A gift is forged in Middle-earth and passes through many hands to crown a queen. Written for the Team Storytelling challenge. Author and art credits are in the chapter notes.

As the new lord of Ost-in-Edhil, Celebrimbor must preside over a Yule festivity lacking what he loved of the celebration when he was younger, elements that have become fraught by association with Fëanor, but Annatar has a surprise for him.

Fingon is constantly pushing Maedhros's boundaries, but this time, he has gone too far. Put on mandatory sick leave after an injury, Maedhros decides to spend his three weeks recuperating alone, setting Fingon on a chase across Aman to find and make amends to his lover ... and yes, transgress one more boundary, one more time. Maedhros/Fingon. Written for Oshun, for the occasion of her 100th character biography.

A collection of drabbles written for the 2019 Solstice Instadrabbling on the SWG Discord. See the Table of Contents for summaries (and content warnings, if needed) for individual pieces.

In this review of Dome Karukolski's biopic Tolkien, I consider the role of fictionalization, dangling threads, and of course the power of fellowship in art.

A collection of drabbles written for instadrabbling sessions on the SWG Discord.

In a post-apocalyptic world where only scraps of humankind survive, Eka discovers the lingering fëa of an Elf and is able to imagine a very different world. Written as a treat for Tolkien Reverse Summer Bang, for the artwork "Courting of the Wood Nymph."

After the Darkening of Valinor, Anairë is sent to Alqualondë to offer aid and allegiance after the horror of the kinslaying. There, she finds Eärwen, her lover of old and beloved friend, left to care for her people amid her own inconsolable grief. Anairë and Eärwen will care for each other as they mourn the myriad ways their lives have changed forever with the Darkening and the exile of Anairë's family. It may be the rekindling of their ancient love that is the only force with strength enough to save them--and their people. Anairë/Eärwen; written for the 2018 Tolkien Reverse Summer Bang.

This is a collection of drabbles (exactly 100 words) written for the instradrabbling session for the SWG's 13th birthday. See individual chapter summaries under the Table of Contents for summaries and any warnings.

The Valar present an interesting case study of sexism in Tolkien's legendarium because they occupy a prototypical role, representing Iluvatar's intentions on how the universe should operate. My research shows that the female Valar not only appear far less frequently in The Silmarillion than the male Valar but are less involved, less assertive, and speak less.

Caranthir is a socially awkward public servant and Amarië is a politically radical performance artist when a prestigious battle of the bards entices them to come together in an unexpected friendship that produces an even less-expected new musical genre. Part of the Republic of Tirion series but you don't have to be familiar with the other stories to understand this one. Also featuring the printing press, underground nightclubs, an electric guitar, and Caranthir's bitchy resting face.

Tolkien's creation story the Ainulindalë includes many archetypal elements. This essay explores the deus faber or god-as-maker element and why creation from vocal song is vitally important to legendarium.

On two occasions, Finwë was late for Fëanor's departure into the North. This story explores the complexity and evolution of the relationship between Finwë and Fëanor.

Idril sits down to dinner with her cousin Maeglin shortly after the deaths of his parents. What begins as an uneventful meal dominoes into resentment and defensiveness as her own traumatic memories of her mother's death surface.

Not all of the Eldar believed Valinor would be superior to Middle-earth. Having followed the man she loves from the land she loved also, Míriel struggles to cope with a strange life in a strange new land.

The death scenes of Fëanor and Fingolfin parallel each other closely in plot, beginning with the rash pursuit of single combat with Morgoth. Yet the manner in which the narrator of The Silmarillion, Pengolodh, employs language and symbolism leads to two very different conclusions that likely served to advance Pengolodh's political and personal agenda. Written for B2MeM 2017 for the prompt "Analyze a Chapter or Passage" on the nonfiction (orange) path.

Fantasy writers, including creators of Tolkien-based fanworks, have long struggled to depict the "otherness" of realms like Aman. In the past, the Tolkien fan fiction community showed a preference for an idealistic portrayal of Aman that left little room for imperfection. My work has long taken the opposite approach, and in this essay, I argue for the artistic need and canonical basis for grounding stories set in Aman in a more recognizable reality of human experience. This essay was written for Back to Middle-earth Month 2017 for the orange/nonfiction path with the prompt "Worldbuilding."

When Turgon discovers a forbidden affair between his sister Aredhel and cousin Curufin, he has all intentions of telling his father. But Aredhel and his cousins devise a way to keep safe the secrecy of an affair that will span ages. Aredhel/Curufin/Celegorm

It is the Fifth Age of Arda. Finarfin has unkinged himself and declared Tirion a democracy, and the Noldorin people are alive with the possibilities to be found in their new existence. Yet Maedhros, more than ten years after his release from the halls of Mandos, has retreated to a life of apathy and loneliness, until one day, Anairë comes to deliver him news that he never hoped to receive: His cousin Fingon has been released from Mandos. (Maedhros/Fingon)

Elwing is a troubled child, acting out to avoid facing the trauma of her past. During the survivors' first Yule at Sirion, mariners from Balar bring gifts to the refugees, and inspired by their benevolence, Elwing and Eärendil remake an old tradition into a new symbol of hope. For Talullah Red.