8:00 PM UTC

Tolkien Pinup Calendar 2025 Sign-Ups Open

The Tolkien Pinup Calendar compiles a calendar of risque fan art of your favorite Tolkien characters! The majority of the art is commissioned, and in that way, we are helping to support fan artists. In addition to the calendar, Commissioners can also submit fics inspired by the art! There will be an AO3 collection with the fics revealed at the end of the event. Because of the nature and content of the art, the event itself is an 18+ event. More details and rules can be found on the event's FAQ page.

If you are interested in signing up to be a Main Commissioner, click here.

If you are interested in signing up to be an Artist, click here.

If you are interested in being a Pinch Hitter, click here.

To submit any ideas or view those others suggested, take a look at our Ideas Form! Or submit your own idea!

Tolkien of Colour Week 2024

Tolkien of Colour Week celebrates characters of color in Tolkien's works by encouraging fanworks about them. This year's Tolkien of Colour Week runs 29 July to 4 August 2024 on Tumblr. Tag fanworks with #tocweek2024.

Prompts

Day 1: Land, Water, Environment

Day 2: Language, Music, Stories

Day 3: Friendship, Family, Love

Day 4: Home, Cultural Identity, Growing Up

Day 5: Change, Migration, Time

Day 6: Intersectionality

Day 7: Freeform

Recordings of Tolkien Society Seminar "Romantic Resonances" Now Available

As early as The Book of Lost Tales (1910s-1930s) Tolkien’s prose and poetry was infused with elements of the stylistics, aesthetics, and philosophies of eighteenth- and nineteenth-century Romantics. Although it has been shown that Tolkien learnt about and read a range of Romantic works, his dialogue with Samuel Taylor Coleridge’s “willing suspension of disbelief” in ‘On Fairy-stories’ has dominated the intersections between Romantic and Tolkien studies. This has overshadowed the role that Romantic influences played in the shaping of Middle-earth, as well as the Romantic legacies in Victorian literature and art that had a significant impact on Tolkien’s writing. While Tolkien clearly rejected certain forms of Romanticism, he worked within a literary tradition that was partially shaped by the Romantics.

This seminar seeks fresh and innovative readings of Tolkien’s Romantic Resonances that are in dialogue with modern scholarship on Romanticisms, Romantic aesthetics and Romantic-period histories. The seminar understands ‘Romanticism’ and the ‘Romantic’ as complex, nuanced terms that elude simplification, traditional historical markers, and solely Anglocentric readings.

You can find recordings of the Seminar presentations here.