They Paved Paradise by Narya

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Fanwork Notes

This story has a slightly complex history. It started life as a birthday fic for my brother, but became altogether too depressing to be used for that purpose. I scrapped it and wrote something else for the birthday fic; however, I never posted the story I eventually gave him, deciding the content was too personal to the pair of us.

A month or so later, I felt the urge to expand upon and edit the birthday fic, creating a longer story. I then realised that my original birthday fic efforts (i.e. the early drafts of THIS story) could be reworked into a sequel to the up-and-coming longer fic. However, I also think that it works as both a standalone effort and as a kind of trailer-fic.

Basically, if there are references in this story that pique your curiosity or that you don't feel that I deal with properly, feel free to highlight them in a review - they will most likely have a link back to my latest project-to-be, and I'm happy to answer any questions.

Enjoy.

Fanwork Information

Summary:

Maglor Fëanorion is sad to discover what has become of a place he once loved.

 Loosely based on phrases from the song Big Yellow Taxi by Joni Mitchell. Rated Teens for references to drug abuse and prostitution.

Major Characters: Maglor

Major Relationships:

Artwork Type: No artwork type listed

Genre: Alternate Universe, Crossover, General

Challenges:

Rating: Teens

Warnings:

Chapters: 1 Word Count: 714
Posted on 8 November 2009 Updated on 8 November 2009

This fanwork is complete.

Chapter 1

Read Chapter 1

 

 

Oh, great Eru Ilúvatar.

The last time I was here, the fields were green and lined by bare curling trees. It was dawn in early winter. A rolling mist rose from the frost on the ground; the morning light lay pink and fresh on the whitened grass, and hills sloped down to a blurred, smoky horizon. One lone bird chirped shrilly from its perch. The air tasted of smoke and ice, the clouds wisped and twisted in the wind, and the sun, though weak, smiled with the carefree pleasure of a babe in arms.

I, Maglor Fëanorion, thought that I had found paradise.

Though my soul and spirit and body still yearned for the woman I had left, I felt that the world itself was offering me comfort – a strange thought for one who has suffered as I. Now, though, I perceive fate’s design. It was not comfort or succour that nature tried to give me on that morning almost a thousand years ago. I was merely being shown a vision of perfection that could not endure. I swore to myself that I would return to those fields when I needed reassurance that all the world had not fallen into darkness and corruption and decay, but the Secondborn have paved over my paradise and replaced it with a monstrosity.

Grey concrete cuboids tower above row on row of scowling reluctant houses. Acrid fumes snake upwards from a nearby power station. The people of this terrible town go about their business with their heads bowed and their faces set, paying no heed to the long-haired stranger in their midst, and I wander the streets in a haze of revolted fascination. In the main square, the window of a clothing boutique displays a poster of a girl who cannot yet be fifteen, posing in garments barely fit to be used as underwear. Down a little side-alley, a hotel painted a garish shade of pink proclaims on its noticeboard “Rooms to rent by the hour.” Feeling nauseous, I move on.

I find a park. True, the company there is far from choice – a few youngsters injecting themselves with concoctions it makes me shudder to contemplate, and fretful children whose harassed mothers keep a close eye on their watches as their offspring play – but at least there is some greenery to be found in this drab and cheerless place. The grass, I find, has a sickly yellowish tinge to it, and the flowers cast their heads downwards as though they lack the energy to seek the sun. It is poor recompense for the wild yet welcoming beauty that I shared that morning with only one solitary bird.

The sound of a flute drifts across the air. My lips quirk upwards. I know that tune – I would recognise it anywhere. Only natural, I suppose, given that I wrote it.

Curious, and anxious for a thread of hopeful familiarity to cling to, I follow the melody along a gravel-strewn path. It leads me to a thin, middle-aged man huddled at the foot of a statue. His instrument case is open at his feet, dotted with stray copper coins.

I reach into my pocket and withdraw a ten pound note. Any more, I reflect, and he would most likely use it to fund an addiction to illicit substances. Any less would not suffice. At the very least I wish him to be able to buy a good meal.

About to turn away, I cast a cursory glance at the statue that hulks over him, and am suddenly struck with the desire to laugh. Though the features of the face are alien to me, the name on the plaque is as familiar as the one I was given at birth.

Robin Hood, the Prince of Thieves
A true local hero
Stole from the rich
Gave to the poor
Born here c. 1160?

The clouds part. The sun strikes the statue’s blackened form, frozen in position, knelt with his bow drawn taut and ready to fire.

I throw another ten pounds at the homeless flautist’s feet. What is money to me, after all? I, who have lived through so many Ages of this Earth...1160, indeed! I cannot help but chuckle to myself.

I decide to head to the North. There is nothing left for me here. It is time to move on.

 

 


Chapter End Notes

Thank you for reading.


Comments

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Very effective; I could feel Maglor's sadness at the unpleasant changes in the landscape in the thousand years that was to him just a droplet in the oceans of time.  The dingy side of urban development and modern Western culture's sexualizing of younger and younger women can be very depressing.

I did not understand why the name of Robin Hood was so familiar to Maglor - did he know him? 

 

Thank you!  Yes, I find the sexualization of young girls one of the most disturbing aspects of modern Western culture; I worked with children over the summer, and was disturbed by the amount of girls not even in double figures who were wearing makeup and worrying about boys etc. - but I digress.  As for Maglor and Robin, the connection's a plot point for my up and coming story; if you want the spoiler then I can message it to you.  Thanks again for reading and reviewing.

Hi Maglor, many, many apologies for the crazily delayed response.  I've been out of the fandom for a while and didn't see this review.

The connection between Robin and Maglor is linked to a longer WIP of mine, which involves Maglor through various ages of the Earth/Arda.  At the moment I'm working on an LOTR-based fic, but my Maglor WIP will be completed and posted here eventually.  

Thank you for taking the time to read and review, and once again I'm sorry that I didn't get back to you sooner.