The Book of Short Tales by Lyra

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Fanwork Notes

Chapters may vary in rating. For the most part, they're rated "teens" for some mildly disturbing subject matter, violence and the like. Chapters that require a higher rating are marked with an asterisk and an extra warning.

Fanwork Information

Summary:

A place to store short stories, ficlets and challenge responses that don't really warrant being archived on their own.

Newly Added: "The Good and the Bad". Young Aragorn discusses Noldorin history with Erestor.

Major Characters: Amandil, Aragorn, Aredhel, Aulë, Azaghâl, Beren, Caranthir, Celeborn, Curufin, Daeron, Durin I, Dwarves, Elwing, Erestor, Fëanor, Finarfin, Fingolfin, Finrod Felagund, Galadriel, Haleth, Idril, Maedhros, Maglor, Melian, Melkor, Nerdanel, Olwë, Original Character(s), Sons of Fëanor, Ungoliant, Vairë, Varda

Major Relationships:

Artwork Type: No artwork type listed

Genre: Alternate Universe, Crossover, Drama, Experimental, General

Challenges: B2MeM 2010, B2MeM 2011, B2MeM 2012, B2MeM 2013, B2MeM 2016, B2MeM 2019, With a Bit of Fairy Dust

Rating: Adult

Warnings: Violence (Mild), Violence (Moderate)

Chapters: 34 Word Count: 31, 316
Posted on 8 March 2011 Updated on 31 March 2019

This fanwork is a work in progress.

Table of Contents

Written for the B2MeM challenge for the Doors of Night: Your character has a chance to change a single event in his or her past, but doing such will forever alter the future. What will your character choose? What would they change, if anything? And how do you think his or her future would change?

In Mandos, Maedhros has a chance to consider what might have been - and learns something about the complexity of every decision.

A MEFA 2010 nominee. With bonus illustration by yours truly.

Written for the B2MeM 2010 challenge for Armenelos: Our characters often hold strong opinions, whether they be as serious as Fëanor's convictions about freedom from the Valar or as seemingly frivolous as Merry's belief in the superiority of Longbottom Leaf. Write a story, poem, or create an artwork in which a character must defend or discovers the opposite of a strongly held opinion.

The sad thing about "simple truths" is that they're never actually simple. Daeron sees the truth he's always clung to turned lie; Maglor fights for a conviction he no longer believes in; Amandil is forced to lie to keep his family safe.
Three double drabbles (as counted by Open Office Writer).

Written for the B2MeM challenge for Menegroth: Write a story or poem or create artwork that will illustrate the consequences of isolation.

Nerdanel finds a moment to ponder different forms of isolation - and its lack. A ficlet in six consecutive drabbles (as counted by Open Office Writer).


Thank you, Himring, for the nomination!
And a huge thank you to everyone who read and reviewed.
Awesome banner base by Esteliel.

Written for the B2MeM challenge for Dorthonion: Write a story or poem or create a piece of artwork reflecting identification with or connection to one’s land, country or culture.

Or write a story or poem or create a piece of artwork featuring kilts.

Very well! You want kilts, you get kilts!

In the early 19th century, two musicians witness the birth of a legend...


Thank you, Robinka, for the nomination!

Written for the B2MeM challenge for Himring: Write a story or poem or create artwork where characters make sacrifices in order to achieve their goals.

Maedhros sees his life flash before his eyes. Seven drabbles (as counted by Open Office Writer) on the sacrifices demanded by the quest for the Silmarils.

*This chapter rated "Adult" for mature themes, mention of violence, torture and suicide.

Written for the B2MeM challenges for
- Gondolin: Start a story or poem with Charles Dickens' famous opening line from A Tale of Two Cities: "It was the best of times, it was the worst of times."
- Balar: Write a story or poem or create artwork featuring unanswered requests, prayers or pleas.
- Mithrim: Write a story or poem or create artwork where the character conquers his or her fears.
- Rhosgobel: Write a story or poem or create artwork using one or more animals as symbols, omens, or metaphors.

Four double drabbles (as counted by Open Office Writer) centered on Elwing.

Written for the B2MeM challenge for Bree: Write a story or poem in which the exchange of gifts is featured, or use "gifting" as a theme for a piece of art.

Maedhros finds Caranthir's secret. On gifts material and immaterial - love, memory, absence, and the infamous Gift of Men.

Written for the B2MeM challenge for Sirion: Elves are one with Nature. What about Men? Hobbits? Dwarves? Write a story or poem or create artwork where the way different races relate to Nature is shown.

Elves are one with nature? Really? Haleth, at any rate, begs to differ...

Frustrated by obvious inconsistencies, a Fëanorian muses on the poets' treatment of the first kinslaying.
Written in an attempt to deal with a line that absolutely annoyed me in a fanfic I read a while back: I figured tackling the issue creatively was healthier than running around screaming, foaming at the mouth and starting a flame war...

*This chapter rated "Adult" for mention of blood, guts and gore.


Thank you, Grey Gazania, for the nomination!
And a huge thank you to everyone who read and reviewed.

For Instant Drabbling Friday Night, a triple drabble for the prompt The Key: Can open anything.

Sometime in the First Age, Nerdanel unlocks the past. A triple drabble according to OOW.

Written for the "Dwarves in the First Age" prompt, Durin the Deathless remembers coming to life and his maker Aulë, and for the "In a Manner of Speaking" prompt, "for pity's sake".

Durin recalls what must have been, on the whole, a really weird and disconcerting experience...
Officially my first piece of Dwarf fanfic! Yay!

Written for the "Dwarves in the First Age" prompt, Awakening of the seven Fathers of the Dwarves.

The Elves aren't the only ones who fill the early world with music... A drabble according to OOW.

Written for the "Maglor in History" prompt, Sturm und Drang.

Daeron is not happy with Maglor's response to the latest literary fad. Warning: Potential spoilers for Goethe's The Sorrows of Young Werther. Hey, fair is fair.

Written for three O67 prompts:
- "Silmarillion Fanon", Death of grief = fading;
- "Sons of Fëanor", Curufin and Nerdanel;
- "Women of Arda", Míriel.

In the middle of the night, Nerdanel has to convince young Curufin that she is not going to follow the example of his grandmother.

Written for the "Sons of Fëanor" prompt, "the cruel servants of Celegorm..."

Two of Celegorm's servants face Maedhros, who is Not Amused.

Written for three B4 prompts:
- "In a Manner of Speaking", Forever hold your Peace;
- "Silmarillion Fanon", Maglor the Mighty Wimp;
- "Sons of Fëanor", Maedhros alone stood aside.

As the swan-ships burn, the eldest sons of Fëanor have an argument.
Apologies to Immanuel Kant for shamelessly and inappropriately stealing his title.

This ficlet started out as a response to the B2MeM '12 prompts O67 (Scientific Achievement: Pharmacy and In a Manner of Speaking: Skeletons in the Closet) and G50 (Scientific Achievement: Medicine), and then languished in my WiP folder until I read the theme quote for Knowledge vs. Ignorance for B2MeM '13. So I thought I'd finish it, polish it, and post it at last!

Istimë muses on the price she (or her patients) had to pay for her knowledge.
B2MeM 2013 Day One--Knowledge vs. Ignorance

Begun for several B2MeM '12 prompts - N38 (Sons of Fëanor: Celegorm and Aredhel and I27 (Fëanatics!: Family Guy and TVTropes: Kill it with Fire); finally finished for B2MeM '13, March 1: Friendship.

Celegorm regrets the loss of a friend.
B2MeM 2013 Day One--Friendship

Begun for B2MeM '12, B13 (B13 TVTropes: Tangled family tree!, Women of the Silmarillion: defying expectations and Here we come a-caroling: And they looked up and saw a star), but yet again left to languish in my WiP folder. Finally finished for B2MeM '13, March 1, "Judgement" -- I love that Gandalf quote excessively, but once again it made me think of quite a different story...

Elwing finds herself judged, and muses on double standards.
B2MeM 2013 Day One--Judgment

Started for a couple of B2MeM '12 prompts (O65: Women of the Silmarillion: women of Gondolin, Scientific achievement: statics, Smells: soap, TvTropes: Overshadowed by Awesome and O62: Women of the Silmarillion: Passing the Bechdel test), finally finished for one of the B2MeM '13 prompts for March 12 (Idril's feelings concerning Maeglin).

Idril disliked Maeglin before she even found out about his obsession with her. Here is why.
B2MeM 2013 Day Twelve

At last, a story that's wholly B2MeM '13! Inspired by the Númenor quote for March 4 (Breaking the Ban of the Valar), and incidentally also covering March 5 (Going aboard the Alcarondas), March 8 (Persecution of the Faithful), March 9 (the Gift of Ilúvatar), March 12 (Ilúvatar changing the fashion of the world). Oof! Quick, post it before yet another prompt comes along!

"... and there was little wind, but they had many oars and many strong slaves to row beneath the lash." One of these slaves looks back on when it all started to go terribly wrong.
B2MeM 2013 Day TwoB2MeM 2013 Day FiveB2MeM 2013 Day EightB2MeM 2013 Day NineB2MeM 2013 Day Twelve

*This chapter rated "Adult" for allusions to extremely disturbing subject matter, such as human sacrifice and cannibalism.

Started for the B2MeM '12 prompt N31 (Fëanatics!: Fëanor hugged his kids and TvTropes: Royals who actually do something) and finished for B2MeM '13, Wildcard Day: "Finish something!" (My WiP folder will be forever grateful for this task.)

Fingolfin reflects on his difficulties with the uninhibited behaviour of children.
Back to Middle-earth Month 2013

Once again, this one began life for B2MeM '12 (B15 - Dwarves in the First Age: Azaghâl gives Maedhros the Dragon-helm) and then languished in my WiP folder. But it kind of fits the B2MeM prompt for March 18 (battle-gear of the Dwarves for the Nirnaeth Arnoediad), so I brought it to a close.

Before the Nirnaeth, Azaghâl brings Maedhros a rich token of his gratitude.
B2MeM 2013 Day Eighteen

Another beneficiary of the B2MeM '13 Wildcard task "Finish something".
This one was begun for the "With a bit of fairy dust" challenge, continued for the B2MeM '12 prompt N31 (Crossovers I: ... with a fairytale or folktale), and left unfinished... until today. Also covers the March 1 prompt "Zeal" (Oath of the Fëanorians, Lays of Beleriand alliterative edition).

Two very different lovers find themselves on a very similar quest. A Lay of Leithian/Taketori Monogatari crossover.
Back to Middle-earth Month 2013B2MeM 2013 Day One--Zeal

A response to the B2MeM '13 prompt for March 28: But Morgoth himself the Valar thrust through the Door of Night beyond the Walls of the World, into the Timeless Void [...] Yet the lies that Melkor, the mighty and accursed, Morgoth Bauglir, the Power of Terror and of Hate, sowed in the hears of Elves and Men are a seed that does not die and cannot be destroyed; and ever and anon it sprouts anew, and will bear dark fruit even unto the latest days.

Imprisoned in the battle-camp of the Valarin host after the War of Wrath, Melkor receives an unexpected and unwelcome visitor... and does some last-minute sowing.

Toeing the AU line; you decide which side of the line it's on.

Some of the allusions in this piece may make more sense if you've read the first chapter of The Tempered Steel (warnings for torture and other forms of violence). Not that I'm pimping my own fic here. >_>
B2MeM 2013 Day Twenty-Eight

Oh look, I wrote something for the actual March 1 "Friendship" quote after all! Because I just can't leave Maedhros and Fingon alone.

There can be, Findekáno knows, no forgiveness and no reconciliation.
B2MeM 2013 Day One--Friendship

Begun for B2MeM '12's B6 (Fëanatics: Daddy Issues); continued and finished for B2MeM '13's prompt for March 19, O (Fëanorians exploring all of Valinor up to the Outer Sea).

Fëanor makes plans for his sons' inheritance. Unfortunately, few things go according to plan. - A quintuple drabble (according to OOW).
B2MeM 2013 Day Nineteen

Started for a couple of B2MeM '12 prompts: N38 (Women of Arda: Galadriel; Women of the Silmarillion: Women of Doriath; Dwarves in the First Age: Melian and the Dwarves), I27 (In a manner of speaking: Blind as a bat) and B4 (Women of Arda: Lúthien; Economy: Luxury Items; Botany: Elanor).

Melian has invited some Dwarvish craftsmen to create a begetting day gift for Lúthien, and asked Galadriel to help her choose. But first, a PC briefing is in order...

In a discussion about femslash a few days ago, I snarked that I wouldn't touch it if the pairing didn't work for me, like Varda/Thuringwethil. About 24 hours later, I was bitten by a plotspider. It seems that Varda/Thuringwethil doesn't work for me, but Varda/Ungoliant does...

Kinda experimental, but there you go.

For different B2MeM '12 prompts, I started three separate stories in which Caranthir defended the achievements of the Dwarves against critical brothers. I never finished any of these stories and probably never will, so for this year's "Memories" theme, I finally condensed each of them into a drabble to make up a short series.
Touching the following BINGO prompts:
N33 (Economy: "Infrastructure" and Here we come a-caroling: "You might even say it glows");
G51 (Scientific Achievement: "Print")
G59 (Dwarves of the First Age: "Curufin receives Angrist")
Also sort of covers the 2009 prompt for March 17 (stereotypes).

Curufin is unimpressed with Caranthir's neighbours. Caranthir showcases some of their achievements to change his brother's mind.

Begun and abandoned for the B2MeM 2012 BINGO Bash (Woman of the Silmarillion - G51 - Women who survive). Inspired by GoldSeven's "All the others, gone". Dug out and polished for B2MeM 2016. Also sort of covers the B2MeM 2011 prompt for March 19: "Write a story or create a piece of artwork centred on meetings or reunions."

While preparing for the War of Wrath, Finarfin has the most important meeting of them all.

Melkor discovers the power of a mother's voice. (AU, somewhat cracky)

On her first evening in Doriath, Galadriel is desperate for a drink.

Written for B2MeM 2019, for the prompts "Overcoming my past" (Person vs. Self) and "Who now shall refill the cup for me?" (Tolkien Quotes), both I20. A slightly irreverent take on the prompts. I apologise.

Young Aragorn discusses Noldorin history with Erestor, touching upon matters of good and evil, tough choices, and how to deal with mistakes.

Responding to various B2MeM prompts:
On the Fëanatics card, 072 (Fëanor: saviour of Middle-earth), I18 (In Beleriand... freedom fighter), B14 (The war of Telerin Aggression) and I25 (Knight in shining armor);
on the Person vs. Self card, I16 (peer pressure), I24 (making tough choices) and N44 (self-doubt);
on the Emotions card, N44 (amusement);
and on the Mary Oliver 1935-2019 card, G55 (perfect imperial distance).


Comments

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Very nice.  I really like how you delved into the inevitable process trial and error in medicine, particularly pharmacognosy (a subject near and dear to me), and your astute nod to the history of the results — some successful and some very grim — in our primary world.  And THANK YOU for presenting Elves that are, in fact, vulnerable to poison and serious injury.  Oooh, and I really like Istilmë!  Hat's off to a nicely drawn OFC.

Thank you! And phew, I can't tell you how relieved I am that you don't find any obvious fault with this. I'm always terrified that a professional (in whatever science or craft I just wrote about) will read my fic and be horrified at how badly I misrepresented it, so if you enjoyed this, I hope I didn't make any terrible mistakes.
Originally, Istimë was little more than a name I came up with because I needed a boss healer for "The Tempered Steel" - but she has since grown on me (and in character). She deserves it! So I'm glad you like her, too. :)

This was wonderful! I've been pondering many of the same questions for Estelindë (who you know owes a lot to Istimë), though her focus is different, having done something of a more organized tutorship under Estë, and without the trial-and-error approach of Cuiviénen. She could definitely benefit from a slice of the wisdom Istimë has, and her own story of unlearning pride will come at some cost, too.

This was a great read, and well-written as per usual! :)

Celegorm through and through! Loyal and protective but poor on insight.

We were never in love.

my cousin, my best friend, the one woman I might have been tempted to marry.

Little wonder he would cut Eol to pieces!

I've always felt for Aredhel who seems to be in control of what's happening until she isn't any more. Your politically savvy, cunning version is perfect.

Great story!

This is an excellent addition (and commentary!) to the dialog about Elwing and giving her a say in the matter. 

He was a rising star, a hero, and no-one said, heartless father, unnatural man, how could he leave his family behind, unprotected while he roamed the sea on a wild-goose chase?


Whoa. Does that ever hit home and so appropriately, too!  I love your response to the prompt, and this ficlet provides a LOT of food for thought.  Your fic's a great example of how we can read Tolkien's text and its view from 30,000 feet and delve into a character's perspective.  Nothing is quite as black and white as it seems, and you've nicely demonstrated this with a sensitive and sympathetic portrait of Elwing. I think The Flammifer's Wife and Darth's Blood as Warm as a Bird make for a nice literary diptych in defense of Elwing's motivations.

 

You're definitely right about the double standard applied to Elwing by readers. I think that what should be considered is that her misjudgement about what the Feanorians would do for the Silmaril meant death and destruction for a lot of people at the Havens beyond her direct family (who were extremely lucky). But the same can be said of Earendil's actions - and he's a hero! His ultimate fate isn't enviable either, though.

She definitely made a couple of bad decisions - the combination of Silmaril addiction, some (possibly misguided?) belief that they had to be kept from the undeserving, and the massive grudge she must have born the Fëanorians just isn't a good base for wise decisions. But I think that while it certainly wasn't wise of her, it's certainly relatable, so at least some of the grief Elwing gets is a bit unfair. Plus the frequent combination of "There are no women in Tolkien who get to defy role expectations and get away with it" AND "How could Elwing abandon her own sons?!" - that really has me scratching my head!
Yeah, Eärendil's fate doesn't sound all that great to me, either. But he loved to sail, and some of his descendants would've done a hell of a lot for immortality... maybe he's happy with it. :P

Nicely done, and you have a good point, too.  I do not like Elwing's decisions, but my dislike is founded mostly on what seems like silly judgment regarding the jewel; she lived through a demonstration of what the sons of Feanor were willing to do to get the thing, and I want to grab and shake her for not leaving, evacuating her people (or her sons, come on--), whatever.  Something to mitigate the apparently terrible losses at Sirion.

But your story reminds me that, actually, we don't know what she did in detail.  Maybe she did attempt to respond sensibly and we just don't see it.  Maybe in this case my imagination made it all seem worse than it was, and I should give her another chance.  The kinslayings are so vividly denounced that it's easy to imagine they're incomparably bad.

So uh, anyway.  Sorry for the ramble.  Long story short: you made me think.

I agree that Elwing made some bad decisions - but how rational would somebody decide while under the influence of Silmaril addiction (we're told these things have weird effects on their owners!), convinced that the "Fate of the World" wrapped up in those jewels shouldn't get into the hands of the undeserving, and bearing a huuuge grudge on the Fëanorians (who are technically her uncles-in-law, so it all would've stayed in the family!)? Not very, apparently!

We're told that Elwing doesn't actually say "no" -- she's trying to buy time by saying she can't make any decisions while her husband is out at sea. That may have been a bogus excuse, as the Silmaril is her heirloom, not Eärendil's, but we don't know about property laws among the people at the Havens (under Anglo-Norman law, a woman's possession tended to become her husband's property when she married, which is why wealthy widows were very attractive matches in those days -- now of course, Tolkien wasn't overly fond of the Normans, anyway, this is leading a bit too far here), so maybe technically it really was Eärendil's property! Be that as it may, the sons of Fëanor got tired of waiting and attacked - it could be argued that Elwing couldn't have expected that so soon. After all, she hadn't told them "No you won't get it", just "Can't negotiate now, TTYL"! ;)

No need to apologise! I love long replies, especially when they make me think, too! :) Thank you, and I'm glad you enjoyed this little piece.

Very interesting. I like this portrait of Elwing.

And what if she had not jumper? What if she "had not abandoned" her children? Most probably she would've been dead. In the battle, the Feanorians would've probably killed her; maybe they would've regretted it, but only much later, when the heads cooled down. But that would've been too late.

Thank you!

I'm not sure what people expect. Yes, I agree she'd be dead! But maybe it would be ok because at least she wouldn't have left her post! :P I guess it's as Éowyn says, much later? "You have leave to be burned in the house, for the men will need it no more." That's what's bugging me so much about the "Elwing abandoned her children, how could she?!" argument -- I feel it's not terribly well-thought out, really. I understand that people question the choices she made - they weren't terribly wise. But that bit? Doesn't fit.

Come on, they have to do something with all that time!

 

Absolutely! I totally agree with you. If they didn't learn - all their lives - wouldn't they slowly die intellectually? I remember a friend told me once that Arwen surely hadn't known how to use a sword (referring to movie version). But hey, she was 3000 years old at the time of the War of the Ring! She had enough time to learn not just how to use the sword, but to learn ALL the crafts in the world.

Yay for education, and thumbs-down for narrow-mindedness. Perfectly written.

3000 years old, and considering that at least some of the Elves apparently relied on the women to defend their homes when all else failed, I'd expect that those women would get at least some basic training in the arts of war. That's only sensible, right?

Anyway, glad you liked this - thank you for letting me know!

Whoa!  Now this haunting ficlet is exceedingly shudderworthy...and I mean that in a good way!  Very nice job in getting into your narrator's head space and conveying the desperation then the resignation.  Realism interwoven with the fantastical invariably appeals to me, and you've executed that in a morbidly beautiful way here, conveying the claustrophobia of entrapment and finally by asking the question:  "What happens when there are no more horses to eat?"  and then...the ghastly speculations.  

Really nice work, Lyra!

Yes, it's maybe not ideal bedtime reading... but I'm glad you liked it! It's hard to bring realism into this episode, with its supernatural shenanigans and undead and whatnot, so I'm glad you found some of it anyway. (I think they're all behaving too sanely in the last paragraphs, but I wanted the whole thing narrated in a rather sober and matter-of-fact tone, so excessive panic or an uprising or the bloodbath they'd likely have had on their hands much sooner wouldn't have worked. Some other time, maybe.) I hadn't even planned for the particularly ghastly end, but once I'd reached the entrapment part it more or less wrote itself...
Anyway, thank you, I'm thrilled you enjoyed... well, not sure that's the right word. I'm thrilled you think this is plausible and "shudderworthy in a good way", there!

You think a "If you've read the Silmarillion, nothing in here should shock you" warning should have sufficed for this one, too? ;)
Seriously though, yes, that is a rather grim chapter. But it's all dealt with so swiftly that the horror doesn't quite have time to build up. If you give them more time, they do become... well, more palpable, just as you said.

Well, I like it better than "she was vain and too stupid to realise that a white gown was a bad idea". So I asked myself "Why would I do that?" and the answer was clearly "Revenge. Make it easy for him to follow you, then laugh when the guards slaughter him." It's unfortunate for Aredhel that the guards were having their merciful day...
Well, Tyelko's more experienced as far as bad decisions are concerned. (Doesn't stop him from making more of them later... oh well, it's always easier to analyse someone else's situation than it is to analyse your own. *sighs*)

Yes! They have to do something in their immortal lives and learning seems a very Noldorin concern (especially topics that would later on be of practical use!). And though Idril is the main character (secretary of education: fantastic!), Elenwë is the heroine of this story.

Creepy Maeglin. He definitely took after his father!

So glad you enjoyed this one! I have to admit that Idril and Elenwë are characters that I normally overlook completely. I tried to make amends with this little piece... it seems to be working! :)

Yes, definitely. I'm sure he didn't want to, but then I don't think he actually had much of a choice... I'm not always sure whether I should pity him or dislike him. Possibly both!

I love this. I believe every word of it. Very convincing description of the differences between the two men in the way they would have related to children. Particularly enjoyed the ending and this part:

I did not play with them; I did not tell them stories. I did not lift them up and throw them into the air and catch them, rubbing my nose against theirs and laughing with them in the undignified manner Fëanáro had around children. I did not carry them around when they were too tired to keep themselves entertained, crooning silly lullabies until they fell asleep against my shoulder, the way Fëanáro would. Very immediate and rings so emotionally true.

I'm feeling slightly guilty because of course I have no real reason to assume that Fingolfin would have been so distant. But, well, I just love Fëanor too much to try and do his half-brother justice! ;) I only recently realised just how biased my idea of Fingolfin and Fëanor as fathers is when, in the story I'm betaing, things were the other way round (Fëanor as the stern, distant perfectionist; Fingolfin as the kind, present father) and that completely threw me off track until I reminded myself that yes, that absolutely is a legitimate interpretation, too. The dangers of head-canon...
Anyway, thank you!