The Elendilmir by pandemonium_213

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Fanwork Notes

First, I am indebted to the skinks, geckos, frilled lizards, chameleons and other squamates of the Lizard Council for their invaluable critique and their long-standing indulgence of the Pandë!verse. Many thanks to Rhapsody, oshun and Moreth for vetting this at various times and for their continued encouragement, good humor and affection. Also thanks to oshun (Maitimo & Findekáno and A New Day), Gandalf’s Apprentice (Sword of Elendil), Jael (Nightfall), and Surgical Steel (see Surgical Steel's Fan Fiction as well as her stories here on the SWG) for allowing me to borrow from their canon.

As usual, I must designate this as AU -- or more accurately an alternative history -- because of my defiance of canon (while remaining strongly informed by it) and because my vision of Middle-earth is more congruent with our primary world. Tolkien wrote wonderful essays on the origins of the sun and the moon (1) in which he attempted to retrofit his cosmogony away from the scientifically untenable “flat earth” concept and thus emphasized his notion that his legendarium represents an imaginary history of our primary world. I draw inspiration from these writings as well as others in The History of Middle-earth, The Letters of JRR Tolkien and Parma Eldalamberon.

As a life scientist, I also imbue the "magical" beings of Middle-earth - Elves, Dwarves and incarnated Maiar alike - with humanity; this does not mean that they lack mysterious characteristics and thus convey a sense of the Other to mortals of our race.

Although I have selected some canon characters from the SWG drop down menu, be aware that most (Valandil being the exception) have minor roles with respect to Sámaril, the OMC. The mortal protagonists of The Elendilmir were not fleshed out by Tolkien even though they appear in his writing, e.g., Aragorn’s great^nth-grandfather - Valandil. Others -- the queens of Arnor and Gondor -- were not even given names by JRRT! Another OC made an appearance in Risk Assessment and pops up here and there in Sámaril's recollections of his life in Ost-in-Edhil.

Update: Given the number of OCs (both Elven and mortal) in The Elendilmir, I have added their names and brief descriptions at the end of each chapter. Many thanks to Claudio for his input on Elven naming traditions. The link to the name generator is provided below. I have also used the Parma Eldalamberon vol. 17 as a source for root words and have coupled these with Claudio's name generator (a highly recommended resource).

Language resources:

Ardalambion

Hisweloke Sindarin dictionary

Quenya & Sindarin name generator

Parma Eldalamberon vol. 17

Be aware that I write as a “translator” and often use a modern voice (but devoid of banal slang – I’ll save that for other fics). If you’re looking for flowery archaic language or Tolkien mimicry, you will not be satisfied with my writing. 

This is a work-in-progress so I am a tad nervous about posting it. I am a rampant revisionist. However, I have the story arc sketched out so hopefully I will not tear this into digital shreds in the future.

(1)Tolkien, J.R.R. "Myths Transformed" In The History of Middle-earth, vol XI, edited by C.R. Tolkien, 369-390. London: HarperCollinsPublishers, 2002.

----------------------------

What has transpired previously (synopsis of The Apprentice):

Sámaril, born in Ost-in-Edhil around the year 1440 of the Second Age, trained as apprentice and then journeyman under the guidance of Istyar Aulendil, the brilliant but mysterious master craftsman of the Gwaith-i-Mírdain. Sámaril –- an ambitious young man -- admired his teacher greatly and was ever eager to impress him. Aulendil in turn nurtured Sámaril’s talents in the deep arts. Although sparse with his praise, Aulendil took pride in his pupil’s acumen and even harbored avuncular affection for him.

Under his mentor’s tutelage, Sámaril crafted many artefacts and made a name for himself in Ost-in-Edhil. Aulendil also instructed Sámaril in the psychology of Men via uncanny methods. As Sámaril progressed in his studies, Aulendil gave him a coveted but secretive assignment: the crafting of rings, culminating in Sámaril’s creation – with Aulendil’s assistance – of nine Rings of Power. 

Aulendil betrayed the smiths of the Gwaith-i-Mírdain and the people of Ost-in-Edhil terribly: his true identity as Sauron was revealed when he forged the One Ring and declared himself. This deeply personal betrayal by the man whom he had admired and trusted, together with the death of his family, damaged Sámaril profoundly. Nonetheless, he managed to keep himself from falling into a pit of irrevocable despair and found purpose as the master smith of Imladris.

Melian's Girdle

Fanwork Information

Summary:

A young child of Men befriends Sámaril, the troubled master smith of Imladris. The Noldorin craftsman experiences the joy and pain born of friendships between the Eldar and mortal Men and comes to question his people’s values as his life becomes entwined with Isildur’s youngest son and two powerful women of the Dúnedain. A sequel to The Apprentice.

Chapter 38 - The Crow's Nest:  While Elerina establishes her informal seat of power in Gaillond, thus revealing to Sámaril her former role as Isildur's queen,  the elven-smith quickly becomes bored with trade negotiations and resolution of disputes among the local nobility.  The reminders of Isildur continue to exert a negative effect on Sámaril, causing frustration between the couple.  But Sámaril also begins to dream of the Sea, which sparks a desire to take ship out on to the open waters, ostensibly to learn more about the working men of the Númenórean exiles.   He finds the ship on which he wishes to sail and meets its captain.  

Major Characters: Elendil, Elrond, Glorfindel, Original Character(s), Sauron, Valandil

Major Relationships:

Artwork Type: No artwork type listed

Genre: Alternate Universe, Drama

Challenges: Strong Women

Rating: Adult

Warnings: Mature Themes, Sexual Content (Moderate)

Chapters: 39 Word Count: 182, 002
Posted on 12 January 2008 Updated on 8 October 2024

This fanwork is a work in progress.

Table of Contents

The Elendilmir begins in the year 3434 of the Second Age. While hiking in Imladris, Sámaril reflects on meeting with Elendil, Isildur and Isildur's sons and his uncanny experience when handling Narsil.

Sámaril returns to the House of Elrond with his find, lets his elvish serenity slip and berates a worried parent. This causes him to recall another bad-tempered moment in his past and a subsequent conversation with Glorfindel (Laurefin).

Sámaril takes some relaxation in the Hall of Fire and requests a song originally written by Fingon and elaborated upon by Maglor. The song sends him into recollection of a dance in Eregion.

Heads up here for mildly adult concepts and heresy pertaining to the ever popular "Laws and Customs of the Eldar."

Sámaril returns Valandil's refurbished toys to the kitchen of the House of Elrond and encounters Valandil's grandmother.

Character list provided in end notes. Many thanks to oshun, Rhapsody and Moreth for their betafying!

Sámaril is introduced to the Queen's peregrines and sets his hands and mind to something other than alloys and equations.

Thanks to Moreth, Rhapsody and oshun for their comments! Likewise, many thanks to Gandalf's Apprentice for letting me borrow her birds (see link to The Sword of Elendil in the Story Notes).

Sámaril and Thorno encounter flirtatious Laegrim ladies in the bathhouse, and Sámaril recalls the Athrabeth Huxley ah Wilberforce Mélamírë ah Manendur.

To be on the safe side, I'm rating this Adult for mild sexuality. I probably should slap a big H on it for Heresy, too. Many thanks to Rhapsody, Moreth and oshun for their lively feedback.

Sámaril celebrates the winter solstice with Queen Isilmë, and things get a bit heated with Midhloth.

Many thanks to Moreth, oshun and Rhapsody for betafication and to Jael for her compliments.

Sámaril and Elerína reach an understanding on a cold winter's afternoon.

Thanks to Rhapsody and the skinks* at The Lizard Council for betafication. List of characters provided in end notes.

*Moreth, oshun, and Jael :^)

Sámaril must deal with a terrible accident on the moor, and news arrives from Amon Sûl.

Warning to the squeamish for a gruesome scene.

Many thanks to the various reptiles of The Lizard Council for their excellent feedback. Samaril is honored that Thranduil, Galion, Magorion and their men granted their approval for a nod to their bravery at the Morannon (please see Jael's fabulous Nightfall). Thanks to Rhapsody for feedback pertaining to the hounds of Middle-earth. Our discussion was a lot of fun, and greatly inspired by her muse, Celegorm.

Much to his discomfort, Sámaril is reminded that he shares some traits with his former mentor, and Isilmë recounts the sacrifices to Melkor and their impact on her. Isilmë also points out that Sámaril does not disguise his feelings as well as he thinks he does.

As always, thanks to the skinks, geckos and other reptiles at the Lizard Council for feedback.

Sámaril receives a summons to Amon Sûl. The palantíri are not functioning, and it is hoped that he can repair them. But before he begins his journey, he delves into his memory to recall the technology applied to the crafting of the Mirror of Galadriel -- a technology that may also be featured in the palantíri.

Thanks to the skinks and such at The Lizard Council, in particular to Claudio for feedback on Quenya constructions.

Sámaril escorts Elerína to a woodland glade where they listen to Lindir's music. He remembers his visions of the very distant past and of the future when he participated in the first studies of Galadriel's Mirror. While immersing himself in Lindir's music, Sámaril then enters a meditative state in which he sees the Threads of Vairë. These trigger two visions: one wondrous and the other dark and frightening.

Thanks to the Lizard Council for the picking of juicy nits!

Sámaril and Thornangor, along with Lónando, the Dúnadan knight, and his squire, travel along the Great East Road to the tower of Amon Sûl. Although the master of the palantír has misgivings concerning Sámaril's involvement, with Queen Isilmë's endorsement, Sámaril applies the deep arts in an attempt to repair the palantíri...and receives guidance from their maker.

Thanks to Skinks Extraordinaire -- Gandalf's Apprentice, Jael, Moreth and oshun -- of The Lizard Council for critical feedback and comments.

Thornangor takes Sámaril hiking in the Weather Hills to help ease his friend's discomfort after the vision in the palantír; while exploring the slopes of Amon Sûl, Sámaril encounters the inexplicable when he steps into a small dell. When returning to Imladris, the two smiths are attacked by a hill-troll.

The smiths arrive in Imladris on Midsummer Eve. While Thornangor celebrates, Sámaril, tired from his journey, spends the evening in quiet conversation with Elerína. She tells him of her frightening but puzzling encounter with Sauron in Armenelos.

Heads up for a bit of mythological cross-over with The Ramayana.

Sámaril assists Valandil in a matter of craftsmanship and comes to a logical conclusion concerning the peacock brooch. Couriers arrive from Osgiliath, bearing news from the Alliance, and Sámaril learns of the hardships of the siege from Glorfindel's letters.

Thanks to Drummerwench for picking the nits and to Jael for allowing me to borrow Thranduil again.

Valandil rescues an injured peregrine chick and demonstrates an unexpected talent. An eagle arrives in Imladris with tidings from the siege: victory comes at a heavy price. Later, the herald of Gil-galad returns to his home.

Thanks to the Lizard Council (Claudio, Jael, Moreth & oshun) for critical feedback.

A character list is given in the End Notes; see also the appendix.

Elrond recalls the fall of Gil-galad, Elendil and Sauron as well as how the literal fall of Barad-dûr will be accomplished. Sámaril learns the fate of the One Ring and counsels Elrond on the nature of the Rings of Power: that even the Three Rings of the Elves are not altogether benign.

Thanks to The Lizard Council, notably Oshun, Jael and Moreth, for critical feedback.

Shortly after arriving in Annúminas, Sámaril explores the city of the shores of Lake Evendim. He sees that although the lives of the Middle Men of Arnor may be improved by the presence of the Númenórean exiles, they still face the consequences of mortality, just as they did many years ago in the settlements around Tharbad. It is with these consequences of mortality that Sámaril struggles as he prepares for his farewell to Isilmë.

~*~

First, thanks to The Lizard Council (Drummerwench, Oshun, Jael and Moreth in particular) for comments and feedback.

I use common Anglo-Saxon (or Celtic in some cases) names for the Middle Men with the assumption that these are translations from Westron. With regard to languages, I adhere to the Seamus Heaney approach to translation and do not hesitate to use certain words (and names) familiar to the contemporary mind, e.g., "tenement," as translations from the "original text" in my tertiary world of JRRT's secondary world.

A glossary and a short list of characters may be found in the end notes of this chapter; the longer list of characters is given in the Appendix.

Sámaril bids farewell to Isilmë and later meets the keeper of the palantír of Annúminas, a man who once worked under Annatar's guidance in Númenor.

~~~~~

Many thanks to Drummerwench, oshun, Jael and Moreth (The Lizard Council) for critique and comments.

A few characters are listed in end notes (see also Appendix). Also in the end notes is an excerpt from The Lost Road, Vol V. of The History of Middle-earth which provides context for the conversation between Sámaril and the old engineer smith.

The first year of the Third Age finds Sámaril saying farewell to Midhloth and welcoming the returning Firstborn to Imladris. Erestor brings back more materials for Sámaril's planned -- and secret -- project. Later, Glorfindel shows Sámaril what he discovered in Sauron's inner chambers of the Barad-dûr.

Thanks to The Lizard Council, specifically Drummerwench, Jael, Claudio, Moreth and oshun, for critique and comments.

When Sámaril prepares to craft a Yule gift for Valandil, the details of an essential component's design elude him. In order to clearly visualize the design, he must delve into bittersweet memory of his former mentor, Istyar Aulendil.

Thanks to the Lizard Council, specifically Aearwen, Drummerwench, IgnobleBard, Jael, Moreth and Oshun for invaluable critique and comments. Also a tip of the hat to Lintalomë who, in comments on Lethe's LiveJournal, jolted the dark muse's memory of Tinfang Warble (History of Middle-earth I, Book of Lost Tales 1).

Sámaril celebrates the feast of the winter solstice with a memorable dance and receives his gift from Valandil.

Thanks to the variegated skinks of The Lizard Council for nitpicking, comments and all 'round good skinkiness.

Tension mounts in Imladris when Isildur and his elite Guard do not arrive in the autumn of the second year of the Third Age. Valandil has his worst nightmare yet at this time, causing Elrond and Sámaril to wonder if this is an echo of the drowning of Númenor. This leads them to discuss Valandil's sensitivities. Elerína's anxiety for her husband increases. The following spring, three soldiers of the King's Guard stagger into the valley.

Many thanks to picking of the nits by The Lizard Council. (Jael, Aearwen, Drummerwench, elfscribe, Moreth).

The reader's familiarity with "The Disaster of the Gladden Fields," Unfinished Tales, J.R.R. Tolkien is assumed.

When Sámaril is summoned to the Council of Elrond, he discovers why the succession of Valandil to the throne of High King of Gondor and Arnor is in question. After agreements are reached, Valandil utters a prophecy concerning broken Narsil, and Sámaril later overhears a heated conversation between Elerína and her sister-by-marriage, Lindissë -- Anárion's widow and Meneldil's mother.

~*~

Many thanks to Jael, Aearwen, Moreth, and Drummerwench of The Lizard Council for comments and nitpicking of the draft.

If it wasn’t clear from any of the preceding 24 chapters that The Elendilmir represents an alternate history of Middle-earth, it should be apparent in this one. A significant fly in the heirs of Elros’ ointment was spawned via the often heretical elements that comprise the overlap of Venn diagrams of Surgical Steel’s interpretations of Middle-earth and my own. Thus I owe Steel a debt of gratitude for graciously allowing me to borrow her characters and concepts. I have linked the Steel's stories that are specific to this chapter in End Notes. You may also find her work here on the SWG, at her LJ repository -- surgsteelfic and on The Last Ship archive. I highly recommended her work. The saga of the surgeon, Serindë, is a compelling one and represents one of the best OFCs crafted.

A genealogical chart of Númenóreans pertinent to the Pandë!- and Steel!verses is included in End Notes.

With The Elendilmir rated as Adult, this may be superfluous, but here's a warning for strong language nonetheless.

After a terse farewell to Elerína, Sámaril departs abruptly from Imladris in the company of a healer, Brethilion. They arrive at Casarrondo (later known as Moria) to exchange their skills for mithril and gems from the Dwarves. On the way to an audience with Durin the Fourth, Sámaril sees a mural hidden in the shadows and recalls an unusual observation made by Istyar Aulendil.

Thanks to the Lizard Council for pre-reads, to Darth Fingon for post-publication edits and to Surgical Steel for suggestions concerning the elven-healer. See end notes.

In order to obtain a diamond and mithril from the Longbeards, Sámaril agrees to teach the Dwarves an unusual art that will allow them to extend their gold stores for trade, and Láki introduces Sámaril to a form of Dwarven relaxation.

Thanks to the Lizard Council for encouragement and feedback. Please see End Notes for glossary, background on Sámaril's art and more acknowledgments.

Sámaril prepares to journey with Láki to the northern mines to search for mithril but encounters Brethilion, distressed because he has been called upon to treat an important Dwarf-woman and her child. Sámaril and Láki descend into the roots of the mountain where an increasing sense of dread and disturbing dreams of shadow and flame afflict Sámaril.

Heads up for some medical stuff in the first part of this chapter (and thanks to Surgical Steel for helping out Brethilion's craft as well as a pre-read). Although he does not describe it in graphic detail, Brethilion mentions a grisly obstetrical procedure that was used in non-progressing labor before the advent of forceps for delivery; this might be disturbing for some readers. Other than that, this chapter is rated PG to PG-13. Many thanks for the Lizard Council for comments and nitpicking.

For saving Durin IV's heir and his mother (Durin's granddaughter), Brethilion is awarded with unusual gifts. With their departure from Khazad-dûm imminent, Sámaril and Brethilion are the guests of honor at a celebration in Láki's mansion where Sámaril is faced with peculiar Dwarven cuisine, finds himself the object of attraction by a Dwarven-lady and then plays matchmaker.

Many thanks and bows of "at your service" to the Lizard Council -- Jael, sanna, Aeärwen, Surgical Steel, Raksha, klose, Drummerwench, Russandol and Darth Fingon. Special thanks to Darth for linguistic assistance. See end notes for that.

Some mild sexuality in this chapter: soft R-rated at the most.

Sámaril returns to Imladris where he is met with a cool reception from Elerína and admonishment from Elrond who has deduced that Sámaril, however well-intentioned, has exposed young Valandil to the perilous deep arts. Sámaril’s evident distress resulting from these events prompts Laurefin to suggest star-gazing out on the moor where they have a frank conversation.

Thanks to all my reptilian pals on the Lizard Council: Steel for a pre-read, Raksha and Drummerwench for suggestions of where to prune a bit, Russandol for catching nits, sanna, Jael, Oshun, and Aeärwen for comments, and Darth for under-the-radar philosophical natterings about the mores of the Calaquendi and the Moriquendi. There's also a little nod to one of Rhapsody's ficlets -- Prince of Hearts -- in there, too.

Sámaril finds Elerína waiting for him at the rock where he heard Valandil cry out from the river twelve years before. There, guided by his heart, he makes a decision that will forever affect him.

This chapter is a solid R-rating for sexual content, more than "moderate" but not graphic either; just obvious as to what is occurring.

Thanks to Lizards Surgical Steel, Erulissë, Jael, Aeärwen, Drummerwench and Russandol for comments, nit-picking and otherwise holding my hand.

When Elerína and Sámaril tell Valandil of their love for one another, Valandil does not receive the revelation well.  However, when Sámaril enlists Valandil's assistance in crafting a gift symbolic of the elven smith's love for Elerína, Valandil appears to be brought round to accepting his mother and Sámaril's life together.

Thanks to Lizards Russandol, Surgical Steel, Scarlet10, Sanna, Aeärwen, KyMahalei, Moreth, Oshun, Lilith, Elfscribe, Raksha, Drummerwench & Darth Fingon for comments, lively discussion and valuable critique.

Stymied for inspiration and spurned by the diamond to be set in the new Elendilmir, Sámaril agrees to accompany Elerína to the sea so that he may learn more of the Númenórean exiles..  On the way, they visit Elerína's eccentric cousin, Apairivo, a lord of the province of Cardolan, who has a fondness for wine, whisky and a special kind of rope.

Thanks to the skinks, geckos and chameleons of the Lizard Council for their most excellent feedback and encouragement.  Special thanks to Darth for name-wrangling.

Sámaril accompanies Apairivo on his inspections of his tenants' crofts.  He discovers that Apairivo has a peculiar avocation, one that reminds Sámaril of Valandil's gifts. They enjoy the hospitality of the farmer and his wife, but when Sámaril lets down his guard, thanks to drinking a couple of generous flagons of hard cider, Apairivo asks a very direct question about an indelicate subject.

 

 

Acknowledgements:

Thanks to my fellow Lizards -- Oshun, Raksha, KyMahalei, Erulissë, and Surgical Steel (an extra nod here for Steel's generosity for sharing her toys with me in the Tolkienian sandbox) for comments and feedback, and especially to Jael for assistance on matters equine.

After Sámaril and Apairivo arrive at Farmer Butterbur's croft, Sámaril is called upon to assist Apairivo with delivery of a calf and discovers one of the ways that Apairivo uses his gift of rope from Gil-Galad.  Once again, Sámaril enjoys the hospitality of mortal Middle Men and drinks and dances with Butterbur's household. However, on the way back to the manor, Sámaril unintentionally reveals something of his past that causes Apairivo concern.  This is further exacerbated when Apairivo mentions an observation made by Carnhul, his horse, and later confirmed by the sleepy Elerína.

 

 

Acknowledgements:

Many thanks to Lizards Elfscribe, KyMahalei, Erulissë, Randy_O, Drummerwench, Aeärwen, Jael, Russandol, sanna, Gandalf's Apprentice, and Surgical Steel for comments and critical feedback on this and the previous chapter.

On their way to the sea, Sámaril and Elerína travel down the Baranduin on The Otter's Tale, a traders' keelboat, manned by a motley crew of Middle Men, including the superstitious but well-meaning Captain Rinan.  Elerína makes an offering to the River-mother, but will it deflect the threat of the Elder King's fierce storm that bears down upon them?

 

Acknowledgements:

Thanks to Surgical Steel for the nattering that led to the term "the Wind-lord's finger" and to Lizards Darth Fingon, Aeärwen, KyMahalei, Oshun, Elfscribe, Erulissë, and Russandol for picking nits and comments.  Deep-fried cockroaches with tartar sauce for all!  And an extra serving for post-publication nit-picking from Drummerwench!

Please see end notes for more acknowledgments.

Captain Rinan and the crew of The Otter's Tale deliver Elerína, Sámaril and Sigilros to the haven of Gaillond, a seaside town near the mouth of the Baranduin.  There the port reeve and others welcome Elerína, the widow of a king and the mother of the king-to-be.  Limaerel, the housekeeper, shows Sámaril and Sigilros the villa built by Tar-Aldarion, but personalized by Isildur.  Sámaril finds that the many reminders of Isildur have an undesirable effect.

Rated R for sexual content.

 

 

Acknowledgements and such: Thanks to Darth for much under-the-radar nattering and generously allowing me to reference his canon (the black lobsters). Same to Surgical Steel. I give a quick nod to her Zâmin, the noblewoman of Umbar, who was Isildur's first love.

Gaillond is, of course, non-canonical (*faints from the shock*) but to me, a logical extrapolation: one would think that a port town might exist near the mouth of the Baranduin, which may have served as the waterway to Annúminas.  Gaillond bears reference to the Gloucester of New England and Wales. From Wikipedia: "In Old Welsh, the city was known as Caerloyw, caer = castle, and loyw from gloyw = glowing/bright." 

I also invoke the right of "translator" for the blatant use of Latin. Surely there were words in Quenya for the equivalent of a frigidarium and caldarium. I just don't know what they are, and Sámaril and his former mentor are of no help at all..

Uin the Great Whale may be found in The History of Middle-earth, Vol I, The Book of Lost Tales I.

Many thanks to the Lizards for the pickin' o' the nits.

Because it has been a while since I updated (almost a year), I'll recap briefly: 

Sámaril (Ringmaker and Annatar's former apprentice, now master of the forge of Rivendell) and Elerína (Isildur's widow and now Sámaril's lover) and have arrived in Gaillond, intending to spend the summer there. The jewel that Sámaril has obtained from the Dwarves, and will use for the new Elendilmir, resists his attempts to apply the deep arts to it. Elerína believes this is because Sámaril needs to learn more of the Sea and the descendants of the Númenóreans who live and die by it. Hence, they arrive Gaillond, a port town northwest of the mouth of the Baranduin River. This chapter picks up about three weeks or so after their arrival.

Thanks muchly to the Lizard Council for their grooming and suggestions for the motifs on the ships' colors.  Darth Fingon's name generator came in handy, too.

 

 

Although I have noted characters in the End Notes of chapters, a more or less comprehensive list is provided here.


Comments

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Oh dear, for a few seconds I thought that Thorno would not make the end of this chapter. And Isilmë, I am worried how she will make it through the next blow. I feel so attached to your characters that I want them to be happy and unburdened by sorrow. Another matter I ddi found intriguing is a what if... what if the Istyanis did find out on time or would have been involved. An intriguing thought (although I can see why Sauron shut her out). And that moment of fear and dark thought... perhaps Sauron probed the connection? Hmmm, very intriguing!

"I feel so attached to your characters that I want them to be happy and unburdened by sorrow."

Unfortunately, they face hardship like all of us do.  But they have their joy, too. 

"Another matter I ddi found intriguing is a what if... what if the Istyanis did find out on time or would have been involved."

All the Threads lead to the creation of the One Ring in my 'verse so it wouldn't have mattered.  She was in as much denial as any of the other smiths. She does get uneasy about the influence of all the Rings on the general atmosphere of Eregion, and that will be explored later. 

"perhaps Sauron probed the connection?"

Maybe.  Or someone else connected to Sauron and Sámaril. >:^) 

What an intriguing thought, a realm ruled by two Maiar with elves living there as well. I think the connections are just brilliantly, also leaving me to wonder to where exactly the two Blue wizards left off to. There is one bit that is just so incredibly funny (I know Sámaril didn't meant it to be funny at all):

 I bridled at her remark. “They concern Gil-galad the King and Elrond. They concern me. I am here with you, aren’t I? Not off singing that ‘tra-la-la-lally’ nonsense.”

Memories of the Hobbit here! Two chapters in one day, I feel so utterly spoiled as a reader!

I have to confess to a caged plot bunny concerning the Blue Wizards, Lord Rama and the hidden kingdom, but it's pretty ill-defined at this point.  I greatly favor Tolkien's later writings about the five wizards in the Peoples of Middle-earth and his comments about the Blue Wizards.  There JRRT named them Morinehtar and Rómestámo and says that they had a great influence on the history of the Second Age and Third Age by weakening and disarraying the forces in the East.  So maybe they allied with Rama and Sita?  Or an alternative: Lord Rama had blue skin  (referring to his incarnation as Vishnu) so...heh. 

Thanks, Rhapsy!  I enjoy spoiling you. :^) 

I'm curious as to why Aulendil excluded Melamire from the crafting of the rings of power. The action scene with the trolls was exciting--it reinforces my "Hugh Jackman" image of Samaril, he's not just an geeky smith, he's also an "action hero".   I'm liking how things are progressing between him and Elerina but I feel that something's going to happen to Isilme soon.  Thanks for adding two chapters! 

What I loved most about this chapter is the reference to the "hidden" Eldar/Maiar Kingdom in the East, presents lots of exciting possibilities. I find it so endearing of Samaril to think that gray hairs are an "exotic" feature, he really has it bad for her.  The more I read, the more convinced I am that Sam will be sticking much, much longer than I had originally thought.

I also liked the scene of Aulendil in Numenor and his encounter with Elerina. Connecting the dots...I feel that we will hear more about that special brooch.

And a big "woo hoo" to the kissing scene between Elerina and Sam though I feel sorry for Midloth...whatever's to become of her.

Laurefin's accounts of the siege made me shiver, especially the mention of the cannibalism.  But still, it's great to read a more detailed and "textured" account of this battle, something that in my opinion the books did not give enogh focus on. Your "legend" of the Dead Marshes made me jump to the passage in the book--it's always been one of the most fascinating passages in the LOTR.

I was thrilled with the mention of Melamire and can only wait with bated breath to see how it will all develop.  I found myself raising my eyebrows a bit at Sam's "concern" about the newly-found happiness of Thorno and Lairiel, maybe that's why Elerina reacted that way.

Another enjoyable read. 

Thanks so much for following this WIP, whitewave.  There's so much more that could be told about the actual siege, I would imagine.  The reality of it (I mean, stuck for seven years on an arid plateau only thirty miles from an active volcano?) must have been horrific and a story unto itself. The Dead Marshes always intrigued me, too.  I'm kind of waving the wizard's wand at the speed of their formation.  Yes, Sámaril's full of conflict when it comes to "proper" behavior for widows and widowers which sometime results in his being judgmental (and hypocritical). 

I have been taking in this chapter bit by bit, feeling so for Sámaril and his current struggles, to me it feels as if he just can't let go of his past, the memories, the love and honour he feels as opposed to Thorno who with Lariel seizes the day. In a way it makes sense that Elerina would reprimand him gently for that, however at the same time it just feels to me that she doesn't see the source of his struggle, this being on the backdrop of Laurefín's letters about the war. All if this leaves me to wonder about the breaking point of Sam, or perhaps I am reading way way way to much into this :)

This was a wonderful chapter, the description about Anárion's death read very economical, yet it made sense to me why a warrior would not dwell too long on this, given that he also has to keep his head high and concentrated. I am curious what will happen next :) Especialy when Isildur comes back with the ring!

Sámaril does have difficulty letting go of the the past, but I think that might be a characteristic of the Firstborn -- that tendency to look back.  And you're right.  Elerína doesn't acknowledge (or at least as far as we know, since it is Sámaril who is narrating) his struggle although she may be aware of it.

Re: Anárion's death.  I had to restrain myself with those letters. I could have gone off on all sorts of tangents, something I struggled with in any case when writing this "transitional" chapter!

Thanks so much for following the story. My rate of posting new chapters will slow down, thanks to the new gig, but I know where I'm going and hope to keep you (and the other handful of readers) entertained along the way.

This chapter has so much to recommend it that I do not know where to start. I adore the creation of a myth to explain how the dead marshes were formed and what they looked like to those who first saw them. Really love Glorfindel's letters. They really give a sense of his personality, his relationship with Sámaril, and marvelous pictures of what they were enduring at the front. Also, now that I read your other story in this arc, which includes Glorfindel, the whole thing takes on a completely different aspect. Always liked Glorfindel. (Also, wondering if you are going to able to work in Glorfindel's encounter with the witch king before the end of this story or if that is too far from your main storyline.)

Once again, your original minor characters are well drawn and memorable. Sometimes reading when fanfic it is hard keep track of OCs when there are a lot of them, but in your stories they really come to life and are distinct for one another.

Love the continuing exploration of the relationship between young Valandil and Sámaril. Love the gift-making scene and the gift-giving one as well.

Great ending: "Tears welled up in my eyes, but it was only the sting of the cold wind that made them do so." Yeah, right, Sámaril. You really think I am dim enough to buy that?

(I have no idea how I missed your draft of this on the LC.)

Many thanks for the comments, oshun!  I probably should have stuck a little note in the Bribery Court.   With regard to Glorfindel, for every 50 Tolkienian fan fic writers, there are 50 different versions of Glorfindel. I have to admit that because of his popularity, I am a bit intimidated when it comes to "writing" him.   I'm relieved to know that a sense of personality emerges here. In the Pan!verse, he's much more of an intellectual than most give him credit for, and I tend to think his "inner nerd" recognizes and appreciates Sámaril as a kindred spirit.

On the minor OCs: I have become very fond of Thornangor, so he'll have a recurring role.

Thanks again!

What a beautiful chapter, so elegantly written as the falcon's poetic cry. I loved the start, it just really pulled me in immediately  and wow, little Valandil has a knack for the deeper arts. As I was processing this chapter, I was thinking how much Sámaril does not understand why Isilmë would embrace her gift of death so gratefully. My thoughts did not went back to Finrod and Andreth, but more to one of the causes which made Numenor fall: the obsession with death and seeking out means to understand it. To me it feels that Isilmë being the leading lady from Numenor would show to the other refugee this gift of Iluvatar, instead of prolonging it. Of course, besides that: loosing your love of your life - which so clearly shows in your drabble series - just can be enough to let go and follow him.

 Just gorgeous and smooth reading, the usuage of Turko for Valandil as a kinda epessë made me smile. Would the boy also have the temper? ;)

Thanks so much, Rhapsody, for your loyal reading and for your kind comments.  I'm honored.  Yes, Isilmë will leave her life with grace (although I am anticipating this will be a difficult chapter for me to write emotionally speaking) and this will be to Sámaril's benefit.

"Would the boy also have the temper? ;)"

Ha!  I think the mold was broken after Celegorm was made.  Valandil's more even keeled, I think. :^) 

This chapter had me thinking of LOTR, especially the way Valandil "mirrors" Aragorn and the role Samaril could possibly play in the future.  I'm also curious why I had goosebumps while reading the little scene of Aulendil in the garden with the little elf girl and on to her eventual fate. 

I'm curious to know what will happen when Isilme meets Sam again and what he and Elrond will discuss.  As always, every chapter of yours answers some questions and makes me ask some more--very worth the few minutes spent in reading.  Looking forward to more as always.

PS: The very little mention of Celegorm was a sweet treat for this incurable Fëanorian fan girl.

Thanks so much for reading, whitewave, and for the comments.  Yes, in my old noggin, I'm seeing a connection through the generations between the sons of Isildur and Aragorn.  If you got goosebumps when reading that scene in the garden, then I've done my job in conveying my version of Sauron and his complex nature: just when you warm up to him, he does something heinous.

I'm so glad to see a new chapter - despite all your other commitments!

 The shock - both good and bad - of the war ending comes over very well. Life has changed for Isilmë, Elerína and Valandil, and even for Sám...

Attach one silken thread to you
For my returning.

Those lines are very, very unnerving if you put them next to your last chapter of 'The Apprentice'! (Doubtless I'm reading far too much into that, but... *shudder*.)

I will try to be patient for the next chapter...

Heh.  Yes, my day job does strip away some of my "writing energy" but Sámaril's story will be completed!  He wouldn't have it any other way. :^D  The next chapter is coming along soon-ish.

Thanks so much for the comments, and I am glad to hear the impact of the end of the war came across to those on the home front.

You're not reading too much into the "thread of returning."  That connection to the final chapter of The Apprentice is quite deliberate.  

Thanks for your readership and your patience! :^) 

The mention of tea leaves found in Barad-dur had me hoping to read more about one of your OFC's.  Until then I am "tantalized".  :-)

I liked your more flawed and more "human" portrayal of Elrond here--it's a good and plausible explanation as to why he wasn't that eager to convince Isildur to destroy the One Ring. How the thought of this moment must have haunted Elrond by the time of Aragorn! 

Thanks for the update and as always, I'm looking forward to the next one.

 

Thanks very much for following along, whitewave, and for the kind words.

Oh, that OFC will doubtless make another appearance or two.  She'll get her own story eventually.  Part of the portrayal of Elrond is backlash to Movie!Elrond and Peter Jackson's rather harsh portrayal of Isildur.  In the books, Tolkien is far more nuanced.  Eventually, I would think Elrond would be ready to accept destruction of the Three's powers, a la the Council of Elrond in the Fellowship of the Ring, but at this point, I think he wants to use Vilya's power.  But that's my interpretation -- the same kind of technology can be used for good purpose or for bad purposes.

I have the next chapter in rough draft stage.  Sámaril has been remarkably patient with me. :^D 

Was that lapsang souchong tea? ;) Oh, and black powder! I've always thought black powder was a good explanation for the explosions at Halm's Deep and for the first two circles of Minas Tirith suddenly going up in flame during the siege.

Samaril's curiosity about spiderwebs really rang true.

I loved the debate between Elrond and Samaril over whether or not the Three should be used. Samaril makes very good points about new life coming out of death and destruction. I don't think I've ever seen anyone argue that death *wasn't* part of the marring of Arda, but part of the natural order, so that was cool.

Elrond's continued quiet grief for his brother, that really rang true as well. I enjoyed this chapter very much!

Please allow me to squee at the happy discovery that you're reading this. :^)

Oh, yes, that is lapsang souchong.  I see my version of Sauron as more of a black coffee and cigar kind of guy but I think he likes black tea, too.  

The explosions at Helm's Deep intruiged me to no end when I first read the books (err, 40 years ago) and as I matured and learned more about Tolkien himself, I thought his use of contrast was telling:  black powder in Gandalf's fireworks - Good!  Black powder in Saruman's hands -- Bad!  Same technology, different applications.  That's what I'm going for here.  Although I can't imagine the environmentally friendly Silvans or even Sindar having much truck with this technology, I can imagine the Noldor not being -- uncomfortable -- with it.

Re: death as the natural order of Imbar (the world).  Yep, I have a tendency to pick up the stones of so-called canon, turn them over, and look at them from another direction. :^D

Thanks so much for reading and for the compliments and comments.  Much appreciated!

Hmmm what an interesting observation at the end of this chapter by Elrond, but first.... team Mythbusters in Middle-earth! I am certain Adam Savage and Jamie Hyneman would approve (or would love to test what the elves did with bat dung). I can't help to think how much Numenorean is instilled (or perhaps that of Earendil) in Elrond: his reasoning, to prevent decay and death at bay makes him very much alike the descendants of Elros. And oh the introduction of a new OFC (and more thirst to want to read more about them!) Culinén, she sounds fascinating!

Hee!  The Mythbusters' reference cracked me up.  And it's true!  I mean, how did they bring down the Dark Tower?  I made some more comments about this to the Steelie one in her review of this chapter.  Very cool observation on Elrond, too.  That preservation theme is so strong throughout Tolkien's works, and JRRT so often looks back at "Paradise Lost,"  the regret at losing what he saw as the golden age of the past -- and what his elves see, too.  

Yes, yes, yet another OFC, but as Mélamírë's mother (Culinén is her father-name), she's vitally important to the next Pandemoniacal novel.  I have plans for a forthcoming and more detailed appearance by her in a forthcoming chapter of The Elendilmir.

Thanks a million for reading and commenting, Rhapsy!

Oh, excellent - you found a good title :D

I really enjoy this chapter, especially the way you cover the battle scene. That certainly works for me! And the rather creepy effects of the rings of power - and Sám's understandable distrust of them - is very well portrayed.

And now, the tantalizing question of what Sám intends to do with the spider-web...

Shelley's always good for pithy words. :^D

I am so relieved that the battle scene worked for you. Those are not my forté, but I managed to give it some thought!

Tolkien's writings on the Rings and the elves as embalmers in his letters led me to take that spin of all the rings, inclduing the Three, as being not something natural to Middle-earth.

Sámaril can hardly wait for me to tell you about the spider-web!

Thanks so much for reading, for commenting, and for the always valuable picking of the nits. 

I love this chapter - the meeting of Samaril and Feanor and their collaboration in repairing the palantiri is wonderful!  I love it that Feanor is so eager to know of the strange things that will happen in the future, but is stopping himself from learning too much and taking chances on changing that future.  This is a Feanaro who knows how to control himself.  Like Samaril, I felt sad for him...

Thanks so much, Raksha, for reading and commenting.  I'm flattered to say the least! 

I had a lot of fun writing this chapter with its "scientifiction." Being a shameless fan of the genre (sci fi), I immediately thought the the problems of time paradox when Fëanáro and Sámaril "meet," and the former's burning curiosity.  That resulted in some entertaining thought exercises!  I draw a lot of inspiration for Fëanáro's character from Dawn's Another Man's Cage

Oh, wow!  I really, really, really (have I said that enough to get my point across?) enjoyed this.  I think the Samaril saga is wonderful; it is what originally led me to register on this site, so that I could tell you how very fascinating I find them.  This chapter was particularly lovely.  It has so many interesting things – the tea (I am on the edge of my seat waiting to hear about how and when Sauron made the connections that enabled him to acquire the tea and where else they led him.  And, of course, he’s a coffee, cigar, fine wine, and black tea sort of dark lord; doubtless he enjoys fine brandies and single malt whiskey too!), the spiderwebs (?!), and the gunpowder. 

But I most appreciated your very human portrait of Elrond as well as his attachment to Vilya.  As you seem to have intended, I found it to be a much needed corrective to both the movie and also the book’s vision of Isildur and, indeed, of Elrond himself in terms of demonstrating precisely how dangerously appealing the rings were (both to make and to keep) and also illuminating how difficult the task of destroying the One would be.  It seemed also to provide an answer to why Elrond and Galadriel remove themselves, to a certain degree, from the task of destroying the Ring; they’ve already had a taste of its power and appeal.

I found it to be remarkably interesting because I am also fascinated by Tolkien’s description of the elves and their desire to preserve their world.  I tend to think of them in terms of peoples who have experienced cataclysmic events.  Not only do such peoples often tend to see the period before the destruction as a golden age but they also want to return to it.  I think, and here I’m on some marshy ground as Tolkien was emphatic in his determination that his works not be considered allegory, that the Professor, as a man who lived through the First and Second World Wars, would understand and sympathize with the desire to recuperate a lost time – These fragments I have shored against my ruins, if you will – even if he would come to find it an impossible and potentially destructive endeavor. At the same time, it also becomes poignant because it is such an impossible task. I would imagine that so many talented persons were lost in the conflicts described in the Silmarillion that significant knowledge and important skills were lost and that they were not easily replaced, if they could be replaced at all.  As a result, Aulendil is difficult, if not impossible to resist, because he has knowledge they do not and Samaril has to remain behind because he has skills that cannot be replaced.  This loss of people with their abilities would also seem to provide another reason for Elrond’s desire to wield Vilya although I am not sure if you agree.  With so many elves lost in the wars and to the West, he may have found the prospect of maintaining Imladris to be daunting; he might have seen Vilya’s power as a necessity if he wanted to maintain elvish society in any semblance of its current state.  The rather enormous downside, of course, seems to me to be increased alienation of the elves from the other peoples of ME and their loss of their ability to adapt, such as it was.

Apologies for the wordy review, but there was much food for thought.

Deleted and reposted to (full disclosure, yes, I am this type-A) to fix an allusion and to deal with some of my more opinionated statements.  Just my thoughts and they do reflect considerable admiration for your work.

First, many, many thanks for the insightful comments, Lilith!  I can't adequately express how much I appreciate your reading The Elendilmir and your considerable thought.  Your remarks made me "squee" (as they say in ficcish parlance) with delight!  And please, no apologies for a "wordy review."

I can't tell you how much I agree with you on the Jacksonian interpretation of Elrond and Isildur!  Don't get me wrong.  There were things about the movies I certainly liked.  But Movie!Elrond's contempt for Men was a bit hard to take for book-oriented person such as myself.  After all, Elrond carried the noble heritage of the great houses of the Edain.  Isildur as depicted in The Disaster of the Gladden Fields in Unifinished Tales clearly shows his regret and realization that the Ring is a bane, and Tolkien further depicts him as essentially a noble man.

Anyway, yes, Elrond does have a very human attachment to Vilya.  The attachment (to my mind) is not consuming like that of the One, but given the common "technology" used to make the Rings of Power, there may be some echoes of it in the Three.  Same technology, but to a good purpose for the Three that is.

I love your analysis of the desire to rebuild what was lost, and your tie-in to JRRT's experiences.  I think the latter is quite a legitimate connection.  Tolkien explicitly said that his works were not allegorical, but he did say there was applicability.  Tolkien most certainly looked back to a golden age and was none too keen on "progress."  Although I approach his universe with deep affection and respect for his achievements, I also view these in my cynical dotage as one of his reviled "progressive apes."

Your remark that Elrond might wish to wield Vilya because of the loss of so many talented people is a very insightful one, and yes, I would agree with that.  Sámaril, as first person narrator, may be arrogant (I like him, but he has his failings) enough to think his skills are enough with some bolstering by his colleagues. ;^)

"The rather enormous downside, of course, seems to me to be increased alienation of the elves from the other peoples of ME and their loss of their ability to adapt, such as it was."

Absolutely!  And in fact, this is one of the overarching themes in the entirey of the Pandë!verse and why its conceptualization causes me to label this an "alternative history" in which it is corrected (albeit with ambivalent and profound results) even though I draw upon canonical* sources.  I just may interpret the latter in a skewed way. ;^)

Again, many thanks!  I'm thrilled to have a reader here like yourself.  You're joining others who are following the story and help provide incentive to keep pushing along. Sámaril is now looking out over Lake Evendim and getting a bit impatient with me. ;^)

*I increasingly find it more useful to apply the term "mythological" as opposed to "canonical" to Tolkien's works.  His poem "Mythopoiea" crystallized that for me!

Oh gosh, that end has me crying as well. Gone are all the words and compliments that I wanted to say, as if suddenly nothing else matters than the thought that he will have to let her go, someone he so deeply loves. I am not sure if its healthy to sob along with him (him being a fictional character, but I do adore him so much), but let's just say: what a powerful scene you leave us with. Coherenceness will one day follow, since there was so much more I wanted to say.

Fancrone moment:  This is the first chapter where I visualized Samaril as the gorgeous Greek model whose picture you posted in LJ and it so fits! 

Now on to business. This was both a heartbreaking and heartwarming chapter for me in so many ways.  I always enjoy reading about his interaction with the Second-born and the city scene with the children made me like Samaril all the more--it reminds me a lot of some scenes in "The Apprentice". He has his faults but his heart is in the right place.  I really think he will have a use for all his insights in the human/mortal psyche in the future.  It's enjoyable to pay attention to details in your stories because it has me anticipating what you intend to do with them in future chapters.  I had to smile at his hormonal moment with Melamire's mom though. The mention of Melamire also has me excited about your other story you're working on. :-D

The last scene made me realize how certain events in Samaril's life seem to parallel his old tutor's very much.  Looking forward to more, as always.

Heh.  Yes, I think Theo is a pretty fair approximation of my mental image of Sámaril, but then I think said guy is an ideal for about a dozen other men of Middle-earth! :^D

I've always been intrigued by the interactions of Men and Elves, both human, each very different.  Sámaril most certainly will be able to use his insights into his mortal brethren and also his familiarity with Sauron/Annatar in a way that I hope will be satisfying for The Elendilmir's readers.

With regard to Mélamírë, if you go to the Bad Clam and my user profile, click on "ost-in-edhil."  I wrote a short story for Surgical Steel which features the elven-smith, and it resides there.

Thanks a million for reading and commenting, whitewave!

Fascinating chapter.  I loved the descriptions of Annuminas; it's so sad to think that this vital, exciting and beautiful city will be ruined - but at least we know it will be rebuilt.  Samaril's feelings towards the illness and death and decay of mortals are well-written here, even the most tolerant and compassionate of Elves would probably have difficulty accepting the brevity and fragility of human life.  His love for Isilme is particularly well-written on what seems to be their last meeting.

Thanks much for reading and for the kind words, Raksha!  Annúminas is one of those places in Middle-earth that Tolkien wrote about in such a tantatlizing way -- just enough information to really pique one's interest.  Like you, I very much like the idea that it will rise again.

I'm gratified that Sámaril's reactions toward mortal death come across here.  I'm always walking a fine line in writing Sámaril (and other Firstborn) as decidedly human (Homo sapiens eldarensis ;^)) but Other. 

That last meeting will continue in the pending chapter. 

Wow!  This was such a lovely, poignant chapter.  It’s written beautifully as well; the description of Annuminas at the beginning is pure poetry.  I enjoyed how you handled Samaril’s reactions to being, once again, in a mortal city.  In particular, I greatly appreciated the nuanced manner in which you developed his emotional responses to the morality of the Men in the city from the strangers in the market to the queen he loves so dearly.  I found his progression from pity and concern at the suffering experienced by the young victim of firepox (smallpox?) mixed with an awareness of his own physical hardiness (I didn’t want to say superiority but I do mean the fact that Samaril’s body is more resilient than those of mortals.) to his shock, fear and revulsion in response to the frailty and mortality of the queen and then to love and grief at the end to be both realistic and touching.   I thought it was realistic in that I think sickness and death would be alien and repellent to him as it is the ultimate indicator of difference between his kind and Men.  But I also gained an appreciation for how much Sam has grown from the sensitive yet arrogant soul who’d traveled with Aulendil to the man who was able to put aside his instinctive responses to mortality and his own awareness of Man’s difference from himself to confront the impending death of one he loves with such compassion and sorrow.  I also appreciated how it illuminated his difference from his mentor; to my mind, Sauron is so certain of his own superiority that he appears to have ultimately lost any sense of his connection to and ultimate kinship with other sentient beings.  It is not a little tragic that he is one of the ones to emphasize the connection and kinship between Men and Elves to Samaril and thus to lay the foundations for Samaril’s compassionate view of men and that he falls so very far from being able to feel that compassion. 

And Culinen!  A healer in the house of Feanor! I love it and all the connections with creation, healing, decay, destruction and redemption it implies.  After that teasing intro, I shall have to settle myself down to wait to learn more about her. 

On a more speculative note, I am very interested in the emphasis you’ve placed on the physical bodies of the characters in your works.  I loved the tangible contrast between the frailer bodies of men who succumb to sickness and (irrevocable) death seen the firepox scars on the face of the boy and in the quick fashion Samaril is able to recover from his own physical (though certainly not emotional) injuries to highlight the differences between Elves and Men; that’s far more intriguing that pointy ears in my humble opinion.  But I am also fascinated by the other connections you’ve drawn between physicality and identity; I was intrigued in the Apprentice that the Aulendil aspect of Mairon was more comfortable in fair form while Gorthaur was not. I wonder whether there is a connection between the evil actions committed by Sauron and his inability to retain a fair form beyond the trauma of the drowning of Numenor.  But I suspect you’ve got something more interesting in store.

 

Thank you again for the lovely addition.

 

Lilith

And thank you for the lovely review, Lilith.  I am both humbled and wildly flattered!   I'm keenly interested in exploring the interactions of Elves and Men (as you might have guessed :^)) so bringing Sámaril to Annúminas serves to examine his continuing relationship with Men. This will not be the only time he visits the city.

Yes, I'm thinking that firepox may indeed be smallpox, or at least an equivalently nasty viral disease in my imaginary world.

I'm so gratified that Sámaril's development from his callow youth in The Apprentice to a mature man of the Firstborn is coming across.  It's intimidating to write an elf.  I attempt to use thought exercises of what an indefinite lifespan would do to a human in terms of inner psychology and the experience of the world and culturally as a people.  I don't think the impact can be underestimated, and I expect my imagination of it is inadequate. My mother, who is 94 years old and in possession of fine mental acuity (she's a voracious reader) and pretty good physical condition for a woman of her years,  doesn't obsess about her friends dying, but she mentions it often enough.  So if someone could live (and be in physically and mentally prime condition) for many centuries, one could see why such people would self-select the company of their own kind.  Too much pain otherwise.  But Sámaril, for whatever reason (and we'll get to that) is drawn to Men, not unlike Culinen. Maybe a family tradition in her case -- and I'm pleased that you guessed who Culinen's father is.  I tend to be coy about naming names and tend to torment my readers.  I do leave a lot of breadcrumbs of clues lying around. 

"all the connections with creation, healing, decay, destruction and redemption it implies."

Those are major themes here, in Trinity (especially Trinity), The Apprentice, and elsewhere. :^) 

" I am very interested in the emphasis you’ve placed on the physical bodies of the characters in your works"

I think that's partly my life scientist coming through.  I'm not big on Cartesian dualism, but Tolkien's world certainly is.  I address that by recognizing the existence of fëar and hröar among beings in my tertiary world of JRRT's secondary world but that the hröa is not just a "vessel" or fleshly "raiment" for either Elf or incarnated Maia.  The body has an intricate connection with the mind and influences thought and behavior. 

Interestingly, there's an allusion in JRRT's writings that Sauron could not assume a fair form after Númenór because of the evil he had perpetrated on said island.  I have a draft in the works about Sauron's discovery of the fell beasts which in my 'verse takes place not long after he moves from Dol Guldur to Mordor.  His post-Númenør/post-loss of the Ring form is addressed then.  He's convinced it's a punishment from someone higher up and complains about it, of course.  Anyway, the better fit of "Mairon" to the fully human form (Homo sapiens eldarensis) due to its resemblance to his original "good" template is a nod to Tolkien's remarks. 

"Sauron is so certain of his own superiority that he appears to have ultimately lost any sense of his connection to and ultimate kinship with other sentient beings." 

That resonates with "Morgoth's Ring" in which JRRT wrote that Sauron's original love of other intelligences became limited understanding.  He understood Saruman very well but did not "get" Gandalf.   Tolkien  also remarked (HoMe, Morgoth's Ring and also in his letters, I think) that Sauron's fall was worse than Morgoth's because of his temporary return to good.  JRRT's also remarked that no rational being could be Absolute Evil although Sauron at his worst came close.  That is why in my 'verse, he maintains a conscience and moral conflict, even to the very end, even if these are relics of what he once had.  To me, that makes his deceit -- and his fall -- that much worse.  

"Thank you again for the lovely addition."

You are most welcome, and thanks for giving me the impetus to keep at this! 

Lovely as usual.  There are so many wonderful things about this and I have no idea where to begin, so I'll dive on in.  I am, as always, intrigued by your interpretations of canon -- your 'verse is a marvelous place to visit.  I absolutely loved the introduction of, oh heresy of heresies, the steam engine and I appreciated your nuanced discussion of the divergence between Elendil's and Isilme's responses to it.  Elendil's understandable horror because he knows the challenge that these technologies pose to his manner of life and is aware that they are intended to be used to undo the order of his world, but Isilme's ability to differentiate between the technology and the use to which it is put. I think she might have seen the beauty in the skyscaper/towers if she might have been worried about the ambition expressed.  She is quite a lady, that one.  I was also caught by your references to the moon worship of the women in the court (and out of it too, I suppose); I liked the fact that it had predated the interaction between Men and Elves and between Men and Morgoth and that it has the overtones of rebirth and renewal as well as the associations with feminine power.  Lastly, I am always caught at the continued unravelling of the complex relationship between Samaril and his mentor and I am always impressed at the way you sensitively handle all of those big questions about whether or not it is possible to know another person (or yourself -- I've been reminded of Pinter lately, sorry.) and whether or not it is possible to love or have been loved by someone capable of great evil.  I can't express enough that I am so greatly impressed by your ability between things on a grand scale as well as the intimate.

An awesome work, and I cannot wait to see how you continue to develop it.

 

Thank you so much for the comments and compliments, Lilith.  Although I avidly study JRRT's works as a fount of information, I view the entire body of the legendarium less as canon and more as mythology, which allows for a great deal of fluidity while still remaining grounded in a place familiar as Middle-earth. Because of the mythological aspect, I self-indulgently weave in other mythological traditions, some from Northwestern Europe and some from farther reaches.  I'm hardly the first to do this though.

Isilmë's more charitable assessments of the engine-driven ships give a nod to Gandalf's Apprentice (she has stories archived here on the SWG and more yet at HASA; I highly recommend them) who, when we were discussing the interpretation of the Númenórean engines as the work of "evil," offered a similar viewpoint.   

On those big questions...in our primary world, looking at those we deem evil and finding underlying traces of humanity there is a very uncomfortable exercise.  Similarly, peering into the "good" and finding echoes of greed, hate and envy is terribly disillusioning.   

Thanks again for your wonderfully encouraging comments! 

Thanks for another enjoyable chapter.  I liked the way you described and fleshed out the death of a Numenorean as well as the funeral rites that followed.  I've always wondered how someone "chooses" to die in Tolkien's world after I read about Aragorn's death.

The geek in me found Sámaril's discussion with Finairon delightful, especially because that passage struck me as well when I first saw it and I think it was one of passages that convinced me that a particular cross-over story (wink wink) of mine is not as "far-fetched" as I first thought.

As always, can't wait for the next one.

Thanks so much, whitewave!  I probably should have done some more research on ancient funeral customs. Maybe Elerína should have put a gold coin under Isilmë's tongue for her payment of passage on Fui's black ship, Mornië. ;^)  I could probably come up with some sort of "scientifictitious" explanation of the voluntary death of the Númenóreans, but my dark muse advises me that would spoil the mystery.

And I neglected to point out this passage from The Silmarillion: 

For with the aid and counsel of Sauron they multiplied then: possessions, and they devised engines, and they built ever greater ships. And they sailed now with power and armoury to Middle-earth, and they came no longer as bringers of gifts, nor even as rulers, but as fierce men of war. 

Now if that isn't obvious, I don't know what is!  A lot of the terrifying technology that JRRT experienced on the front in WWI exists under the radar in his works:  the aforementioned engines, darts like thunder, explosives (Helm's Deep in particular, and as SurgicalSteel asutely observed, what sounds like a chemical warfare agent (a form of mustard gas?) used against the Ents in The Two Towers:

One of them, Beechbone I think he was called, a very tall handsome Ent, got caught in a spray of some liquid fire and burned like a torch: a horrible sight. 

Then there are the "tanks" full of orcs that attack Gondolin.  Naomi Mitchison described The Lord of the Rings as "super science fiction."  Sounds jarring, but scratch the surface of Tolkien and there's some sci fi lurking beneath the mythic fantasy.

I'm sure the Iterendi was driven by some sort of (ahem) "magical device."  But not a bad one.

Thanks again!  The next chapter is in draft stages and the one after that sketched out. 

Gorgeously done death scene. Just lovely, and really fitting for Isilme - and I loved the touch of the falcon (her guardian Maia, perhaps?) flying into the West.

The funeral - well, of course Valandil wants to remember his grandmother some other way. It's a good thing that Samaril is there for him. And the engineer! That was a wonderful interaction, and explains so well how so many might have fallen under Sauron's sway so easily - not all of them because they believed the dark religion, but some because they just had an insatiable need to know.

The 'darts like thunder' made me think of bullets at first, but I agree it could work for ballistic missiles. Definitely everything in that passage suggests highly advanced technology to me!

I enjoyed this!

Oh, yes!  "Darts like thunder" certainly could be interpreted as bullets!  I also pulled out a passage from The Silmarillion and quoted it in my response to whitewave's comments.  Tolkien explicitly stated that engines were devised.  Seems like there's quite a bit of 19th century/early 20th century technology lurking under the surface of the mythic language.

I'll give props to oshun who wanted to see a bit more interaction between Valandil and Sámaril, and made sure I articulated Sámaril and Finairon's mixed feelings clearly.  Of course, now I'm very curious about Finairon's backstory, but I must resist the pull of another OC. :^D

The death scene was not easy to write from an emotional standpoint (tapped into personal experience) so I'm glad it worked!  And yes, that is a an accurate assessment of the falcon.

Thanks so much for reading and for the much appreciated compliments and comments!

Another great chapter!

Isilme's death is both beautiful and just a bit scary; that she can consciously trigger a physiological process that will very shortly end her life makes sense, but is somehow rather awesome and dangerous - perfect for a Numenorean.  Faniel's leavetaking was a perfect touch.

Samaril's conversation with Finairon was fascinating; raising the ages-old conflict between the uses of powerful technology in Finairon's invention of steam engines which could be used for good or (as they were) in Sauron's fell design that brought down Numenor.  It's a perennial question - fire can warm the house or burn it down.  Iron can reinforce a dwelling or strengthen weapons to kill others.  It's not such a huge step from a furnace to keep people warm in the winter to bombs is it...Where does one draw the line?

You might have said elsewhere who Melamire's grandsire was, but I don't remember...

Excellent disposition of Anardil and his cohorts - though doubtless the death of Isildur and his sons will embolden them.

Thanks so much, Raksha!  I am immensely flattered that you're following the story. 

The nature of Númenórean death always has intrigued me, that they could voluntarily give up their lives.  I would guess Tolkien had a more spiritual process in mind , but must be a physiological process, too.  

Glad you liked the conversation between Sámaril & Finairon, and indeed, that is one of the overarching themes of all my fic: the two sides of technology.  JRRT addressed this, too.  I'm just more flagrant about it than he was. :^D 

I figured sending Anardil and cohorts off the Rhudaur might sow the seeds for the distinteration of Arnor upon King Eärendur's death in 861 Third Age and the struggle among his three sons.  Moreth remarked that surely that must have been akin to the War of the Roses.  I know some writers have focused on the Kinstrife in Gondor.  I'd love to read interpretations of the fall of Arnor, e.g. the events leading to Eärendur's death and the civil war among his sons.  So I couldn't resist planting the seeds of discord back to Elendil's time.

I haven't come out and stated who Mélamírë's grandsire is.  I admit that I'm kind of coy about that since she isn't the type to flaunt her rather loaded inheritance but would prefer to be judged on her own merits.  She'd be appalled if I had her coming out swinging a sword, arms covered in blood, as the "fiery daughter (or whatever) of [Insert Character Here]."  However, I have scattered clues about:  Elrond mentioned her grandfather's interactions with Men didn't always go smoothly, and cited Uldor as an example (I went back and changed that to Ulfang which is more obvious maybe) and made the reference to her grandfather's association with Haleth and her peoples.  The answer may be found here.  Said character's wife is yet another unnamed woman buried in a footnote.

Thanks again for the most welcome review!