Mereth Aderthad 2025: Program Posted
Check out our schedule of presentations and fanworks, as well as featured artists for Mereth Aderthad 2025! Registration for in-person and virtual attendance is now open.
Maglor spoke with Shadow about his upcoming presentation for Mereth Aderthad, "Gil-galad was an Elven King: Kingship and Personhood in the Last High King of the Noldor," and what makes Gil-galad such an intriguing—and mysterious—character.
Stella Getreuer-Kostrouch has always felt deeply connected to the character of Elu Thingol. In this interview, Quente asks about this connection and how Stella sees Thingol as unjustly treated by many in the fandom.
An essay on the subject of Celebrimbor, sin, and pity.
An Elopement with Life is a 9-part essay collection that intertwines literary fan/fiction with the nonfiction essay form, exploring the idea of a Celebrían who stays in Middle Earth. The fictional narrative follows a year in the life of Celebrían who, across conversations with various 'lost women' of the legendarium, makes the deliberate choice to not-sail to Valinor. The essays engage with historiography, investigative environmental journalism, and critical queer/disability theory to unpack how mythic and literary narratives shape our understanding of loss, resilience, and reclamation.
Notes and writings on Celebrimbor, following the 30-Day Character Study challenge prompts.
The text below is born of a conversation I had with a friend irl, in which she said she'd love to have an epic love story the like of Beren and Luthien (We're both fans of Tolkien so...)
Only the way I read it, the story of Beren and Luthien is not about love, but about pride: It's an epic lesson on the subject of pride and greed.
A seemingly minor character, Vidumavi's story illustrates the themes of fellowship, the fading of faerie, and the dangers of racial hierarchy.
A summary of the events in J.R.R. Tolkien's text The Disaster of the Gladden Fields, written for the Third Age Sessions at Alliance of Arda.
Just developping here my thoughts on Finwë, king of the noldor of Tirion.
Examining the relationship between Andreth and Finrod as shown in the Athrabeth.
About Olwë, the king of the Teleri in Aman, little is known, but a series of difficult events marked his life until he fades from the pages of The Silmarillion in the First Age.
Celegorm emerged early in Tolkien's work on the "Silmarillion," but his evolution into the villain he would become in the published text is complicated, and he filled two surprising roles before coming fully into his own. The first of two parts considers how early work on the "Silmarillion" shaped his final characterization.
One of the gods of music in the early legendarium, Ómar is called by Christopher Tolkien "a divinity without much substance" and swiftly faded from the story. His brief existence may shed light on Tolkien's evolving sense of how his fictional universe aligns with the historical peoples that inspired him.
After the Nirnaeth Arnoediad, Húrin's heroic life takes a turn for the tragic and illustrates themes of courage, betrayal, and the promises and perils of vision. Although given one of the most inconclusive endings in the legendarium, Húrin retains a heroic reputation that resonates through the ages to follow.
Annael was the foster-father of Tuor and a Sindarin Elf who played a minor but important role in his life.
A character who remained in the legendarium, largely unchanged, since its earliest writings, Húrin lives an early life defined by valor and heroism. This first part of his biography explores his heroic youth, including connections to ancient and medieval history.
A tragic figure of the Second Age, Tar-Míriel should have been the ruling queen but was usurped and forced into marriage by her cousin, leaving her to witness Númenor's fall.
Salmar appeared early in the legendarium in a muddled variety of roles only to disappear swiftly, known in the published text as the artificer of the horns of Ulmo, the Ulumúri.
As one of the most beloved Silmarillion characters, Maglor is a bundle of contradictions undergirded by a complex textual history. Warrior, musician, wanderer, and survivor, Maglor brings to the fore key themes in Tolkien's early legendarium, such as the role of music, oaths, and exile.
From the earliest version of the legendarium, Ulmo existed as the Lord of the Waters, although over the decades his character would evolve to fit the changing tone of the "Silmarillion." Part One of his biography considers his domain, his relationships with the other Ainur, and the symbolic significance of the watery element in Tolkien's work.
The final installment of Túrin's biography considers his life in Nargothrond, his return to Dor-lómin and time in Brethil, his fateful marriage to Nienor, his battle with Glaurung, and the ever-disastrous consequences of all of these, culminating in his death by his own hand.
Túrin's tale is the lengthiest and one of the most tangled of the tales that make up The Silmarillion. This section considers the center part of Túrin's life, after his exile from Doriath but before he fell into utter ruin, a time defined by friendship and honor rather than ruinous choices.
Ulfang and his sons, of whom Uldor is the most prominent, are notorious for their betrayal of the Fëanorians during the Battle of Unnumbered Tears. Their early association with dark coloration and betrayal introduces questions of how characters of color are depicted in the legendarium and in-universe textual history.