In 1997, Maglor visits the musical The Scarlet Pimpernel shortly after the premiere, and one song in particular catches his attention.

Also featuring Fëanorian Stubbornness.

The ground is wet and rotten and the fire is wasteful, and madness slowly turns vices into virtues. Or is it the other way around?

Of how Huan came to be in Celegorm's care. Features a Vala without a sense of time, a puppy that does not yet know how to behave, and a curious little Elfling wanting to speak with birds and foxes.

After Fëanor’s death, Curufin writes a letter to his father and ponders with which name to sign.

An Orc dies; what happens when he wakes up again in the Halls of Mandos and is forced to remember that he too belonged to the race of the Eldar?

Curufin is troubled, and Fëanor decides to talk to him. Fluff!

Gondolin falls, and Maeglin has one last mission to fulfill: kill Tuor and claim Idril as his own.

Madness can be transmitted; or at least, the memory of madness can. When Nerdanel finds herself alone, she finds that the line between memory and madness is much more easily crossed than she ever thought was possible.

About Smaug and how he passed the Ages since his Master's defeat in the War of Wrath.

My personal view on the origins of Smaug, the last of the Great Firedrakes of the North, from his flight from Angband to his death in Esgaroth, because I don't believe such great Dragons appear out of nowhere.

Warning! Melkor is kind-of a good father-figure here ;)