Around the World and Web

Around the World and Web includes announcements and items of interest from beyond the SWG.

Teitho November/December Contest: Healing

Welcome to the Teitho Contest, where you can participate with a variety of other writers and artists and send in stories and pictures based on our themes.

Join us in this writing and drawing contest!

A new challenge is posted every month. On the first day of the challenge, we announce a new theme on this site. You then have two months to create your entry, which has to be finished when you send it in.

After the deadline of the contest, the voting period begins. Based on the number of entries, it lasts for two or more weeks. The winners are usually announced a day or two after the end of the voting. Teitho remains one of the last prompt-based, independent, Tolkien fan-fiction/fan art monthly contests. Full contest guidelines are here.

Our prompt this month is Healing.

Healing figures significantly in many of Tolkien’s works. We encounter healers like Elrond, the staff of the Houses of Healing in Minas Tirith, Aragorn and the healing hands of the King.

We see many characters being healed—Frodo, Faramir, Eowyn, Merry.

Healing isn’t only confined to physical injury—there is healing of mental and emotional hurts as well.

And we also see incomplete healing—where characters may be healed of bodily injuries swiftly but the horrors and trauma they endured persist—Maedhros, Gwindor, Frodo.

Healing also affects the land in Tolkien. Ithilien—where Legolas and his people go at Aragorn’s request, to rejuvenate and cleanse the land—is just one example of this.

Healing can also be seen in the context of interpersonal relationships—Maedhros healing the rift in the house of Finwë, the repair of Bilbo and Thorin’s friendship at the end of the Battle of Five Armies.

What stories of healing will you give us? We can’t wait to see where your imagination takes you!

Stories or art should be submitted to teitho.contest@gmail.com by Dec 31!

Lord of the Rings Secret Santa 2024

So, it's that time of the year again: time to sign up for the Lord of the Rings Secret Santa exchange! Slash, femslash, het and gen; you can request it all, so why not join in?

Lord of the Rings Secret Santa has been going for twenty-one years, and we'd love to see you join us and keep the tradition going.

LotR SeSa has been a traditional exchange since its inception, but we continue to adapt and refine the exchange to best serve all participants. The exchange has been in the form of a prompt meme since 2020. If you are new to the format, AO3 has a helpful FAQ here.

This year's timeline (2024)

  • Prompt Posting: November 1st to 25th.
  • Claiming: November 26th to December 27th.
  • Collection Open for Posting: November 26th to December 27th.
  • All Fills Due: December 27th

You will be able to post up to 2 prompts, and we will do our best to make sure that at least one of your prompts is filled.

Please note that this is an FPF challenge. (i.e. Fictional, not real people fiction/RPF.) We're always open to all the Peoples and Ages of Middle-earth, which means that characters from The Hobbit and The Rings of Power are welcome too!

The Rules (2024)

  1. You will be able to post up to 2 prompts between November 1st and 25th, and we will do our best to make sure at least one of your prompts is filled.
  2. Your fill is due December 27th 11:59 pm Pacific Time (you can check what that is in your time zone here). Please post it to AO3 (and nowhere else, until January 3rd).
  3. As a matter of fairness, please make your story more than 750 words (1000 is better).
  4. Signing up: the sign up form can be found here (or here if the main link gives you an error message). If you need help with signing up, please don't hesitate to contact the mods at lotrsesa[AT]gmail.com.
  5. Once claiming has opened, please only claim a prompt if you plan on actually fulfilling your end of the bargain, and please only claim one prompt at a time. After you have completed your fill, you may claim a new one.
  6. Claiming a prompt: use the "Claim" button next to the prompt you want to claim. (You can find open prompts under "Prompts" in the sidebar.) Several people can claim the same prompt. You can also claim a prompt without having submitted any of your own.

It's a good idea to join the LotR_SeSa LiveJournal community or the Dreamwidth community so you can keep track of any admin posts. You can also follow us here on Tumblr.

Kiliel Week 2024

Kiliel Week will run on Tumblr from November 17-23, 2024 and accepts all types of fanwork for the Kili/Tauriel pairing.

We accept fic and fanart but also moodboards, edits, playlists and anything else your fannish heart wants!

We take submissions not in English. If you speak a language other than English and want to submit something in that language, please send it in!! We would be happy to reblog it!

If you are submitting something NSFW please tag the @tolkienpinupcalendar. If you are interested we are collabing with @tolkienpinupcalendar for the simultaneously run Kiliel Smut Week!

How do I submit:

Tag @kilielweek, and use the tag #kilielweek2024

If the post is also for Kiliel Smut Week please also tag @tolkienpinupcalendar and use the tag #tpckilielsmutweek

Prompts are available here.

November challenge at tolkienshortfanworks

The challenge for November has been posted to the tolkienshortfanworks community on Dreamwidth. 

The thematic challenge for November is: refuge.

The formal challenge is: include imitation of a sound.
The simplest way to do this is to include a pre-existing word that imitates a sound, for instance: meow, which imitates a sound made by a cat.
But you can also try for something more challenging, if you like: can you make the sound of your sentence or phrase imitate the flowing of a river or the rustling of trees?
Also, think of what Treebeard does with bits of Elvish, stringing them together in Entish fashion:
Taurelilómëa-tumbalemorna Tumbaletaurëa Lómëanor
Like him, feel free to make things up!

As always, these can be filled independently and also freely combined with SWG and other challenges. 

New participants welcome!

More details on these challenges at the linked post.

November 2024 Call for Papers and Proposals

Popular Culture Association: Tolkien Studies Area

The Tolkien Studies Area (TSA) welcomes proposals in any area of Tolkien studies. We welcome scholars in all period specializations, from all disciplines, using any critical theory. We encourage interdisciplinary and multidisciplinary as well as collaborative work. The TSA defines "Tolkien studies" as including, but not limited to, Tolkien's Legendarium; adaptations, transformative works, and translations; cultural studies; critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; literary studies; medieval and medievalist studies; media and marketing; religious studies; source studies; tourism studies; and translation studies.

Academics, independent scholars, graduate students, and undergraduate students are invited to submit individual paper proposals, paper session proposals, and/or roundtable proposals. Presenters may present one paper and participate in one roundtable session.

All presenters must join the Popular Culture Association as members as well as pay a registration fee to attend the conference. These are separate fees that have been restructured to a tiered system taking into account that PCA members range from undergraduates to retirees, with salaries ranging from part-time, minimum wage to retiree pensions and social security.

All PCA sessions are scheduled in 1.5-hour slots. Paper sessions consist of four presenters, each speaking for fifteen minutes, followed by a group Q&A.

Roundtables are informal interactive discussions between five to seven participants and the audience. A roundtable focuses on a timely topic and is designed to raise questions and brainstorm for future scholarship. If you have an idea for a special topic for an academic journal issue or for an anthology, email Robin to find out how to organize a paper session and/or roundtable on the topic!

For individual paper proposals, please submit contact information (name, institutional affiliation [or "independent scholar"], e-mail address, and telephone number), your presentation's title, and a 500-word proposal describing your topic, chosen theory, methodology, argument, and its relevance to current scholarship.

For a paper session proposal, please submit your contact information, all the presenters' contact information, and a 100–300-word proposal for the session. All participants for your proposed paper session or roundtable must register for the conference and submit their individual proposals through the PCA database so they can be added to the paper session.

If you wish to organize a roundtable, please contact me directly at robinareid@fastmail.com. Only Area Chairs or PCA Admins can enter roundtables into the PCA database. Please note that the TSA can schedule only two roundtables; however, there are no limits on the number of paper sessions we can present!

The 2025 PCA Conference will be held in-person at the Marriott in New Orleans, from April 16-19, 2025.

See the 2025 PCA Conference website to submit paper proposals. Proposals are due by November 30, 2024.

Call for Proposals: Anthology on Women and Gender

We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.

Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.

Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).

Topics may include but are not limited to:

  • Female characters in the legendarium
  • Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
  • Non-binary, trans, and gender fluid interpretations of characters
  • Landscapes, environments, and material culture
  • Historical conceptions of gender
  • Intersections with race, sexuality, socio-economic class, etc.
  • Postcolonial analyses
  • Women and gender in adaptations of Tolkien’s work
  • Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium

Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.

Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy

The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.

Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.

Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.

Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.

Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.

Working bibliographies are welcome, but not required.

The seminar will be held August 2-5, 2025 on Zoom and Discord.

The full call for papers and more on the midsummer online seminar can be found here.

Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series

We are sharing this information on behalf of Robin Anne Reid:

I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.

Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.

Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.

While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.

The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.

Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.

Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.

The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.

Tolkien at UVM 2025: Tolkien and War

The theme for the 2025 Tolkien at UVM conference will be Tolkien and War. The conference will be held on April 5, 2025, at the University of Vermont. Recent conferences have been hybrid and welcomed presentations and attendees online as well.

Signum University Regional Moots

These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.

Journal of Fandom Studies: Open Call for Papers

Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).

The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.

All articles submitted should be original work and must not be under consideration by other publications.

See the Journal of Fandom Studies open call for papers for more information.

White Oliphaunt 2024

In the White Oliphaunt gift exchange, Tolkien fans sign up to exchange humorous gifts with each other.

Schedule

  • Sign ups open: November 1st 
  • Sign ups close: November 30th 
  • Assignments out: December 1st 
  • Anonymous posting + Last call for dropouts: December 24th 
  • Gift reveal: December 31st

Tolkien Society: Christopher Tolkien Centenary Conference

The Tolkien Society is pleased to announce it will be hosting the online Christopher Tolkien Centenary Conference on Saturday 23rd and Sunday 24th November 2024. Registration is free and can be done on the conference webpage.

Confirmed Speakers

  • Douglas A. Anderson — editor of The Annotated Hobbit
  • Nicholas Birns — author of The Literary Role of History in the Fiction of J.R.R. Tolkien
  • Sara Brown — lecturer on Tolkien, and Language and Literature Department Chair at Signum University
  • Sonali Chunodkar — researcher on secondary beliefs in Tolkien’s works
  • Michael D. C. Drout — editor of Beowulf and the Critics, and J.R.R. Tolkien Encyclopedia; co-editor of Tolkien Studies
  • Vincent Ferré — Professor in Comparative Literature (University Sorbonne Nouvelle), translator, and editor of Dictionnaire Tolkien. Literary advisor to the Estate of Christopher Tolkien
  • Dimitra Fimi — Tolkien scholar and fantasy professor at the University of Glasgow, co-editor of A Secret Vice, author of Tolkien, Race and Cultural History
  • Verlyn Flieger — editor of Smith of Wootton Major, The Story of Kullervo, and The Lay of Aotrou and Itroun; author of Splintered Light
  • William Fliss — Tolkien archivist at Marquette University’s Raynor Library
  • John Garth — author of Tolkien and the Great WarThe Worlds of J.R.R. Tolkien and Tolkien at Exeter College
  • Christopher Gilson — chief editor of Parma Eldalamberon and leading member of the Elvish Linguistic Fellowship
  • Nick Groom — author of Twenty-First-Century Tolkien
  • Peter Grybauskas — editor of The Battle of Maldon: together with The Homecoming of Beorhtnoth
  • Wayne G. Hammond — co-editor of The Collected Poems of J.R.R. TolkienThe Art of The Lord of the Rings by J.R.R. Tolkien, Roverandom, and co-author of J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion
  • Andrew Higgins — co-editor of A Secret Vice
  • Thomas Honegger — co-editor of Sub-creating Arda and Laughter in Middle-earth: Humour in and around the Works of J.R.R. Tolkien
  • Carl F. Hostetter — editor of The Nature of Middle-earth and Vinyar Tengwar
  • John Howe — artist who has illustrated covers for The Hobbit, The Lord of the Rings, and The History of Middle-earth
  • Yvette Kisor — researcher on medieval literature and the works of J.R.R. Tolkien, co-editor of Tolkien Studies and Tolkien and Alterity
  • Kristine Larsen — writer and researcher on science and astronomy in Tolkien’s works
  • Alan Lee — artist who has illustrated The Lord of the Rings, The Children of Húrin, Beren and Lúthien and The Fall of Númenor
  • Ted Nasmith — artist who has illustrated The Silmarillion and Unfinished Tales
  • Richard Ovenden — Bodley’s Librarian and co-editor of The Great Tales Never End
  • John D. Rateliff — author of The History of The Hobbit
  • Robin Reid — researcher on Tolkien fandom, fan fiction, and race in Tolkien’s works
  • Christina Scull — co-editor of The Collected Poems of J.R.R. TolkienThe Art of The Lord of the Rings by J.R.R. Tolkien, Roverandom, and co-author of J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion
  • Brian Sibley — author of The Fall of Númenor
  • Chris Smith — the Tolkien editor of HarperCollins
  • James Tauber — researcher on corpus linguistics and digital humanities for Tolkien’s works

The full schedule will be published closer to the event.

Teitho October/November Challenge: Legacy

Welcome to the Teitho Contest, where you can participate with a variety of other writers and artists and send in stories and pictures based on our themes.

Join us in this writing and drawing contest!

A new challenge is posted every month. On the first day of the challenge, we announce a new theme on this site. You then have two months to create your entry, which has to be finished when you send it in.

After the deadline of the contest, the voting period begins. Based on the number of entries, it lasts for two or more weeks. The winners are usually announced a day or two after the end of the voting. Teitho remains one of the last prompt-based, independent, Tolkien fan-fiction/fan art monthly contests. Full contest guidelines are here.

Our prompt this month is Legacy.

What impact do past events have on the present? What traits, ideals or beliefs impact an individual’s followers or descendants? What do we leave for those who come after?

Legacies can be both positive and negative, as we see in the house of Fëanor.

It can be steadfastness, as we see in Fingolfin and his descendants.

An individual can leave a legacy, but so can a community or an entire culture—what legacy did Numenor leave to those who escaped the destruction?

It could be a written legacy like the Red Book of Westmarch, started by Bilbo Baggins to recount his quest for Erebor, then added to over the years to become much more than a simple diary.

A legacy may also be an object, an item passed down from individual to individual: a bequest, a sword, a ring, a property, an oath.

What will you choose to explore using this prompt? We look forward to your stories and art this month!

Please submit by November 30, 2024 to teitho.contest@gmail.com

Acorns and Oak Leaves: A Year of Bagginshield

Throughout 2024, the Bagginshield community Acorns and Oak Leaves offers monthly prompts to encourage new creations of all kinds (i.e. art, fics, gifs, etc) - but don't worry, there are no deadlines. Pick and choose whatever prompts you like, and be sure to tag the @acorns-and-oakleaves blog on Tumblr so we can share your Bagginshield creations!

Monthly prompts for the Year of Bagginshield can be found here.

Acorns and Oak Leaves also has a Discord server!


Around the World and Web Archive

Events listed here are no longer active but are listed on the site for historical purposes.

Call for Papers: Trans Fandom (Transformative Works and Cultures)

The scholarly journal of the Organization for Transformative Works (OTW), Transformative Works and Cultures, is currently accepting submissions for its special edition "Trans Fandom." Since its inception as a field, fan studies has been obsessed with gender, yet discussions of gender have tended to focus on binary genders, with other gender expressions often pushed to the margins, enclosed in parentheses, mentioned but not engaged, or highlighted as areas of future research. Although fan scholars have acknowledged the existence of trans fans and emphasized the importance of gender nonnormativity in many aspects of fandom, and although queer and trans theories have been utilized in analyses of fans’ transformative works and fan behaviors, surprisingly little work has focused on trans fans, trans ways of doing fandom, and depictions of trans bodies within fan works. Only recently have serious considerations of what fandom might mean for trans individuals and trans considerations of fandom emerged.

This special issue seeks to widen our knowledge of trans fandom. We invite submissions that engage with trans theory as a lens for analyzing fandom, case studies of trans fans’ experiences of fandom, considerations of trans bodies in fan fiction, trans theorizations of cosplay cross-dressing, and so on. In particular, we seek work that centers trans people—that is, individuals who express their gender identities in a variety of ways, including but not limited to transgender, transsexual, nonbinary, gender fluid, genderqueer, agender, intersex, or otherwise gender nonnormative.

We welcome both longer conceptual pieces (6,000–8,000 words), case studies (5,000–7,000 words), and shorter symposium pieces (1,500–2,500 words), which might include editorials, reflections, commentaries, synopses of relevant earlier research, and so forth.

Potential topics include but are not limited to:
            * Trans bodies in fan fiction, fan art, and other transformative works.
            * Using trans theory as a lens for considering cosplay, fan art, reader response/audience reception, etc.
            * Trans fans' experiences of fandom.
            * Trans genealogies of fandom.
            * Intersectional and decolonized considerations of trans fans and fandom.
            * Teaching trans studies with/through fandom.
            * Demographic and generational changes in fandom.

Papers are due January 1, 2022. See the full call for papers for complete guidelines and more information.

Tolkien Meta Library

The Tolkien fandom has over the decades collaboratively created so many pieces of headcanons and meta interpretations, but the posts floating around in fandom spaces can be easily lost or overlooked. Especially all the posts languishing on inactive pages until someone happens to find and share them again.

Thus the Meta Library project to store and organize them! A fun and useful resource for the fandom to read existing world-building contributions, and to make previous work on a topic easy to access, build upon and credit. Because this is intended as a resource, the individual analyses are not necessarily being endorsed nor are necessarily in agreement with each other.

View or contribute to the Tolkien Meta Library here!

Call for Proposals: Tolkien Society Autumn Seminar: "Translating and Illustrating Tolkien"

The Tolkien Society Seminar is a short conference of both researcher-led and non-academic presentations on a specific theme pertaining to Tolkien scholarship. The Society has so far held two seminars in 2021 (Twenty-first Century Receptions of Tolkien and Tolkien and Diversity) and their online setting has seen increased interest with over 700 attendees from 52 countries at ‘Tolkien and Diversity’. We are delighted to be running 2021’s third and final seminar, which will be held online and will be free for all, on the theme of "Translating and Illustrating Tolkien." The date of the seminar is 6 November 2021.

Tolkien’s appeal has led to his fiction and non-fiction being translated into over fifty languages. The art of translation is immensely complex and when discussing the Dutch translation of The Lord of the Rings, Tolkien himself saw the task as “formidable”, offering his own supportive intervention to achieve a satisfactory result. The author’s invented names and languages prompt the question of how the translator should approach Tolkien’s immense mythology. Recent scholarship has emphasised the need for a wider range of Tolkien’s work to be translated in order for readers to gain a fuller understanding of Arda and the author’s development. But with a wealth of translated texts existing already, this seminar hopes to spark new interpretations about old texts and for unacknowledged translations to be brought to light and examined.

An illustrator of his own work, Tolkien had a keen eye for the visual representation of a text. He admired the work of illustrators such as Pauline Baynes, Cor Blok and Ingahild Grathmer (the Queen of Denmark) and others who illustrated the original English and translated versions of his texts. The manner in which illustrators have engaged with Tolkien’s stories varies dramatically and can often be influenced by culturally specific ideas. This seminar hopes to re-examine renowned illustrations of Tolkien’s work while calling for new or overshadowed illustrations to be discussed.

Papers may consider, but are not limited to the following:

  • Translations/illustrations of Tolkien’s fiction/non-fiction
  • The role of the translator/illustrator
  • Translations/illustrations and their context
  • Translations’/illustrations’ reception

The Tolkien Society invites abstract submissions of no more than 300 words, for a 20-minute paper with 5 minutes of questions. The call for paper’s deadline is the end of the day Friday 3rd September.

See the full call for proposals for more information and submission information.

Tolkien Villains Week, August 16-22

Tolkien Villains Week is a new fandom event that runs from 16-22th of August, 2021 on Tumblr. It is designed to celebrate the darker side of Tolkien’s work, or its villainous characters. During Tolkien Villains Week, fans are prompted to write, draw or make content focusing on the antagonists of the Tolkien universe, along with looking into the darker deeds performed by those traditionally considered as good.

Tolkien Villains Week accepts all kinds of fancontent, ranging from art, fics, edits, crafts, cosplays, meta, memes… the key thing is that it fits the theme of the event! Participation happens either via the submission form (opens Aug. 16th) or through posting the work on your own blog and tagging it with #tolkienvillainsweek and mentioning this blog @tolkienvillainsweek.

Tolkien Villains Week Rules
Tolkien Villains Week FAQ
Tolkien Villains Week Prompts and Explanations

Darkest Night Exchange: Sign-Ups Open

The Darkest Night is an exchange fest celebrating dark themes in fanworks. You sign up with a list of characters/ships to create a fanwork (either fanart or fanfic) for another person, and someone else will do the same for you. This exchange is run on Archive of Our Own. It's time for Darkest Night 2021 to rise again! Note that the dates have shifted from past years. The Darkest Night schedule:

  • Nominations open: August 6 
  • Nominations close: August 13 (8:00PM EDT)
  • Sign-ups open: August 14 
  • Sign-ups close: August 22 (8:00 PM EDT)
  • Works due: September 26 (8:00PM EDT)
  • Works revealed: October 3 (8:00PM EDT)
  • Creators revealed: October 10 (8:00 PM EDT)

Sign-ups open on August 14 and close on August 22 at 8:00 PM EDT. You can request 4-10 fandoms, with 1-20 characters or groups per fandom, as well as 2-40 free-form tags per fandom. You can also choose your medium per request: fanfiction, fanart, or both. Offers work the same way: 4-10 fandoms, 1-20 characters or groups per fandom, and 2-40 free-form tags per fandom. You can choose to offer either fanfiction, fanart, or both. We use OR matching, meaning that you will be matched with someone who requested at least one of the characters/ships, freeforms, and mediums, you offered, but probably won’t match on all. See the Darkest Night community for more on sign-ups.

Darkest Night Exchange: Nominations Open

The Darkest Night is an exchange fest celebrating dark themes in fanworks. You sign up with a list of characters/ships to create a fanwork (either fanart or fanfic) for another person, and someone else will do the same for you. This exchange is run on Archive of Our Own. It's time for Darkest Night 2021 to rise again! Note that the dates have shifted from past years. The Darkest Night schedule:

  • Nominations open: August 6 
  • Nominations close: August 13 (8:00PM EDT)
  • Sign-ups open: August 14 
  • Sign-ups close: August 22 (8:00 PM EDT)
  • Works due: September 26 (8:00PM EDT)
  • Works revealed: October 3 (8:00PM EDT)
  • Creators revealed: October 10 (8:00 PM EDT)

Nominations open on August 6 and close at 8:00 PM EDT on August 13. You may nominate 6 fandoms, with 5 characters/groups in each, and 10 additional tags. There is no rarity requirement regarding which fandoms can be nominated from. RPF, Crossover Fandoms, and Original Works are all allowed. Non-traditional fandoms such as songs, poetry, anthropomorphism, etc. are also allowed. See the Darkest Night community for more on nominations.

Chromatic Characters Podfic Anthology II Accepting Submissions

The Chromatic Characters Podfic Anthology is collecting short podfics that center characters of color in different fandoms to release as an anthology and as a collection of individual files. This should be a low-stress project, even for people who are new to podficcing, due to the word-count: 1500 words or less (with many being as short as 1-2 minutes.)

This year's submission deadline is September 12th, and we will post on September 30th.

Our theme for this year's anthology is community. It's optional—all podfics are welcome as long as they follow the rules laid out in the Submission Guidelines—but feel free to let it inspire you if you'd like.

If you’d like to get a sense of this project, you can see the previous CCPA anthology here.

Complete guidelines and submission instructions are available on the Chromatic Characters Podfic Anthology page.

 

Oxonmoot 2021: Programme Posted and Registration Open

Oxonmoot is an annual event hosted by The Tolkien Society which brings together Tolkien fans, scholars, students and Society members from across the world. Oxonmoot 2021 is being held over four days, from the afternoon of Thursday 2nd September until lunch time on Sunday 5th September. For the first time, this will be a hybrid event bringing together online delegates with those attending in person at St Anne’s College, Oxford.

Register to attend Oxonmoot online
Register to attend Oxonmoot in-person
Talks and papers programme

The deadline to submit a proposal for an activity has been extended to 1 August 2021. Find more about how to submit an activity here.

Tolkien OC Week: fandom event for original characters and underdeveloped characters

Tolkien OC Week is a fandom event focusing on original characters and underdeveloped characters in Tolkien's world which will be held on Tumblr during the week from  26th July - 1st August 2021 for the first time. 

The event schedule for 2021:

Day 1 (26th July): Shipping - create a piece of fanwork about an OC that you ship with a canon character.

Day 2 (27th July): Family members - create a piece of fanwork about a character who fills a gap left in a family tree (e.g., Legolas’ mother, Maglor’s spouse, Aragorn and Arwen’s younger children).

Day 3 (28th July): Background characters - create a piece of fanwork about a character who is in the background of canon scenes and is either never mentioned or barely mentioned in the story (e.g., an extra from Laketown, a Teler defending their ships during the First Kinslaying, the Haradric man that Sam sees die) and show their view of the events.

Day 4 (29th July): Self insert/reader insert - create a piece of fanwork that includes yourself being in Middle Earth, or write a reader insert story.

Day 5 (30th July): Worldbuilding - create a piece of fanwork about a character who lives in a different place or time from the main canonical events (e.g., a character from Rhûn, a character who stays in Valinor after the Darkening, a character living in Gondor when the kings were still ruling etc.) and flesh out their world.

Day 6 (31th July): Forgotten characters - take a character who is neglected (e.g. Bob and Nob in Bree, Eärwen) or abandoned by Tolkien (e.g. Trotter the hobbit) and make them your own by creating a piece of fanwork about them. Or, completely redesign a canon character to make them yours (e.g., Gil-Galad becoming Fin-Galad).

Day 7 (1st August): Freeform - create a piece of fanwork about whatever resonates with you.

 

More details in the linked post.

Call for Papers: Tolkien Sessions at Leeds International Medieval Conference 2022

Paper abstracts are currently being sought for the following Tolkien sessions for the Leeds International Medieval Congress, to be held at the University of Leeds on 4-7 July 2022. These sessions are organised by Dr Andrew Higgins and sponsored by the Centre for Fantasy and the Fantastic, University of Glasgow.  The special thematic strand of the conference will be “Borders” which is reflected in several of the suggested sessions.

Paper submissions are being sought for the following sessions (for descriptions, see the full call for papers):

  • Tolkien: Medieval Roots and Modern Branches
  • Tolkien and Medieval Poets: A Session in Memory of Richard C. West  
  • Crossing Borders in Middle-earth 
  • Borders between Life and Death in Tolkien’s Legendarium
  • Family Ties:  The Limits of Kinship in Tolkien’s Middle-earth
  • Orientation, Transgression, and Crossing Borders of Middle-earth
  • Tolkien as a Gateway to Interdisciplinary Teaching: A Roundtable

Paper titles and abstracts are due by August 31, 2021 and should be 150 words maximum. Conference presentations will be 15-20 minutes long.