Elrond and Elros are haunted by what happened and also by what did not. They live with it.

Minor catastrophes cluster on the site of an archaeological dig and someone even gets hurt. But it could be worse, as an unexpected arrival changes the course of events. Then something happens in the middle of the night... And it turns out that our heroine can't tell anybody, at least not in (academic) print.

Now with bonus gapfiller from Maglor's point of view.

A Dwarf, a Man, and an Elf race across a grassy plain... Except that these three are original characters of the First Age racing across the plain of Ard-galen and their plight is rather different.

A moment in the recovery of Celebrian in Valinor.

Not everyone needs a train trip to Niggle's Parish in their afterlife.
How about some other trees by a rather famous painter instead?

It is deep winter. Beorn and his friends settle down to a well-deserved rest.
Double drabble.

Early in the Second Age, Gil-galad receives an important collaborator.

It is a bit nerve-wracking, courting a princess of the House of Elros.

Elatan of Andunie hopes he is up to her standards.

At the Mereth Aderthad, the Feast of Reunion, plenty is always going on: so many people, so many encounters and interactions, tensions and forging of friendships .

That night, in this moment, in this little corner of Mereth Aderthad, nothing happens. Almost nothing. But it fails to happen with some intensity.

Banner made for the series by Lingwiloke (Fandom Stocking 2016)

The main story arc of this series goes from just after the rescue from Thangorodrim to Maedhros's death. However, the narrative is not strictly chronological - there are flashbacks, flashforwards and recounted memories. These span from Maedhros's childhood in Tirion to his release from Mandos just before the end of Arda. The individual stories are told from different points of view: Maedhros himself, Fingon, Maglor and Elrond. Although the upshot of the series is that it is pretty tough being doomed all the time, some bits are a lot more gloomy than others. All the dialogue was even wittier before being clumsily translated from Quenya. Considering the subject matter, very little blood and gore (I think). The ratings and warnings for individual sections differ greatly from the overall rating: see the individual stories.

ETA: Since I wrote this description of the series, it has snowballed in all directions. I feel that the description ought to be revised, but it is difficult to know exactly how to tweak it. You may wish to compare the more recent description of the series (with notes) on AO3: http://archiveofourown.org/series/36091

Other links that might be helpful are these: a fragmentary timeline (https://hhimring.dreamwidth.org/61360.html), and a listing of original characters: http://hhimring.dreamwidth.org/69187.html (both on my Dreamwidth journal)

Illustrations to the series by Alasse now separately posted on AO3: https://archiveofourown.org/works/20456276/chapters/48536480

An exchange between Celebrimbor and Celeborn before the Fall of Eregion and its aftermath.

Set after the First Age, probably during the Second Age: Finrod is invited to a small private concert in Alqualonde by members of the Falmarin music academy. Introduced to a piece of music he had no idea existed, he is taken aback. 

Now with a related poem: "No more laments for me" posted as second chapter.

Short extracts from Pallando's notebook, mirroring encounters of the Blue Wizards in the East.

A haiku about Thuringwethil and Tilion. (I added a photo.)

The story of a young eagle: how and why she made her way from Valinor to Beleriand.

Young Arwen and a very special necklace.

 Galadriel prepares a gift for Sam.

At the time of the Darkening, widowed Indis, having left Tirion, asks her daughter Findis to accompany her to Valmar. 

Lalwen's last stand and her defiance.

The historian Pengolodh, faced with the destruction of his city, rescues what he holds most dear.