The Last Work Of Her Hands by Gadira

Fanwork Information

Summary:

Could an Elf live without a fëa? Part II of the Broideress arc.

Major Characters: Fëanor, Finwë, Míriel Serindë

Major Relationships:

Artwork Type: No artwork type listed

Genre: Drama

Challenges:

Rating: General

Warnings: Character Death, Mature Themes

Chapters: 1 Word Count: 1, 698
Posted on 6 June 2007 Updated on 6 June 2007

This fanwork is complete.

Chapter 1

Disclaimer: The characters belong to Tolkien. The fëa, hröa and the concept of foresight do, too.

Read Chapter 1

Finwë saw the boy pause in his work, and observed how a frown of displeasure creased his brow, so similar to hers. The sheet of paper made a shrill noise as it was squashed into a ball by an angry and tense hand.

He opened his mouth, about to speak, but then closed it again, and bit his lower lip. Fëanáro immediately grabbed a new sheet of paper, and continued writing while a deep concentration gained his features once more.

Finwë fought hard against his own frustration. He wanted to tell him that it was fine. That it was more than fine, it was wonderful, prodigious how such a young child could already write with elegant and graceful strokes like a learned adult. He had tried to tell him before, feeling the unfairness of the greatest of the sons of the Noldor thinking that he was nothing but a sloppy, clumsy child.

Fëanaro had stared at him in disbelieving bewilderment, as if anything that didn´t agree with her words couldn´t be a part of his world. There´s a stain in the corner of the paper, she added from her corner. How could you be so careless.

Míriel, Queen of the Noldor, sat behind them, her eyes intent in the dancing flames of the hearth.

o-o-o-o-o-o

At days, she sat on a chair next to the fireplace, drawing so closer to the fire that Finwë feared a stray spark would fall on her dress. He imagined her sitting still and shivering slightly until she died, consumed by the flames.

At nights, she would curl herself into a ball, at the edge of the bed, and refuse to be touched.

o-o-o-o-o-o

"Father..."

Finwë took his glance away from Ingwë´s last letter, and smiled at Fëanáro. The boy had the habitude of entering his workplace easily, as if he belonged there, but this time his pace looked oddly hesitant, and he stopped at the threshold for a second. There were creases of worry in his forehead.

The king of the Noldor frowned, as he encouraged him to come forth. None of the Eldar of the Blessed Realm, least of all the children, should feel any worry.

"To what do I owe your visit?" he asked, in an attempt to lend some lightheartedness to the situation. Fëanáro lifted his face, which had become purple red after braving the unbearable heat to sit on his mother´s lap next to the fire, and swallowed.

"Does everybody have a fëa?"

Doing his best to hide his surprise at the question, Finwë nodded.

"All the Children of Ilúvatar have a fëa, yes."

Fëanáro´s eyes became lost on the words of the letters in his desk, as if he was deciphering them backwards.

"Everybody?" he insisted.

"Everybody."

The boy was still not satisfied.

"And what if someone... maybe... didn´t have it, and people didn´t know?"

Finwë´s lips curved into a smile at his son´s idea, in spite of its strangeness.

"We are the union of the hröa and the fëa." And then, before he could become aware of his next words, he added. "Without a fëa, we would be dead."

Fëanáro´s face blanched. Before his father could ask anything, or give a different wording to his explanation, he turned his back to him and left, as abruptly as he had come.

That night, Finwë touched Míriel´s back as she slept. She felt cold, and he shivered, without knowing very well why.

o-o-o-o-o-o

Her features were colourless, tight like the strings in her loom back when she used to delight in her favourite arts. The clay bird figurine turned and turned in her fingers, as she silently sought for imperfections that a normal eye could not see. At her side, Fëanáro waited in expectation.

Finwë saw her hands begin to tremble.

"You stole it." she hissed, in a mere whisper that grew louder as she repeated it, over and over, until it almost became a yell. "You stole it, you stole it."

Finwë stared at her incredulously, horrified and fascinated at the same time by the first signs of anger, of fire, of passion in her cold and faded face.

"You stole it from me. You stole everything from me!"

Forcing himself to react, the king of the Noldor darted forwards, to protect his child from hearing the words, but Fëanáro had already turned back in silence. Sending Míriel a last appalled glance –which she met with a look of pure and defiant hatred- he followed his son past the door, and through the corridor.

"Fëanáro!" he called him, frantically, painfully, as if the boy was dangling from a precipice instead of walking ahead of him. "Fëanáro!"

The boy stopped, and turned back a face that was proudly tightened to avoid showing his tears.

"Is she dead because of... me?" he asked in a voice that faltered, in spite of his efforts.

Finwë did not answer, not to tell him that he was wrong, or even to ask what she had whispered in the child´s ears in the long gloom of the fireside. Instead of this, he knelt on the floor, speechless, and embraced him fiercely.

o-o-o-o-o-o

Later, as his steps brought him back to Míriel´s rooms, he saw her kneeling on the floor, holding the broken pieces of clay in her hands and trying to sing them together with a hoarse voice that soon became shrill with desperation. After a while, she finally let them go, covered her face with her hands, and started to cry.

o-o-o-o-o-o

Míriel disappeared from their sight after that day. Every morning, she woke up early and hid herself behind closed doors, and each time that Finwë tried to push them open they refused to give way beneath his hand. Fëanáro´s misery could be easily felt, brimming and simmering from his fëa at his mother´s desertion.

Now and then, she came and shared the table with him after their son was asleep. But even then she did not speak, did not answer his questions, and looked so pale and exhausted that Finwë had to repress the urge to feed her himself.

Once, he looked at her thin fingers, which were trying to hold her cup in a grip that was strong enough to venture lifting it to her lips. They were bleeding.

"Míriel." he said, with an intent frown and his most serious voice. "You must seek healing from the Valar."

Her vague glance became a look of intense hurt, which reminded him powerfully of their son Fëanáro. She set the cup back on the table, and bolted away as quickly as her weakened feet allowed her.

o-o-o-o-o-o

That night, he entered his bedroom to see her lying on the bed, awake and staring at some point of the coloured ceiling. At her side lay a sleeping Fëanáro, curled against her lap while her hand kept caressing his hair in distracted motions. Surprised, he stared at her, but she just smiled.

"I will take him..." he began in a whisper. She shook her head, and gestured towards the empty space at her other side.

With exaggerated care, as if he was stepping into a box full of delicate crystal figurines, Finwë entered the bed, spreading the covers over his legs. His right arm, tentative after a long sucession of refusals, sought her shoulder.

Bolting at his contact, Míriel took the hand with hers and pulled closer, pressing against him with a raw need that shocked him to the core. Her embrace was frozen like that of a corpse, but then their eyes met, and hers sparkled with a promise of warmth.

Smiling like he used to do often, long ago, he rocked her to sleep, giving her his heat.

o-o-o-o-o-o

When he woke up, the golden light of Laurelin was dancing over the forehead of his son, who at some point of the night had pressed a magnificent piece of embroidery into his mouth like it was a stuffed toy. Míriel was nowhere to be seen.

Blinking several times, to force the ominous first tingles of awareness to reach his brain, Finwë let his gaze wander around. The bed looked very different from last night, as if someone had dropped a box of ceremonial clothing over the sheets and then forgot to put order into the mess.

The king of the Noldor sat up, extending both arms to grab the heaps of clothes which lay closer to him. They were boy´s tunics, boy´s shirts, boy´s cloaks. He sought farther, and his eyes fell on larger things, with the same colours and blindingly beautiful patterns but made for an adolescent, for a young man, for an adult.

At the feet of the bed, there was a glittering ceremonial cape, similar to the one she had made for their wedding but with different embroiderings. Next to it, almost entwined, there was a bridal dress, decorated in red and coppery hues, and the delicatedly crafted, little robes for the essecarmë ceremonies of seven children, each in a different colour.

Feeling his heart constrain under the gripping pressure of a cold hand, he stood up from the bed, seized by the irrational fear of waking his son up to that colourful and unsettling spectacle. Pieces of embroidered cloth lay scattered on the floor in her wake, as she had left them in the land under the stars before she entered the forests to brave the lure of the Shadow. They were all covered with images, as powefully real, as alive as the best of sculptures, as the vividest of paintings, as reality itself.

There, on one of them, Finwë and Míriel were embracing under the roof of a small cottage. They walked hand in hand across a dark forest, and he left for the end of the world while she watched his departure from the cover of the shadows, a look of unquenchable trust and pride in her eyes. The next shone with the bright colours of their joyful reunion, and he asked for her hand under the mingled light of the Trees.

The last, lying at the threshold, showed her in bed, holding her small son in her arms. She was desperately struggling to show her love, to keep the quenched light of her eyes and the craft in her dead hands for a little longer, only just enough for him to see and remember with pride that his mother had been Míriel the Broideress, first in skill and fire of all the Noldor.

The next step brought him outside, and the corridor was still shrouded in darkness.

(the end)



Comments

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A beautiful continuation. This might be the most original characterization of Miriel that I've yet seen, and it's fascinating to consider how her unwittingly cruel treatment of Feanaro shapes the person that he will later become.

The moment when Finwe awakens and discovers the bed scattered with clothing works really well. Even though I've seen (and used myself) the idea of Miriel "planning" for her death by making clothes for her son through adulthood, this might be the most stunning example I've seen yet of this idea, and the wedding gown and essecarme robes indicate that she knows far more about her son's future than his father. It really adds weight to the moment in The Silmarillion when Miriel asks Finwe to hold her blameless in what comes after. I've often wondered exactly what Tolkien meant by this. The popular intepretation, when I started writing Silmfic, seemed to be "hold me blameless in my death." I've always interpretted it as meaning "hold me blameless in the deeds of my son that will largely be caused by my death" ... or caused by the larger-than-usual spiritual allotment that she has given him. This comes back to the ideas of fire that you present in Part I: something that nurtures and provides beauty and sustenance but, after a point, is equally terrible in its destruction.

Anyhoo, I am rambling. I'm really enjoying your stories and the unique angles and interpretations that you've taken. It's tempting to keep reading now, but alas, it's lunchtime. ;) But I eagerly await the final stories.

All the best,
Dawn

Hi back! Since I began reading Tolkien, Míriel´s description in the Shibboleth and the affirmation that she poured her spirit into Fëanor made me see her as a female Fëanor, or something like that. They have too many things in common, plus the idea that she poured her spirit into him.

And your interpretation of her words would make sense in the light of my story, too. My Míriel is larger than life: she does too much, and sees too much. :)

 

This is really intense and strikes home. A striking and meaningful way to combine both versions of Miriel's death, both that she died quickly after Feanor's birth and that she lingered.

Also, your story was recommended by AmyFortuna in this rec post: http://b2mem.livejournal.com/436445.html

There is praise for your story in the comments on the rec post as well.

 

[Sorry for the now deleted earlier comment--I see now that you have in fact adopted your story on AO3 already. I was just confused about that because the earlier HASA note is still in place.]