Fanworks Tagged with Original Female Character(s)

Towards the middle of the Second Age, a young Dwarf of the Longbeard royal line seeks out answers to the mysterious visions and memories she has begun to see over her waking sight — the answer may be right in front of her, written plainly in the histories of Durin I and his reincarnation, Durin II, but does she have the strength to follow the thread and accept the truth?

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In Ossiriand after Nirnaeth Arnoediad, Celegorm meets the Green-elf he deserves.

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A Hobbit lass off on an adventure in the East stumbles across a captive Maglor. Further adventures ensue. 

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“Congratulations, my love, you have made a plank. Yet again.”  Dry tones teased his ears softly, the silent footsteps of his beloved Ngilith giving him no warning of her approach.

Círdan smiled, running the pad of his thumb over the smooth surface of the wide board. “Not a plank, this, dearest,” he mused, leaning back against her chest for a moment when she drew near. Lifting the waiting pot, he watched a thin stream of oil catch the light of the torches someone had lit while he was busy smoothing the wood. “A board.” He spread the pool of oil with his fingers, feeling the smooth glide of skin against wood with a joyful satisfaction. “I wish to travel as the waves do, bare and unfettered as we rush towards shore.” He could see it so clearly, feel the rush and song of waves racing with him, Ossë’s laughter bright as noonlight on water.

She laughed, a sound he had missed more than he knew in her absence, pressing herself against his back, her chin resting lightly against his shoulder.

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This is the tale of the surviving child of Celebrimbor of Eregion and how she fared through the Ages of the world. From the Fall of Ost-in-Edhil to Imladris and the vastness of Second Age Eriador, the fight against Sauron seems never ending.

Warning for slightly adjusted timeline according to the story needs, but not too noticeable as the structure stays intact. Also, poetry.

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Minyelmë discovers the far Western shore of Aman.

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A road trip in six drabbles.

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FA125: West of the Orocarni Mountains, and FA0: on the shores of of Hildórien
A great great grandmother relates her memories of the first time she saw the moon rise.

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Ulfang's daughters(in-law) seek aid in the aftermath. Reckoning with their own grief and choices (or lack thereof) they navigate Angband, the nightmare they grew up with, now the only place they can turn for help.

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A pair of young twins are lost in the wood.
In the tradition of folktales changing over time, I've written three endings, narrated in different voices. So this tale comes in three sizes: happy, medium, and sad. (And I'm not entirely sure myself which is which.)

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Tolkien briefly mentions the Awakening of Men and then over 300 years later they appear in Beleriand with fully-formed culture and an apparently exciting and interesting history that's barely hinted at in the Athrabeth Finrod Ah Andreth.

The latter describes an oral tradition passed down through many generations, so while the Tale Of Adanel may contain a core of truth, the precise details of their ancestors' lives would naturally become embellished or forgotten according to each storyteller's memory and understanding, morphing and evolving over time.

The stories in this series explore the possible early history of Adanel's ancestors, the keepers of their wisdom traditions. (Adanel and her Brother happen to themselves be the ancestors of most of the First Age Edain and Peredhil heroes.)

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First Age 122: in the foothills of the Orocani Mountains—west of Hildórien and far, far east of Beleriand
A little girl discovers a little of her own magic.

(The second in my Hildórien to Beleriand series exploring the early life of the Edain ancestors.)

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First Age 116: in the foothills of the Orocani Mountains—west of Hildórien and far, far east of Beleriand.
Woman meets man in four 100-word drabbles.

(The first in my Hildórien to Beleriand series exploring the ancestors of Adanel and her brother Magor, from whom came many of the Edain heroes of the first age, as well as the Peredhil.)

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The air is heavy tonight and Maedhros is restless. Something is brewing in Angband, making the sky glow.

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Nerdanel crafts her first sculpture of strange but beautiful shape.

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FA346: Estolad, East Beleriand, and circa FA150: near the Orocarni Mountains, Eastern Middle-earth

Zimrahin, wife of Malach and mother of Adanel & Magor, relates a tale of one of their ancestors to a young Adanel, wise-woman-in-training.

(Third in my Hildórien to Beleriand series, connecting Adanel with her earlier OC ancestors.)

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A collection of stories for the Pass the Parcel prompt for the Holiday challenge!

If anyone else would like to join, contact Grundy to be added to the list of authors so you can add your chapter.

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"I’m only lightly armed and it’s just the two of us.” He had barely thought to bring a sword, the valley felt safe even under siege.

Erestor turned to stare at him from the shadow of an ancient oak, his eyes a-glitter in the low light. “You’ve fought wargs and orcs and all sorts of humans,” he pointed out. “And a balrog. You’re an army all wrapped up in one package. Come on.”

Set in Imladris under siege early in the Third Age. More correctly called Eklach's Story, or An Orc's Tale, because that is what it is.

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In her wanderings through Aman, Minyelmë comes to the farthest shore.

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The career of Lominzil, an up-and coming star of the stage in Armenelos, was originally inspired by the example of Tar-Vanimelde.

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A craftswoman weaves Feanorian flames, but Morgoth's flames prove deadlier.

She is haunted by flame, at first, even after her death.

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Young Elwing seeks her Aunt Galadriel's reassurance after a disappointing judgement on her threadwork at the Arvernien Summer Faire.

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Peony Took intends to outdo her cousin Bilbo in her travels, and heads to Rhûn. There she finds the growing presence of servants of Mordor, but also Elves--and one in particular in dire need of rescue.

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Carnlóme finds some of his soldiers about to have their way with a prisoner and steps in to protect her. He soon comes to like her.

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Maglor is a model for erotic art: a voyeuristic threesome with a wedded pair ensues, with the blasphemy of sex against the Laws of marriage and not without some humour.

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