Fanworks Tagged with Finarfin

Finarfin and his family make a garden for Galadriel's  seventh begetting day present.

25: 'start'  (photo prompt, sign painted on a gate by a child)

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Galadriel returns to Valinor only to find it has changed beyond her imaginings.

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The Noldor host of Aman is preparing for the War of Wrath. The High King's only living son and his wife are neither of them very happy about the situation.

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When one woman threatens another in the marketplace, Finarfin must judge the circumstances and determine consequences.

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On the battle cry of the Edain of the North--and the cry of Fingon on the first morning of the Dagor Nirnaeth Arnoediad.

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A young Celegorm questions his hair color after a remark from his older brother.

Written for the "Solve a Problem" challenge on the Silmarillion Writers Guild.

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Finarfin first meets Eärwen in Alqualondë.

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Short stories mostly in drabble form written for the Solstice Instadrabbling Challenge 2019 on the discord server.

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Summary: The First Kinslaying and its aftermath told by the fighters on both sides and the ones they left behind.

Written for B2MEM 2019 with the prompts: “the War of Telerin Aggression,” battered but not broken (Fëanorians), crippled by worry, bruise (purple), royal (purple), Fëanor was framed.

Side Note: As someone born in the South, but to proud Northern parents, I’ve heard a lot of opinions about the phrase this parody comes from. I was intrigued by this idea even before all the cards were out, and I ended up choosing this card at least partially because I wanted to see what would happen if B14 was ever called. I’m very enthused about writing this out from multiple perspectives.

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Two years after the Empire's birth, Imperial forces led by Darth Vader devastated the Arda system. A few hundred Quendi fled the system's takeover. Among them is Maglor Fëanorian, the lone survivor of his Jedi-trained House. He has spent the past three years hiding in plain sight as a singer for a starliner cruise company. Now he is about to strike off on his own as an independent cargo pilot, unsure of what the future will bring him.

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Five people Finarfin did not expect, and one he did.

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It was the Silmarils that had sent Fëanor on his mad way to Beleriand like a falling star, pulling all the youth and brightness of my life in a long tail after him; and the very Silmaril Elwing and Ëarendil brought here now had drawn Finrod my son into darkness and death, and torn him to pieces.

"To be fair, that was the wolf,” Finrod said.

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A series of misadventures has left Galadriel in disgrace; Finarfin thinks a summer with Olwë might help his daughter find her way. After all: nothing exciting ever happens in Alqualondë. A story of questionable fashion choices, growing up, and finding one's place.

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In the brief period of calm between the end of the War and the Valinorean army sailing home to Aman, Maglor makes a decision.

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He thinks that he's going insane, that only his now ruined music stays. His memories are fleeing, abandoning him. But some remain.

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"And many pearls they won for themselves from the sea, and their halls were of pearl, and of pearl were the mansions of Olwë at Alqualondë, the Haven of the Swans, lit with many lamps." The Lindar have their own history, and it's somewhat different in the telling than the Noldorin version.

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After the Darkening of Valinor, Anairë is sent to Alqualondë to offer aid and allegiance after the horror of the kinslaying. There, she finds Eärwen, her lover of old and beloved friend, left to care for her people amid her own inconsolable grief. Anairë and Eärwen will care for each other as they mourn the myriad ways their lives have changed forever with the Darkening and the exile of Anairë's family. It may be the rekindling of their ancient love that is the only force with strength enough to save them--and their people. Anairë/Eärwen; written for the 2018 Tolkien Reverse Summer Bang.

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When Fëanor realize the truth about his son's realtionship with his cousin he tries to break the two apart by forcing Maedhros into a marriage. What he fails to realize is that he by doing this is introducing an innocent third person into the family, a young nis who does firmly believe that this will be the end of everything. How can she survive when hearts turn dark and cold and the light itself is stolen from them. Can she ever find true love? And will the truth about her unusual life ever be revealed?

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Shortly after arriving in Valinor, Elwing needs to understand. Taking her husband Eärendil with her, she enters the abandoned manor where Fëanor used to live.

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When Celebrían sails to Valinor following her attack and injury, she is accompanied by her friend Ianneth, wife of Fingon and mother of Gil-galad. Together, the two women seek to find a place in an unfamiliar land.

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There were things lost on the journey to Aman, history and culture, art and songs. Such things the Eldar might never see again and yet one thing they thought lost forever still survives.

Magic.

When Finarfin begins to dig deeper into the past of his people he discovers things that shouldn't have been forgotten and unearths what the Valar would have preferred to stay forgotten. Magic is dangerous after all, it corrupts all those who use it.

Doesn't it?

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Fëanor, summoned out of banishment by the Valar, arrives at the home of Eärwen and Finarfin the day before Manwë’s long to be remembered high feast on Taniquetil. No one knows what to expect from the Valar, but they certainly least of all expected the darkening of Valinor and the death of Finwë. (Written from Eärwen’s point of view.)

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After the Exile of the Noldor, Arafinwe and Aule reflect on things which can be fixed, and those that cannot.

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Nerdanel looks back on her marriage as she watches the return of Finarfin with Anairë and Eärwen. 

This is as grim as you would expect. 

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"She whom he had loved was Amárië of the Vanyar, and she was not permitted to go with him into exile." 

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Nerdanel is given a commission - present a sculptural work to the people of Valinor that will feature images of the Valar. But as an artist, she must remain true to her personal vision. What does that vision convey to the people and to the Valar who are depicted through her carved stone? 

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